Tag: Wolfgang Amadeus Mozart

  • Samuel Barber on WWFM Today

    Samuel Barber on WWFM Today

    It’s unusual for me to do double-duty on Thursday, but that’s exactly what will happen today, as I scoot over for an afternoon of production work and live broadcasting at WWFM. (I’m generally there anyway, trying to get my recorded programs in for the weekend.)

    Today, we’ll celebrate the anniversary of the birth of the great American composer, Samuel Barber (b. 1910). It’s a beautiful day, so I wouldn’t be the least bit surprised if we have our share of American romantics. We’ll also hear from Czech composer Josef Mysliveček (b. 1737). Mysliveček was a close friend of Wolfgang Amadeus Mozart, so that will take care of the classicism.

    Eat your heart out, Tony Stark. I’m pulling the iron man shift today, from 4 to 7 p.m. EST, on WWFM – The Classical Network at wwfm.org.


    Samuel Barber contemplates Iron Man. (Please don’t sue me, Marvel.)

  • Michael Haydn: Beyond Joseph’s Shadow

    Michael Haydn: Beyond Joseph’s Shadow

    He ain’t heavy; he’s Haydn’s brother.

    Though Johann Michael Haydn’s entrance into a musical career was eased by his yet-to-be-famous older brother, he very much earned a reputation on his own merits. Michael started out as an organist and chorister (gone to Vienna at age 8; employed as an organist there by age 12). It’s said that Michael was the brighter student of the two and that his singing was more admired.

    In 1762, Michael arrived in Salzburg, where he rose through the ranks to become concertmaster and organist to Archbishop Sigismund Schrattenbach. In Schrattenbach’s service, he churned out over 360 compositions. The Haydns met Wolfgang Amadeus Mozart in Salzburg. Naturally, his music made a great impression. What’s surprising, perhaps, is that their music made a great impression on him, as well.

    For years, Michael’s Symphony No. 26 was misidentified as Mozart’s Symphony No. 37. Mozart had borrowed the work to perform in Linz. On another occasion, Mozart stepped up to fulfill one of Michael’s commissions (anonymously) when Michael was too ill to do so himself. When he came to write his Requiem in 1791, Mozart clearly remembered the requiem mass Michael had composed some 20 years earlier on the death of his employer.

    For his part, Mozart’s father, Leopold, disapproved of Michael’s heavy drinking. Perhaps that only made him all the more appealing to his son.

    Joseph Haydn also thought very highly of his brother’s music. He found his sacred works to be particularly effective, bearing an intimate and devotional stamp in contrast to his own more secular, monumental approach. At a point, Michael received a job offer from Joseph’s former boss, Prince Nikolaus Esterházy, but he opted to remain in Salzburg. He would die there at the age of 68.

    Join me this afternoon, as we honor the Haydn brothers, on this, Michael’s birthday (born in 1737). We’ll also have music of Luigi Cherubini on the anniversary of his birth (in 1760). In addition, there will be selections by Franz Liszt, William Mathias, Roberto Sierra, and others, between 4 and 7 EDT on WWFM – The Classical Network and at wwfm.org.


    FUN FACT: Franz Joseph and Johann Michael had a still younger brother named Johann Evangelist. He was a tenor, whom the family nicknamed Hansl (without the “e”).

    IMAGES: Those talented Haydn boys, Michael (left) and Joseph

  • Happy Birthday Mozart Genius of Music

    Happy Birthday Mozart Genius of Music

    Today is the birthday of Johannes Chrysostomus Wolfgangus Theophilus Mozart. I suppose the last name is enough to give it away, but I am speaking, of course, of Wolfgang Amadeus Mozart. Mozart was born in 1756; he died in 1791. In less than 35 years (he composed his first music around the age of 5), he created over 600 works, producing astonishing masterpieces in every category. Even so, he seldom had two thaler to rub together. Haydn wrote that “posterity will not see such a talent again in 100 years.” Posterity is still waiting.

  • Why I (Sometimes) Hate Mozart

    Why I (Sometimes) Hate Mozart

    Dear Wolfgang,

    Sorry for being such an idiot. I confess to feeling total disappointment when your music is listed on a concert program or announced on the radio, yet when I actually listen to it, it almost always yields rewards.

    You wrote my favorite opera of all time (“The Marriage of Figaro”). You wrote the favorite opera of my youth (“The Magic Flute”). You wrote a piece I could not stop listening to when I was in high school (“Eine kleine Nachtmusik”). There are pieces you wrote that I adore. So why do I bear so much prejudice against you?

    Maybe it’s for the same reason some people hate John Williams or Stephen King. If it’s popular, it can’t be good, right? Right?

    (Please note: I adore John Williams.)

    Happy birthday, Wolfgang Amadeus Mozart (1756-1791).

    With a shout-out to poor Edouard Lalo (1823-1892)!

    Very truly yours,

    R

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