Category: Daily Dispatch

  • Remembering Jerry Goldsmith: A Film Music Legend

    Remembering Jerry Goldsmith: A Film Music Legend

    Oh, Jerry, I can’t tell you how much I miss you. What a joy it was to go to the movies when you were still alive. Of course, the movies got precipitously worse in your last decade, but you lent a degree of enjoyment even to the transparently crappy ones – even if it was combined with a lingering wistfulness for the glory days of the 1970s.

    I will always cherish your music for “The Flim Flam Man,” “Patton,” “Chinatown,” “Papillon,” “The Great Train Robbery,” “Star Trek: The Motion Picture,” and especially “The Wind and the Lion.”

    You often wound up playing second banana to John Williams (Williams got “Superman;” you got “Supergirl”), and a great many of the films you scored were unworthy of your talents, but you were always a professional (if at times a bit grouchy). I can recall many a moviegoing experience when your music wound up being the only redeeming quality.

    But that’s the price of being fast and good. You were often brought on, on very short notice, especially late in your career, to write replacement scores for bad movies. Still, every once in a while you were tossed a bone, as with “L.A. Confidential.”

    Criminally, you were honored with but a single Academy Award, for your work on “The Omen.” It was bad luck that “The Wind and the Lion” was released the same year as “Jaws.”

    How many people know you also worked in television, providing music for shows like “Gunsmoke” and “The Twilight Zone,” or that you wrote the theme music for “The Man from U.N.C.L.E.” and “The Waltons?”

    I confess I don’t share your enthusiasm for electronics, but I understand you felt it was something you needed to work through. At least you didn’t require an intervention like Maurice Jarre.

    What I would give to go see a quasi-intelligent, mainstream American movie again and see the credit, “Music by Jerry Goldsmith.” Those days will never come again, on any level.

    Happy birthday, Jerry. I hope they’re still making good movies where you are.

    “The Wind and the Lion”

    “Patton”
    https://www.youtube.com/watch?v=vdEy4GneZfw

    “Star Trek: The Motion Picture”

    PHOTO: Jerry Goldsmith (1929-2004)

  • Grammy’s Classical Music Surprise John Williams Wins

    Grammy’s Classical Music Surprise John Williams Wins

    Classical music is so marginalized at the Grammy Awards, I don’t even bother watching. In fact, most years I don’t even pay attention to the nominees, except maybe, if I think of it, in the film score category.

    Imagine my surprise when I scrolled through the list of winners this morning to find John Williams collected another statuette for his mantle (on his birthday, no less), for “Best Instrumental Composition,” for his score to “The Book Thief.” I can never quite grasp the timeline for the Grammys. “The Book Thief” was released in 2013.

    Williams beat out Stanley Clarke (“Last Train to Sanity”), Gordon Goodwin (“Life in the Bubble”), Rufus Reid (“Recognition”) and Edgar Meyer and Chris Thile (“Tarnatian”).

    Here are the other film and classical music winners:

    Best Compilation Soundtrack for Visual Media
    Frozen

    Best Score Soundtrack for Visual Media
    The Grand Budapest Hotel

    Best Song Written for Visual Media
    “Let It Go”

    Best Engineered Album, Classical
    Vaughan Williams: Dona Nobis Pacem; Symphony No. 4; The Lark Ascending

    Classical Producer of the Year
    Judith Sherman

    Best Orchestral Performance
    “Adams, John: City Noir,” David Robertson, conductor (St. Louis Symphony)

    Best Opera Recording
    “Charpentier: La Descente D’Orphée Aux Enfers,” Paul O’Dette & Stephen Stubbs, conductors; Aaron Sheehan; Renate Wolter-Seevers, producer (Boston Early Music Festival Chamber Ensemble; Boston Early Music Festival Vocal Ensemble)

    Best Choral Performance
    “The Sacred Spirit Of Russia,” Craig Hella Johnson, conductor (Conspirare)

    Best Chamber Music/Small Ensemble Performance
    “In 27 Pieces — The Hilary Hahn Encores,” Hilary Hahn & Cory Smythe

    Best Classical Instrumental Solo
    “Play,” Jason Vieaux

    Best Classical Solo Vocal Album
    Douce France

    Best Classical Compendium
    Partch: Plectra & Percussion Dances

    Best Contemporary Classical Composition
    “Adams, John Luther: Become Ocean,” John Luther Adams


    John Williams’ music for “The Book Thief”
    https://www.youtube.com/watch?v=2hufmaYJNKY

  • John Williams Iconic Movie Opening

    John Williams Iconic Movie Opening

    Still one of the most bravura openings of any movie:

    Happy birthday, John Williams (born 1932).

