Tag: Roy’s Tie-Dye Sci-Fi Corner

  • 2001 A Space Odyssey & Star Trek Director Chat

    Here’s our epic bull session about “2001: A Space Odyssey” – nearly as long as the movie itself (though not quite). It probably would have been a little shorter had we not gotten sidetracked by a shared obsession with childhood model-building. But, much like “2001” itself, the journey is the destination.

    It was great to reunite with my cousin, and Roy’s lifelong friend, Joe Metz, now living in Utah, whose favorite film “2001” is.

    Speaking of epic conversations, Roy’s special guest tomorrow night will be director and writer Ralph Senensky. Senensky will talk about his extensive body of work for television, amassed over the span of a quarter century. Of particular interest to sci-fi fans will be his anecdotes about having directed six classic “Star Trek” episodes.

    Tune in for a chat with this “Enterprising” director. The next Roy’s Tie-Dye Sci-Fi Corner will be livestreamed on Facebook, this Sunday evening at 7:00 EDT!

    https://www.facebook.com/roystiedyescificorner

  • 2001 A Space Odyssey Revisited

    2001 A Space Odyssey Revisited

    Despite anything you may have heard from Heywood Floyd, there is no outbreak at Clavius Base.

    I’m moving to Clavius.

    On the next Roy’s Tie Dye Sci Fi Corner, we’ll be joined by my cousin, and Roy’s lifelong friend, Joseph R. Metz, for a discussion of one of Joe’s favorite films, “2001: A Space Odyssey” (1968).

    Stanley Kubrick’s masterpiece is visual, cerebral entertainment of a kind that defies description. It is that rare film that lives up to the overused adage “seeing is believing.” Boundary-pushing special effects, an unconventional story arc, and a ruminative structure that, like the mysterious Monolith that propels mankind’s development, takes a very long view – it’s a vision so ambitious that it could only be conveyed in Cinemascope.

    It’s not every film that can make a cultural superstar out of György Ligeti. Ligeti, in retrospect, perhaps the most significant figure of the 1960s musical avant-garde, takes his place in the interplanetary pantheon alongside Johann and Richard Strauss.

    Amazingly, Kubrick gets just about everything right, except for the year – presumably selected because it signifies a new century, but also no doubt predicated on the assumption that the space program would continue to develop at full 1960s steam. And for the “product placement.” Every corporation cited in the film has long since gone out of business! And what’s the deal with those red Djinn chairs? But to the best of our knowledge, from our current perspective, and without a time machine, “2001” is about as credible as it gets.

    I understand the deliberate pace and “show-don’t-tell” narrative may not be to everyone’s taste, and that Kubrick’s approach would probably seem as alien as any extraterrestrial intelligence to someone coming to the film for the first time from the punched-up digital age of sensory overstimulation. But returning to it now, after many years, I have to say “2001,” for me anyway, has only gotten better, and somehow faster. It is so refreshing to rediscover a film that is so… cinematic.

    Put your narrative expectations aside, take a chill pill, or drop some acid (as some did, back in the day), and marvel at the slow burn that is “2001: A Space Odyssey.” We’ll be riding a bicycle-built-for-two with HAL-9000 (with a sidecar for Joe), on the next Roy’s Tie-Dye Sci-Fi Corner. All our bones will be but stepping stones to a rendezvous with the moons to Jupiter. Leave your tapir meat in the comments section, as we livestream on Facebook, this Friday evening at 7:00 EDT!

    https://www.facebook.com/roystiedyescificorner

  • Roy’s Tie-Dye Sci-Fi Corner Podcast

    Haha… I turned “Darby O’Gill” into a drinking game, and I didn’t tell Roy.

    If you’re a fan of classic “Star Trek,” you’ll want to be on hand for Roy’s conversation with another veteran of the original television series, Michael Dante, who played Capellan leader Maab, alongside Julie Newmar, in the episode “Friday’s Child.” In addition to his work in 30 films and 150 television shows, Dante was also a professional baseball player, playing with the Boston Braves and the Washington Senators. Tune in for Roy’s pitch-perfect interview Sunday night at 7 pm EDT.

    Then join us next Friday, when we rendezvous at Clavius Base with my cousin, Joe Metz, to chat around the monolith about one of his all-time favorites, “2001: A Space Odyssey.”

    Open the pod bay doors and leave your comments. Roy’s Tie-Dye Sci-Fi Corner livestreams on Facebook, Fridays and Sundays at 7 pm EDT!

    https://www.facebook.com/roystiedyescificorner

  • Darby O’Gill Sean Connery & Wee Folk

    Darby O’Gill Sean Connery & Wee Folk

    It’s the “come hither” King Brian will be putting on you, on the next Roy’s Tie-Dye Sci-Fi Corner, as we settle in with our clay pipes, and with our pints in our fists, to discuss “Darby O’Gill and the Little People” (1959).

    Walt Disney’s tall tale about the wee folk makes clever use of matte paintings and forced perspective shots of a type later embraced by Peter Jackson in “The Lord of the Rings” trilogy. But no special effect can disguise a 29 year-old Sean Connery, singing and flashing his dimples, as he attempts to handle a scythe.

    Draw we round the cheerful ring. Two days after St. Paddy’s, we’ll be doling out the blarney, and laughing and weeping and donnybrooking for 60 hours and counting. Leave an eight-pack of Guinness in the comments section. There’s a pot of gold at the end of every rainbow, as we livestream on Facebook, this Friday evening at 7:00 EDT.

    https://www.facebook.com/roystiedyescificorner

  • Perfect Match Murders Live Stream Darby O’Gill Review

    Perfect Match Murders Live Stream Darby O’Gill Review

    The tie-dye is at the dry cleaners this weekend, as Roy takes off to appear in another mystery, “The Perfect Match Murders,” courtesy of Country Gate Players in Belvidere, NJ. Performances will be live-streamed, via Zoom, tomorrow at 8 pm EST and Sunday at 2 pm EDT. Admission is free, but donations help support the playhouse, which has been hard hit, like everyone else, by the deprivations of Covid. To register, visit billscurato.com.

    Roy and I will reunite next Friday to chase away your delirium tremens, with a post-St. Patrick’s Day discussion of “Darby O’Gill and the Little People” (1959). This Walt Disney classic pioneered forced perspective effects of a type employed so effectively in Peter Jackson’s “The Lord of the Rings” trilogy. Furthermore, it boasts an early film appearance by the late Sean Connery.

    Be sure and save yourself a hair of the dog. We’ll see you next Friday, even as we’re seeing double, on Roy’s Tie-Dye Sci-Fi Corner.

    https://www.facebook.com/roystiedyescificorner

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