Nadia Boulanger (1887-1979) has been described as the most influential teacher since Socrates.
Her students included everyone from Dinu Lipatti to Igor Markevitch, from Aaron Copland to Elliott Carter, from Astor Piazzolla to Philip Glass, from Michel Legrand to Quincy Jones, from Leonard Bernstein to “What Makes It Great?” creator Rob Kapilow.
Her influence on American music, in particular, has been incalculable. Hopefuls flocked to her American Conservatory at Fontainebleau, where she accepted applicants from all backgrounds, provided they were determined to learn. It was Virgil Thomson who quipped, “She was a one-woman graduate school, so powerful and permeating that legend credits every United States town with two things: a five and dime and a Boulanger pupil.” The five and dimes may have faded, but not so the legacy of the “Boulangerie.”
Beneath those grey hairs and pince-nez lurked an iron will that brooked no nonsense, yet Boulanger was surprisingly accepting, astonishingly objective, and generally dead-on in her assessments. When asked if a hierarchy could be established among composers – Beethoven being more important than Max Bruch, for instance – she suggests the pointlessness of such comparisons, stating it is like comparing the Himalayas to Montmartre.
She accepted the philosophical breadth of her pupils as a matter of course: “It’s very different to confront a work you don’t know yet, or a work in which you have to recognize some worth, while secretly saying to yourself, ‘that’s a trend I would never follow.’ That’s a matter of personal taste. Cannot culture allow us to go beyond personal taste and see the beauty of an object? I may not want to buy it, but I can see that it’s beautiful.”
We need more of that in our world. Happy birthday, Nadia Boulanger!
Fascinating Boulanger documentary, with first-hand accounts, historical footage, and terrific insights. Leonard Bernstein is interviewed in French, beginning around the 7-minute mark.
Boulanger conducts Fauré’s Requiem
Her sister, Lili, was really the composer in the family. (Sadly short-lived, she died at the age of 24.) Even so, Nadia made some game attempts at composition. Here’s her own “Fantaisie variée” for piano and orchestra.
Three Pieces for Cello and Piano
Playing Brahms waltzes with Dinu Lipatti
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