Category: Daily Dispatch

  • George Whitefield Chadwick American Composer

    George Whitefield Chadwick American Composer

    George Whitefield Chadwick is my favorite composer of that group commonly classified as “The Second New England School,” prominent American musicians, who largely modeled themselves on the European Romantics and were destined to be eclipsed by the later, more overtly “American” followers of Aaron Copland and George Gershwin. The school included John Knowles Paine (America’s first music professor), Horatio Parker (teacher of Charles Ives), Amy Beach (a virtuoso pianist who curtailed her compositional activity during the years of her marriage), Arthur Foote (my second favorite of the group), and Edward MacDowell (“the American Grieg”).

    These composers studied abroad (there were few options then), learned their lessons well, and largely emulated the German masters in their own works. Schumann, Brahms, and Mendelssohn loomed large, with Beethoven often lurking in the background. There were exceptions, of course. Amy Beach countered Dvořák’s “New World” Symphony with her own “Gaelic Symphony.” MacDowell corresponded with Grieg, not only in his letters, but in his collections of piano miniatures.

    All of them wrote worthwhile music, if you can be bothered to root around musty steamer trunks in the far corners of the attic, but for me Chadwick has the most vibrant personality. He was the most successful of the group at conveying a kind of exuberance and optimism that reflect the zeitgeist of a country ripe with possibility that was still very much on the way up. As a person, he was described as independent and self-reliant, and his students remarked on his fairmindedness and wit.

    Is his music identifiably “American,” as in stereotypically Coplandesque? Not really. But he was often inspired by American subjects and he really did take Dvorak’s “American” experiments to heart. You can hear it in his string quartets, and you can hear it in his “Symphonic Sketches,” especially “Jubilee.” But his vivacious symphonies are also hard to resist. Are they world-beaters? Certainly not. Are they enjoyable? Certainly!

    Chadwick had a long and varied career. While his baseline is always rooted in a fairly conservative, 19th century musical idiom, he remained curious, and he was always growing. Every once in a while, he could toss out a genuine surprise. It’s interesting to hear him flirt with contemporary musical developments of the day (Dvořákian folk-inflections, Straussian tone poem, French Impressionism). Clearly, he was no isolationist. His spirit of exploration and his artistic growth make him a standout from the stodgier American classical music milieu of the Gilded Age.

    A tip of the hat to Chadwick, by George, on the 170th anniversary of his birth!


    “Symphonic Sketches” (1895-1904)

    String Quartet No. 4 (1896)

    “Rip Van Winkle Overture” (1879)

    “Cleopatra” (1904)

    “Tam O’Shanter” (1914-15)

    Symphony No. 2 (1883-85)

  • Kile Smith Composer Music and Coffee in Princeton

    Kile Smith Composer Music and Coffee in Princeton

    In Princeton this morning, out for coffee with my former WRTI colleague, composer Kile Smith, always interesting, a great voice, super-talented, and a person of real substance. I must say, he’s not usually so squinty. But he’s also a much better photographer than I am. (Like he probably knows not to have his subjects face the sun.) Don’t believe me? Check out his website. Then follow his Facebook page. And definitely, do yourself a favor and listen to his music. Having coffee with Kile is a great way to start a day.

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  • WWII Photos My Grandfather The Army Engineer

    WWII Photos My Grandfather The Army Engineer

    My sister was kind enough to send me these photos of Pap and the boys. He was a sergeant in the U.S. Army Corps of Engineers.

    On the left, he’s in Europe. He’s third from the front (second from the back) on the right side. It looks like he’s holding a pipe, which makes perfect sense because in the early 70s, one my grandmother’s errands on a Saturday afternoon, when my grandfather was working (six days a week), was to swing by the smoke shop downtown, so that we could pick up some pipe cleaners. While we were there, she let me pick out a comic book. Sometimes, if I was lucky, she’d even take me up the street, not too far from where she’d trade in her Green Stamps, to Hobby Hangout, so that I could buy an Aurora monster model. Even then, I loved the old Universal horror movies.

