Category: Daily Dispatch

  • Krampusnacht The Eve of St. Nicholas Day

    Krampusnacht The Eve of St. Nicholas Day

    December 5. The Eve of St. Nicholas Day. Krampusnacht.

    Centuries before parents reined in children with a gentle reminder that Santa knows whether they’ve been naughty or nice, recalcitrant young ones lay awake in a widening pool of sweat at the sound of distant cowbells, wondering if it was too late to repent.

    On the night of December 5, St. Nicholas’ dark helper, the horned, hairy and horrendously long-tongued Krampus, emerges from his Alpine domain to dole out corporal punishment to deserving youngsters. This comes in the form of a sound beating with a switch and, in more extreme circumstances, the threat of abduction, being carried off in a basket and tossed into hellfire. For under-aged miscreants of yore, the clank of rusty chains and the dull clap of ponderous bells heralded the arrival of a world of pain.

    Besides visiting homes and fulfilling his stern duty, Krampus ran the streets spreading fear amongst the populace and frightening off evil spirits. Perhaps as a backlash against the genial homogenization and commercialization of Christmas, the “Krampuslauf” has been experiencing a healthy revival in recent years, with alcohol-fueled hooligans prowling the streets in full Krampus regalia, often turning on the very crowds that have gathered to support them.

    However, I have to wonder, with the precipitous increase in Krampus merchandise, and now the release of a major motion picture, if Krampus himself doesn’t risk losing his teeth. Can endorsements for Coca-Cola be far behind?


    “A Krampus Carol” (incorporating a stop motion Krampus!):

    Family-friendly segment on the Krampus Renaissance in Bavaria, produced by The New York Times:

    A real, old-fashioned Krampuslauf:

    Pretty good Krampus carol (full text when you click on “show more”):

    Here comes Krampus:

    Nicholas and Krampus play “good cop/bad cop” with Tobias:

    Small child cowers behind door at 1:25:

    Academy Award-winner Christoph Waltz explains Krampus to Jimmy Fallon:

    The commercialization of Krampus:

    Happy holidays!

  • Empire Strikes Back Score A Retrospective

    Empire Strikes Back Score A Retrospective

    The Force was strong with this one.

    The second installment in our retrospective of the “Star Wars” scores will focus exclusively on music for the first of the sequels, “The Empire Strikes Back,” released in 1980. For many, this is the best in the series so far, the “Godfather Part II” of space fantasy movies.

    Both George Lucas and composer John Williams succeeded in developing and deepening material from the first film, yet managed to avoid becoming too heavy-handed by ramping up the creativity and maintaining a spirit of adventure.

    You could ignore the jargon, let the back story glide over you, and still have fantastic time. Beloved characters from the original film, fun and familiar, were joined by instant “Star Wars” pop cultural icons, Lando Calrissian, Boba Fett, Emperor Palpatine, and of course Yoda.

    How could you take an invasion by elephantine Imperial Walkers, or riding patrol atop stop motion tauntauns too seriously anyway? One of the leads was played by a Muppet with the voice of Miss Piggy, for crying out loud.

    Williams came up with themes or motives for all of these, alongside the first appearance of “The Imperial March” and a love theme for Han and the Princess, arguably managing to top the achievement of his seemingly untoppable original score. His work on “The Empire Strikes Back” earned him his 15th Academy Award nomination.

    Last week, I discussed the merits of the original soundtrack albums, with their re-edited material providing a satisfying home listening experience, versus the current trend of releasing the music note-complete and chronological, as it’s heard in the film.

    With “The Empire Strikes Back,” it’s a very tough call, since of all the scores, this one perhaps holds up the best when heard complete from beginning to end. That said, with less than an hour to touch on the highlights, it’s much easier to accomplish when sampling from the original two-LP set.

    This is a challenge, since only material from one of the two records has ever made it to compact disc, at least in this country (on Polydor 825 298-2, released in 1985). Selections from the other are reconstructed on this week’s show, using the film mix, as it appears on the 4-CD “Star Wars Anthology” (issued as a box set on 20th Century Fox Film Scores 07822-11012-2, released in 1993).

    How fanboy is that? I even tossed on the 20th Century Fox fanfare, for good measure.

    I hope you’ll JOIN ME* for this week’s “Picture Perfect,” tonight at 6 ET, with a repeat tomorrow morning at 6, or that you’ll listen to it later as a webcast at wwfm.org.

  • Handel’s Triumph Staged as Opera in NJ

    Handel’s Triumph Staged as Opera in NJ

    Hallelujah! Something different for a change.

    Graduate students of Westminster Opera Theatre will be presenting Handel’s first oratorio, “Il trionfo del tempo e del disinganno” (“The Triumph of Time and Disillusionment”), in Italian with English supertitles, in two performances with orchestra, at Yvonne Theater, Rider University, in Lawrenceville, today and tomorrow at 7:30 p.m. A third, free performance will take place, with piano, Sunday at 4 p.m.

    The oratorio will be staged as an opera, with the allegorical figures of Pleasure, Time and Truth in pursuit of Beauty.

    Read more about it in my article in today’s Trenton Times.

    http://www.nj.com/times-entertainment/index.ssf/2015/12/classical_music_westminster_op.html

    PHOTOS: The young Handel with contemporaneous timepiece

  • Sibelius at 150 A Birthday Celebration

    Sibelius at 150 A Birthday Celebration

    December 8th marks the 150th anniversary of the birth of Jean Sibelius. I know, it’s a little early yet, but the Sinatra celebrations are underway, and he wasn’t even born until the 12th!

    We’ll salute Finland’s most celebrated composer this morning with outstanding performances by Sir John Barbirolli, Sir Thomas Beecham, Anthony Collins, Sir Colin Davis, Neeme Järvi, Robert Kajanus, Herbert von Karajan, Serge Koussevitzky, Eugene Ormandy, Sir Simon Rattle, Sir Malcolm Sargent, Leopold Stokowski and Osmo Vänskä – or as many of those as I can get to. I’ll also include a gorgeous rarity, “The Bard,” from a new CD with JoAnn Falletta and the Buffalo Philharmonic Orchestra.

    In addition, organist Gail Archer will be dropping by at 9:30 this morning, to talk about her new CD devoted to music by women composers, “The Muse’s Voice.” Archer will perform a free recital at 12:30 this afternoon at Princeton University Chapel. The program will include works by Joan Tower, Libby Larsen, Nadia Boulanger and Jeanne Demessieux.

    Other than that, it’s wall-to-wall Sibelius, from 6 to 11 ET, on WPRB 103.3 FM or at wprb.com. We’ll have the vodka and cigars at the ready, on Classic Ross Amico.

  • Sibelius 5th Symphony Anniversary Celebration

    Sibelius 5th Symphony Anniversary Celebration

    It’s all-Sibelius this morning, as we anticipate the 150th anniversary of his birth on December 8. December 8 also marks the 100th anniversary of the first performance of his Symphony No. 5, commissioned by the Finnish government to celebrate Sibelius’ 50th birthday, which was declared a national holiday.

    The Sibelius 5th is among the noblest music in the entire literature. It is about nature, it is about something larger than ourselves. It is elemental, like a symphony built on tectonic plates. The opening “sunrise” in the horns gives way to awe and terror in the precipitous scherzo. The tension in the finale, following the noble “swan theme,” is like massive blocks of granite grating against one another as the mists disperse and great shafts of light ride in on the brass and a powerful truth is revealed. It is music of optimism and strength.

    Join me in the 10:00 hour for the Symphony No. 5 of Sibelius. We celebrate the great Finnish master until 11 ET on WPRB 103.3 FM and at wprb.com.

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