Category: Daily Dispatch

  • Lloyd & Vaughan Williams Symphonies on WPRB

    Lloyd & Vaughan Williams Symphonies on WPRB

    Right now on WPRB, we’re listening to the Symphony No. 4 by the underrated English composer George Lloyd, a work which grew out his experiences serving in the Royal Marines during WWII.

    Lloyd’s vessel was struck by a torpedo while he was manning the transmitting station deep within the ship’s hold. He nearly drowned, as many of his shipmates and close comrades actually did, in fuel oil. Though he survived the ordeal, he suffered from shell shock and could not speak for nearly a year.

    As he recovered, he began to compose again, hoping to exorcise his demons. The result was his Symphony No. 4, subtitled the “Arctic,” a surprisingly optimistic work, considering its genesis. But, as the composer points out, he also experienced much beauty during his service in the North Sea, including a memorable trip up the Norwegian coast.

    Of the infectious marches that characterize the work’s final movement, the composer remarked wryly, “… perhaps I was trying to end the symphony by reaffirming the old convention that when the funeral is over the band plays quick, cheerful tunes to go home.”

    Coming up in the 9:00 hour, we’ll have another English symphony, suggestive of the opposite pole, the Symphony No. 7 by Ralph Vaughan Williams, subtitled “Sinfonia Antarctica.” Vaughan Williams’ opus grew out of his film score for the Ealing Studios adventure “Scott of the Antarctic,” which starred John Mills as doomed explorer Robert Falcon Scott.

    Vaughan Williams’ symphony captures a sense of foreboding in the face of punishing elements and the desolation of the Antarctic landscape. Along the way, he evokes chill winds, crashing ice slides, and the play of penguins and whales.

    Sir Adrian Boult recorded the work twice. The earlier recording featured spoken prefaces by Sir John Gielgud, who reads from English poets and Scott’s diary. The performance itself is quite good, though expectedly not as vivid as the later, stereo remake. So as to share the best of both worlds this morning, I will interpolate the Gielgud readings into the stereo performance.

    Stick around, and you’ll also get to hear music inspired by the aurora borealis, by Uuno Klami and Geirr Tveitt. We’ll go to any lengths to keep cool, until 11 EDT on WPRB 103.3 FM and at wprb.com.

  • Atterberg’s Dollar Symphony WWFM Today

    Atterberg’s Dollar Symphony WWFM Today

    On this date in 1928, Swedish composer Kurt Atterberg entered his Symphony No. 6 into a contest held by the Columbia Record Company in honor of the 100th anniversary of the death of Franz Schubert. For his effort, he was awarded the first prize of $10,000. The work became known as Atterberg’s “Dollar Symphony.” It remains the composer’s most-recorded piece, starting all the way back with Sir Thomas Beecham and a recorded broadcast with Arturo Toscanini.

    Though Atterberg was the winner of the international competition, divisional winners (by “zone”) included the now-forgotten English composer John St. Anthony Johnson, for his work, “Pax Vobiscum,” and the equally-forgotten American Charles Haubiel, for a piece called “Karma.”

    Franz Schmidt was recognized in Austria, for his Symphony No. 3. Havergal Brian won second prize in England, for the first three movements of his “Gothic Symphony.”

    You can find all the details here:

    https://en.wikipedia.org/wiki/1928_International_Columbia_Graphophone_Competition

    Atterberg’s “Dollar Symphony” is one of the darlings of Classical 24, but they only ever play one movement. You’ll have a chance to hear the entire thing this afternoon, sometime between 4:00 and 7:00 EDT, on WWFM – The Classical Network and at wwfm.org.

  • Escape the Heat Arctic & Antarctic Music

    Escape the Heat Arctic & Antarctic Music

    It’s been quite a week, weather-wise, so we’re not about to leave anything to chance. Tomorrow morning on WPRB, we’ll be conjuring plenty of cool thoughts with musical journeys to the Arctic and Antarctic regions.

    We’ll hear Ralph Vaughan Williams’ “Sinfonia Antarctica,” of course, his Symphony No. 7, which grew out of his film score for “Scott of the Antarctic.” I will be interpolating readings from Scott’s journals by Sir John Gielgud, from another recording.

    We’ll also hear Nigel Westlake’s “Antarctica Suite,” written for guitarist John Williams. Then we’ll travel north to experience the struggle through darkness to light in George Lloyd’s “Arctic Symphony,” his Symphony No. 4.

    We’ll set foot in Lapland with “The White Reindeer” by Einar Englund. In addition, we’ll hear musical (and aseasonal) evocations of the aurora borealis, or northern lights, by Uuno Klami, Geirr Tveitt and Paul Moravec.

    Get ready to travel north and south, anywhere to beat the heat, tomorrow morning from 6 to 11 EDT on WPRB 103.3 FM and at wprb.com. I’ll be handing out the Eskimo pies, on Classic Ross Amico.

  • Cool Classical Music for Summer Heat

    Cool Classical Music for Summer Heat

    Enough already! With another “excessive heat warning” in effect this afternoon and heat index values expected to hit 106, let’s seek some musical relief, shall we, with works evocative of water, of winter, of cooler climes, and of simply kicking back and taking it easy. So far we’ve had refreshment from the likes of Jacques Ibert, Ottorino Respighi, Charles Tomlinson Griffes, Erich Wolfgang Korngold, Joan Tower and Peter Ilych Tchaikovsky. Tune in and chill out until 4:00 EDT, on WWFM – The Classical Network and at wwfm.org.

  • The Theremin’s Eerie Sound Celebrated

    The Theremin’s Eerie Sound Celebrated

    You all know the sound. That crazy, trilling electronic whistle that dips into a whoop. Or it starts in a trough and shoots up into the super stratosphere. It’s the sound of UFOs and mad science. It’s the sound of the theremin.

    The electronic instrument, invented by Léon Theremin in 1928, is played without physical contact. The proximity of the hands to two antennae determines volume and pitch.

    We’ll experience the instrument’s distinctive, extraterrestrial timbre, as we celebrate the birthday anniversary of Theremin today, by listening to performances by Clara Rockmore and to Bernard Herrmann’s suite from his influential film score for “The Day the Earth Stood Still” (which basically defined the sound of ‘50s science fiction).

    The instrument will be featured as part of a program that will also include birthday celebrations for eclectic Frenchman Jacques Ibert and Afro-English composer Samuel Coleridge-Taylor.

    Continuing with our ongoing salute to Brazil, to tie in with the Olympic Games in Rio, we’ll also hear Herrmann’s recording of Darius Milhaud’s “Saudades do Brasil.” The twelve dances that make up the suite are named for neighborhoods in Rio de Janeiro, where Milhaud lived for nearly two years as attaché to the French ambassador Paul Claudel.

    I hope you’ll join me today, from 4 to 7 p.m. EDT, when we’ll be mad for science and samba on WWFM – The Classical Network and at wwfm.org.


    More about Theremin and Rockmore here:

    http://www.huffingtonpost.com/network-awesome/from-russia-with-love-the_1_b_1384444.html

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