Tag: WWFM

  • Memorial Day Symphonies on WWFM

    Memorial Day Symphonies on WWFM

    This Sunday night on “The Lost Chord,” get ready for Memorial Day with two symphonies composed for the armed forces.

    Morton Gould wrote his Symphony No. 4, his first large scale piece for symphonic band, in 1952, for the United States Military Academy at West Point. The score calls for a “marching machine,” but on the recording we’ll hear, now a classic on the Mercury label, the feet are those of the 120 musicians of the Eastman School Symphony Band. Frederick Fennell directs the Eastman Wind Ensemble.

    Samuel Barber composed his Symphony No. 2 in 1943, while he was serving in the U.S. Army Air Force. 20 years later, he revised and published its slow movement as a separate piece, titled “Night Flight.” He then jettisoned – and actually tried to destroy – the rest of the symphony. The work was reconstituted only after the composer’s death, from rediscovered parts in a warehouse in the UK. We’ll hear a recording with Marin Alsop and the Royal Scottish National Orchestra.

    Reflect on the sacrifice of Americans at war, on “Orchestrated Maneuvers” – American military symphonies for Memorial Day – this Sunday night at 10:00 EDT, on WWFM – The Classical Network and wwfm.org.


    PHOTO: Corporal Samuel Barber with the score of his Second Symphony

  • Wagner Birthday Siegfried WWFM Dragon Music

    Wagner Birthday Siegfried WWFM Dragon Music

    Happy birthday, Richard Wagner! Watch Siegfried slay Fafnir, and then tune in for more dragon music on “Picture Perfect,” music for the movies, this Saturday evening at 6:00 EDT, WWFM – The Classical Network and wwfm.org.

    Illustration by Jason Seiler

  • Ahmed Adnan Saygun Turkish Coffee Composer

    Ahmed Adnan Saygun Turkish Coffee Composer

    There is a Turkish proverb: “Coffee should be black as Hell, strong as death, and sweet as love.”

    The music of Ahmed Adnan Saygun is very good coffee indeed. Saygun (pictured, right) rode a wave of Turkish nationalism to become his country’s foremost composer in the Western classical tradition. Perhaps best remembered abroad as an associate of Béla Bartók (pictured, left), Saygun was a prominent ethnomusicologist, but also an important educator and cultural administrator.

    This Sunday night on “The Lost Chord,” savor an hour of his sometimes sweet, often astringent, always rewarding music, including a selection of “Etudes on Aksak Rhythms” (1964), his Suite for Violin and Piano (1956), and the Piano Concerto No. 1 (1951-57).

    The refreshments are guaranteed to be aromatic, bold, and rich, on “Turkish Toughie,” this Sunday night at 10:00 EDT, on WWFM – The Classical Network and wwfm.org.

  • Brahms vs Tchaikovsky Birthday Bash on WWFM

    Brahms vs Tchaikovsky Birthday Bash on WWFM

    It’s time for our annual steel-cage death match between Johannes Brahms and Peter Ilych Tchaikovsky. For the shared birthday anniversary of classical music’s greatest frenemies, WWFM The Classical Network will celebrate with a mixed menu of their music, today from 10 a.m. to 7 p.m. EDT.

    Whether your personal taste runs to Brahms, the great classicist among Romantics, or Tchaikovsky, always heart-on-the-sleeve, we hope you will support the tremendous variety of music offered year-round on The Classical Network by contributing right now at 1-888-232-1212, or online at wwfm.org.

    As an added bonus, George Marriner Maull will cap this special day with a program of music and discussion, featuring members of The Discovery Orchestra, coming to you live from Mercer County Community College’s Black Box Theater, adjacent to the WWFM studios. This very special edition of “Inside Music” will commence tonight at 8 pm. (Please note: “Inside Music” is ordinarily heard on the second and fourth Saturdays of every month at 7:30 p.m.)

    Learn more about tonight’s broadcast here:
    https://www.wwfm.org/post/inside-music-goes-live-brahmstchaikovsky-birthday-celebration

    While Brahms and Tchaikovsky were both born on this date – Brahms in 1833, and Tchaikovsky in 1840 – their stars didn’t quite align when it came to what they wanted to express in their art.

    Tchaikovsky notoriously confided to his diary, “I have played over the music of that scoundrel Brahms. What a giftless bastard!”

    For his part, Brahms demonstrated his slight regard of Tchaikovsky’s Fifth Symphony by falling asleep, during a rehearsal, in the composer’s presence.

    The two were finally brought together socially on New Year’s Day, 1888. And surprise! They actually delighted in one another’s company.

    “I’ve been on the booze with Brahms,” Tchaikovsky wrote. “He is tremendously nice – not at all proud as I’d expected but remarkably straightforward and entirely without arrogance. He has a very cheerful disposition, and I must say that the hours I spent in his company have left me with nothing but pleasant memories.”

    The following year, the two met again in Hamburg. That’s when Brahms slept through the Fifth Symphony. Tchaikovsky bore it lightly and was convivial throughout the meal they shared afterward. Although Brahms was harsh in his assessment of the last movement of the symphony and Tchaikovsky confessed an overall aversion to Brahms’ style, the evening was full of good cheer and ended with Tchaikovsky inviting Brahms to visit him in Russia.

    How large a role alcohol may have played in the two men’s warmth for one another we can only guess. It was not just anyone who could be Brahms’ drinking buddy.

    Regardless of their mutual affection, the two never could reconcile themselves to one another’s music. After a lovely evening with Brahms, during which both men drank and smoked prodigiously, while Adolph Brodsky – the violinist who had introduced Tchaikovsky’s Violin Concerto – rehearsed a Brahms piano trio, Mrs. Brodsky asked Tchaikovsky what he had thought of the piece.

    “Don’t be angry with me, my dear friend,” he said, “but I did not like it.”

    Happily, we can enjoy both men’s contributions, thanks to your continued support of classical music, in all its variety, on WWFM – The Classical Network!

    https://wwwfm.secureallegiance.com/wwfm/WebModule/Donate.aspx?P=DEFAULT&PAGETYPE=PLG&CHECK=vOU2bz5JCWmgCDbf53nm9ezWDeZ%2BeA1M&fbclid=IwAR2Z5QwBDt_X7iHkl7UeDuP59E-Xc14Vk8cRM7Ic8NKgMBIhLeMRE8DVBKQ

  • Oscar’s Greatest Movie Music of All Time

    Oscar’s Greatest Movie Music of All Time

    Remember, just because you’re not into this year’s Academy Awards doesn’t mean you can’t enjoy great film music from Oscar history. Take a nostalgic, three-hour journey through Oscar’s glory years with selections from some of your favorite movie classics. Last year’s “Picture Perfect Oscar Party” is still posted as a webcast, at WWFM – The Classical Network and wwfm.org.

    https://www.wwfm.org/post/picture-perfect-february-7-oscar-party-2020?fbclid=IwAR2D5dpmv_-0svRyE7OvbMqbdHeyi1OjExP7Ubes3wgfJylgOuBZ8BtYK4Q#stream/0

    If you can look past the inclusion of last year’s nominees, I think you’ll find that much of it has retained its crunch and buttery goodness!

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