Tag: Russian Revolution

  • Russian Revolution Music on WPRB

    Russian Revolution Music on WPRB

    Attention, comrades!

    This Thursday morning on WPRB, we mark the centenary of the Russian Revolution with music by heroes, villains and victims of the mercurial Soviet system.

    Dmitri Shostakovich, Sergei Prokofiev, Aram Khachaturian, Nikolai Myaskovsky, Vissarion Shebalin, Gavriil Popov, Alexander Mosolov, Mieczyslaw Weinberg, and Alfred Schnittke – none of them escaped censure, even as they were held up to the West as superior artists. We’ll hear a mix of their music, along with that of one of their primary antagonists, Tikhon Krennikov, who, in his role as Secretary of the Union of Soviet Composers, was responsible for much suffering.

    The threat of imprisonment or even death hung over many of them, as they struggled to create great art in an environment of confusion and fear.

    What a revolting development! We remember the Russian Revolution this Thursday morning from 6 to 11 EST, on WPRB 103.3 FM and wprb.com. Wakers of the world unite, on Classic Ross Amico!

  • Soviet Composers Under Stalin’s Shadow

    Soviet Composers Under Stalin’s Shadow

    Not even Shostakovich’s fondness for pigs prepared him for Joseph Stalin.

    This Thursday morning on WPRB, we’ll mark the centenary of the Russian Revolution, with music by composers who attempted to navigate an impossibly perilous course during the Soviet era.

    We’ll hear Reinhold Gliere’s slightly embarrassing propagandistic runaway hit, “The Red Poppy,” in which enlightened Soviet sailors share their revolutionary spirit with oppressed coolies on the docks of Kuomingtang. We’ll also have a symphony by Tikhon Krennikov, who, in his role as Secretary of the Union of Soviet Composers, made life miserable for many of his more talented colleagues, especially Shostakovich, Prokofiev, and Mieczyslaw Weinberg.

    There was scarcely anyone who was left untouched by the culture of fear. Even five-time Stalin Prize winner Nikolai Myaskovsky was condemned by the authorities for writing music of an anti-Soviet, anti-proletarian, and formalist bent. Gavriil Popov was attacked for his forward-looking Symphony No. 1. The experience drove him to alcoholism and relegated his considerable talent to Socialist Realist tub-thumpers.

    Terrified, Prokofiev wrote his cantata “Hail to Stalin,” even as his wife was sent to the Gulag. He would never see her again. Alexander Mosolov, too, spent years in the Gulag, despite his earlier celebrity as one the new regime’s star futurists. Weinberg, a “rootless cosmopolitan” (Soviet speak for Jew), nearly lost his life. He was saved only by Stalin’s fortuitously timed death.

    Among the true curiosities of the morning will be an historic performance of Tchaikovsky’s “1812 Overture,” in which the melody “God Save the Tsar” has been excised and replaced by a politically sanctioned snippet from Glinka’s opera, “Ivan Susanin” (ironically, once known as “A Life for the Tsar”). The performance will be led by the mercurial and magnetic Nikolai Golovanov. Golovanov, one of the most exciting conductors of the 20th century, showed up at the Bolshoi one day to be told he no longer had a job.

    Hey, nobody said the New World Order was going to be easy. We’ll take a look at the public and private lives of the heroes, villains and victims of Soviet music, this Thursday morning from 6 to 11 EST, on WPRB 103.3 FM and wprb.com. It won’t be just the workers who are revolting, on Classic Ross Amico.

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