Category: Daily Dispatch

  • Hollywood Behind the Scenes Academy Awards Special

    Hollywood Behind the Scenes Academy Awards Special

    “All right, Mr. DeMille, I’m ready for my close-up.”

    This week on “Picture Perfect,” on Academy Awards weekend, we take a look behind the scenes at self-reflexive movies that offer glimpses beneath the industry’s glamorous veneer.

    We’ll hear music from Billy Wilder’s “Sunset Boulevard” (1950), a film that’s been called the greatest movie about Hollywood ever made. Gloria Swanson plays Norma Desmond, a faded silent movie actress who believes she’s still “big; it’s the pictures that got small,” and William Holden is an unsuccessful screenwriter-turned-gigolo. Real life director Erich von Stroheim appears in an interesting role as Desmond’s butler – who was once a director! There are also cameos by Cecile B. DeMille and Hedda Hopper, who play themselves. Franz Waxman wrote the Academy Award winning score.

    Vincent Minnelli’s “The Bad and the Beautiful” (1952) stars Kirk Douglas as a ruthless producer, who uses and abuses everyone around him – including Lana Turner, Walter Pigeon, Dick Powell, and Gloria Grahame. Yet everyone’s career seems to blossom from exposure to this S.O.B. The music is by Philadelphia-born David Raksin, who is best-remembered for his theme to the all-time noir classic “Laura.” His theme for “The Bad and the Beautiful” has also become a jazz standard.

    Peter O’Toole dominates “The Stunt Man” (1980) as a tyrannical director who blackmails a fugitive from the law into acting as a stunt man in his current film. The line between fantasy and reality begins to blur. Dominic Frontiere wrote the music. It’s probably not what anyone wants to be remembered for, but I always find it interesting that Frontiere served time for scalping tickets to the Super Bowl! Of course, he scalped a half-million dollars’ worth, and his wife owned the Los Angeles Rams.

    Finally, director Michel Hazanavicius succeeds brilliantly in his virtuosic homage to classic American cinema, “The Artist” (2011). To my knowledge, if we discount Mel Brooks’ “Silent Movie,” from 1976, “The Artist” was the first silent feature to be released since Charlie Chaplin’s “Modern Times,” which was already an anachronism in 1936. “The Artist” was the recipient of five Academy Awards – half of its ten nominations – including one for Best Picture.

    The story deals with “A Star is Born”-type dynamic, with a fading actor of the silent era gradually eclipsed by the success of a rising young actress. Yet Hazanavicius manages to turn it around to come up with an honest-to-goodness, feel-good movie, a real rarity in contemporary cinema.

    Ludovic Bource’s Oscar-winning score is evocative of time and place, breezy, yet when necessary poignant, with moments of spectacular action music which could have been written by Alfred Newman or Franz Waxman. For a classic movie lover, the first five minutes alone are priceless. And love that Uggie!

    Stars are born and celebrities fade this week, on “Picture Perfect,” music for the movies, now in syndication on KWAX, the radio station of the University of Oregon!


    Clip and save the start times for all three of my recorded shows:

    PICTURE PERFECT, the movie music show – Friday at 8:00 PM EST/5:00 PM PST

    SWEETNESS AND LIGHT, the light music program – ALL NEW! – Saturday at 11:00 AM EST/8:00 AM PST

    THE LOST CHORD, unusual and neglected rep – Saturday at 7:00 PM EST/4:00 PM PST

    Stream them, wherever you are, at the link!

    https://kwax.uoregon.edu/

  • Remembering Gene Hackman a Legend

    Remembering Gene Hackman a Legend

    Any opportunity to see Gene Hackman on the big screen was always a privilege, even when the characters he played were morally grey and the movies perhaps not his best. He made enough “hits” (more than most) that it’s easy to forgive the misses. No matter what the quality of the film, he was always good in it, and the turkeys were often turkeys only in relation to the eagles. My, how I miss his kind. It was a great era for the movies, especially when Gene was just hitting his stride.

    Sometimes it came at a cost to those around him. I’ve read multiple accounts of Hackman being difficult on the set, especially with untried directors. (There are behind-the-scenes horror stories about “Hoosiers” and “The Royal Tenenbaums.”) I must say, Hackman reminded me an awful lot of my father in “The Royal Tenenbaums.” Draw your own conclusions.

    Apparently, his wife was a classically trained pianist. He was one of the few white guys, outside of Sinatra and the Blues Brothers, that could pull off wearing a pork pie hat.

    R.I.P., Gene. I’ll be picking my feet in Poughkeepsie.

  • Marine Band Contest Cancelled Politics Strikes Again

    A bunch of kids compete in a contest sponsored by a nonprofit to have a chance to play with the U.S. Marine Band, now cancelled. Not sure how this helps anyone, but nothing surprises me anymore. Everything has to be politicized, and the outcome always has to be bad.

  • Roberta Flack Classical Roots Revealed

    Roberta Flack Classical Roots Revealed

    Interesting to learn of Roberta Flack’s classical roots. Playing the organ, exposure to “Messiah,” the Bach “Christmas Oratorio,” the Mozart Requiem. At 9, she began to study classical piano. Her early ambition was to become a concert pianist.

    From an article in The Oklahoman from 2004:

    “Flack said her earliest musical influences came from church. Her mother, Irene Flack, played piano for a Methodist church, and her father, Laron Flack, was a self-taught jazz piano stylist. At home, Flack’s father repaired an old upright piano, and she began to pick out tunes while sitting on her mother’s lap. At age 9, Flack began taking piano lessons and also started to listen to a wide range of popular music, R&B, jazz, blues and pop.

    “‘Everyone in my family did something, and I guess, in terms of who got the buzz among my siblings, it was me,’ she said. ‘I wanted to be a concert pianist for many years, and I worked hard at it. I was one of the most blessed young people in this country.’

    “Flack cited teachers Alma Blackman, the late Hazel Harrison and Vivian Scott for providing her educational foundation in classical music.

    “Blackman was a classical music teacher at Oakland College, a Seventh-Day Adventist College in Huntsville, Ala. Harrison, who taught at Howard University, was known as the ‘premiere black classical pianist’ for four decades and studied with Ferruccio Busoni and performed with the Berlin Philharmonic. Scott, a concert pianist, was a former student of Harrison and studied the Juilliard School of Music in New York and the Curtis Institute of Music in Philadelphia.”

    FLACK STUDIED WITH A STUDENT OF FERRUCCIO BUSONI??? My head just exploded.

    https://www.oklahoman.com/story/news/2004/04/11/the-classic-roberta-flackbrtraining-as-pianist-and-singer-prepared-flack-for-her-careers-endurance/61994555007/

    She talks more about her early musical experiences here:

    Flack died yesterday at the age of 88. That piano is no mere prop (even if on “Killing Me Softly“ the instrument is electric).

    Boy, this song sure does take me back…

  • Martinu A Quick Dive into the Composer

    Martinu A Quick Dive into the Composer

    Sorry, no time for a substantial post today. I’m writing about Bohuslav Martinu!

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