Tag: Opera

  • Vittorio Giannini Composer Remembered

    Vittorio Giannini Composer Remembered

    Happy birthday, Vittorio Giannini!

    Giannini was born in Philadelphia in 1903. He studied at the Milan Conservatory, after which he earned his graduate degree from Juilliard. He then taught at Juilliard, the Manhattan School of Music and the Curtis Institute.

    Arguably his most important contribution as an educator was the foundation in 1965 of the North Carolina School of the Arts, which he envisioned as a Juilliard of the South. The school attracted to its faculty such luminaries as Ruggiero Ricci and Janos Starker. Giannini died the year after it opened, in 1966.

    He was from a family of opera singers. His father founded the Verdi Opera House in Philadelphia. One sister taught voice at the Curtis Institute of Music and the other sang at the Metropolitan Opera. Giannini himself composed 14 operas, including “Lucedia,” “The Scarlet Letter,” “The Taming of the Shrew,” and one for radio, “Beauty and the Beast.” Two, “Casanova” and “Christus,” remain unperformed.

    Not surprisingly, then, in his day he was known largely for his vocal music, but his Symphony No. 3 for wind band has fared best on disc. There are seven recordings in the current catalogue, from the classic release directed by A. Clyde Roller on the Mercury label to one of the later-in-life, digital recordings of Frederick Fennell.

    Daniel Spalding, enterprising music director of the New Jersey Capital Philharmonic, recorded the Symphony No. 4 with the Bournemouth Symphony, for Naxos. We’ll hear that recording in the 4:00 hour.

    Spalding will conduct the Capital Philharmonic of New Jersey this Saturday, Oct. 22, at the Trenton War Memorial. The program will include Aaron Copland’s “Fanfare for the Common Man,” Antonin Dvorak’s Symphony No. 9 “From the New World,” and Peter Boyer’s “Ellis Island: The Dream of America,” a stirring work for actors and orchestra, on texts of actual émigrés who came to the United States in search of a better life. You can read all about it in my article in the Friday edition of the Trenton Times. Or you can get a sneak preview here:

    http://www.nj.com/times-entertainment/index.ssf/2016/10/classical_music_njcp_performin_2.html

    Later on this afternoon, we’ll have music by Norwegian composers Edvard Grieg (performed by Emil Gilels on the 100th anniversary of his birth) and Geirr Tveitt. Listen in from 4 to 7 EDT on WWFM – The Classical Network, and at wwfm.org.

  • Remembering Pavarotti Superstar & Goats

    Remembering Pavarotti Superstar & Goats

    So as not to completely neglect Luciano Pavarotti on the anniversary of his birth, here he is charming the pants off an audience, with an anecdote about being caught without his. I really miss this guy, one of classical music’s last superstars. Pavarotti died in 2007 at the age of 71.

    Pavarotti in “Yes, Giorgio” (1982) – from the director of “Patton!”

    https://www.youtube.com/watch?v=HUSC2MUAp5Y

    With all due respect, Pavarotti with goats:

  • Happy Birthday Dame Janet Baker A Legend

    Happy Birthday Dame Janet Baker A Legend

    Happy birthday, Dame Janet Baker!

    An appreciation that ran in The Telegraph in 2013:

    http://www.telegraph.co.uk/culture/music/opera/10252457/Janet-Baker-a-dame-but-not-a-diva.html

    A fascinating interview from earlier this year with Joyce DiDonato:

    Baker’s classic recording of Berlioz’s “Les Nuits d’ été with Barbirolli:

    Live (performance begins at 10:37):

    Elgar’s “Sea Pictures”:

    Baker as Purcell’s Dido:

    Baker as Berlioz’s Dido (in English!):

  • Peter Grimes at Princeton Festival

    Peter Grimes at Princeton Festival

    “Write what you know” is the frequently dispensed advice to young writers. It could just as easily apply to composers, especially if the composer happens to be Benjamin Britten.

    Britten was born in a Suffolk fishing port in 1913. The sights and sounds of the sea were in his blood. Powerful musical evocations of the sea pervade his opera, “Peter Grimes,” which was given its premiere in 1945.

    Additionally, the burden of adhering to his principles as a conscientious objector during the war and a lifelong struggle to remain to true to himself as a homosexual in an intolerant world likely informed his sympathetic portrayal of a tortured outsider hounded by an insular coastal community.

    Britten’s emotionally complex masterpiece is this year’s opera offering from The Princeton Festival. Performances will take place at McCarter Theatre Center’s Matthews Theatre on Saturday at 8 p.m., June 23 at 7:30 p.m., and June 26 at 3 p.m.

    Discounting the popular (though lighter-weight) collaborations of W.S. Gilbert & Sir Arthur Sullivan, “Peter Grimes” was the most successful opera to emerge from England in the 250 years since the death of Henry Purcell in 1695. “Grimes” is worlds away from “H.M.S. Pinafore.”

    Read more about the opera and the Princeton Festival’s exciting new production in my interview with stage director Steven LaCosse in today’s Trenton Times:

    http://www.nj.com/times-entertainment/index.ssf/2016/06/classical_music_peter_grimes_a.html


    Britten’s masterful “Four Sea Interludes” from “Peter Grimes”:

    PHOTO: Britten at Aldeburgh, the Suffolk coastal town where he founded his festival of music and the arts in 1948

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