  • Cupid & Psyche Love’s Timeless Valentine Story

    Cupid & Psyche Love’s Timeless Valentine Story

    This Sunday night on “The Lost Chord,” with Valentine’s Day fast approaching, we examine two treatments of the classical myth of Cupid and Psyche, as recounted in Apuleius’ “The Golden Ass.”

    Frequently interpreted as an allegory of the elevation of the soul through love, the union of Cupid and Psyche is a beautiful story which has much in common with the fairy tale of Beauty and the Beast. There is the prohibition against a maid looking upon her “captor,” her catty stepsisters who conspire to trip her up, and the revelation of the “beast” as a kind of prince – in this case, the god of love himself.

    In the end, the protagonists pass through travails to triumph, as love conquers all – a nice change of pace, I think you’ll agree, from the usual classical story arc of being transformed into a stag and devoured by hounds, flying too close to the sun and being struck down by Zeus’ thunderbolt, or accidentally eating one’s own children in a meat pie.

    We’ll hear music from César Franck’s “Psyche and Eros,” full of romance and ardor, and a completely different approach, which sounds more suited to a ballroom or even an amusement park, “Cupid and Psyche,” by Lord Berners.

    Get Psyched for Valentine’s Day this week, with “Slings and Eros,” this Sunday night at 10 ET, with a repeat Wednesday evening at 6; or listen to it later as a webcast at http://www.wwfm.org.

  • Steampunk Movie Soundtracks Picture Perfect

    Steampunk Movie Soundtracks Picture Perfect

    This week on “Picture Perfect,” things get pretty steamy, though not in the way you might think. We’ll have an hour of scores from films exemplifying the science fiction subgenre known as “steampunk.”

    Generally speaking, steampunk employs forward-looking technologies and gadgetry – in many cases literally powered by steam – in incongruous, quasi-Victorian settings.

    We’ll hear selections from Martin Scorsese’s “Hugo” (2011), with its abundant gears, steam, and free-writing automaton, with music by Howard Shore; “The Golden Compass” (2007), with its carriages, old-fashioned air ships and vintage arctic gear, with music by Alexandre Desplat; “Wild Wild West” (1999), with its cowboys, proto-James Bond gadgetry and Gustave Eiffel-style iron spider, with music by Elmer Bernstein; and “Time After Time” (1979), with one of the genre’s spiritual fathers, H.G.Wells, as an actual character, who pursues Jack the Ripper to the present day via a time machine of his creation, with music by Miklós Rózsa.

    That’s movies powered by steampunk this week, on “Picture Perfect,” this Friday evening at 6, with a repeat Saturday morning at 6, or listen to it later as a webcast, at http://www.wwfm.org.

    PHOTO: Battling a giant iron spider from a flying bicycle? It must be steampunk!

Tag Cloud

Aaron Copland (93) Beethoven (95) Composer (114) Film Music (139) Film Score (143) Film Scores (255) Halloween (94) John Williams (195) KWAX (229) Leonard Bernstein (103) Marlboro Music Festival (125) Movie Music (154) Mozart (89) Opera (210) Philadelphia Orchestra (89) Picture Perfect (174) Princeton Symphony Orchestra (108) Radio (88) Ross Amico (244) Roy's Tie-Dye Sci-Fi Corner (290) The Classical Network (101) The Lost Chord (268) Vaughan Williams (103) WPRB (396) WWFM (881)

DON’T MISS A BEAT

Receive a weekly digest every Sunday at noon by signing up here


RECENT POSTS