    On the right, it looks as if they’re in the Philippines. My grandfather is seated (or crouching?), front left. They had some close calls in both theaters. I don’t know a lot about what kind of action he saw. I know at the very least people were taking shots at him in the Pacific. In Europe, I already wrote about the time the German plane came down unexpectedly in the middle of the night. His duties, as he described it, involved getting everything ready for troops and transports on their way to battle, from what I gather sometimes also providing makeshift infrastructure for encampments, and then blowing everything up afterwards so that the enemy couldn’t follow. Apologies to Pap if I’m misremembering or getting it wrong.

    I don’t know anything about the rest of the boys, but one of them showed up at the viewing to say goodbye, on the eve of my grandfather’s funeral in 1996.

  • A Grandfather’s Grit WWII Sacrifice & American Ideals

    A Grandfather’s Grit WWII Sacrifice & American Ideals

    My grandfather clambered out of the Great Depression, subsisting on a diet of raw onions, ketchup sandwiches, and the occasional egg. Despite being diagnosed with a terminal illness, he still did his part to help smash the Axis, serving in the U.S. Army Corps of Engineers, in both the European and Pacific theaters, during World War II. And you know what? He managed to live another half-century, doing whatever he could to keep it together and support his family: chicken farming, carpentry, bus driving, credit managing. This is a man who had dreamed of becoming a doctor and had to drop out of school when he was just getting started, because his medical bills ran him dry.

    He was soft-spoken and modest. If he talked about the war, which was rare, it would be a humorous recollection, like the time one of his Army buddies took a welder to a drum without considering it had once contained gasoline. The drum took off like a rocket, he said, the guy was lucky it didn’t take his head off. Or something crazy, like the time a plane was flying over at night and they heard the engine cut out and suddenly everyone had to dive for cover. At the crash site, the only thing they could find of the pilot was his feet.

    He didn’t say much, but once, when we were alone, when he was in his late 70s, he let something drop that hinted at just how harrowing it could be to live under constant threat of enemy fire, and how, after a time, he just became numb and wound up taking a crazy chance. Afterward, he said he never told anyone about it before. After he died, I shared the story with my mother, and she said she had never known that side of him. Now that she’s gone, I’m probably the one alive who does.

    Back in the day, he served as a Republican committee chairman of his county. He would be appalled to know what the party of Eisenhower has become. How could people in public office be so transparently self-serving and abhorrent, and how can so many voters sanction it? I was 8 years-old when Richard Nixon resigned, and we watched the speech together in his living room. I remember him saying, “Watch this. This is history.” I was just a kid, of course, but the significance was impressed upon me, and as I matured, I noticed that whenever my grandfather had anything to say about politicians, it was generally with an air of disgust.

    50 years on, Watergate wouldn’t have even been a blip. It’s nauseating to consider that all the sacrifices made by my grandfather and his contemporaries, and all the other American soldiers down the generations, may have bought us but a few decades. Is America really going to be driven into the ground by greed and grievance?

    Holidays like Veterans’ Day, Memorial Day, and Armed Forces Day are so important. Not so one can go through the motions of raising a flag, or to fly one off the back of a truck, but to prompt one to step outside oneself and take a moment to reflect and to honor those who put themselves on the line for the preservation of the higher ideals of the United States of America.

    My grandfather was the hero in a family of heart murmurs and flat feet. Of the younger generations, our veterans have all been in-laws (U.S. Army and U.S. Air Force). One suffers from severe PTSD. I remember in my early 20s the creeping dread of the Gulf War, that it would spiral out of control and lead to a reinstatement of the draft. That kind of service isn’t in anybody’s plan. But people like my grandfather understood the necessity and did what they had to do.

    Thank you for your service and your many sacrifices, Pap, wherever you are. And thank you, honorable men and women of the U.S. Armed Forces.

  • Ennio Morricone Birthday Tribute & “Ennio” on Kanopy

    Ennio Morricone Birthday Tribute & “Ennio” on Kanopy

    Remembering Ennio Morricone on his birthday.

    The streaming platform Kanopy is highlighting Giuseppe Tornatore’s epic Morricone documentary, “Ennio” (2021), among its featured offerings for November.

    There was something about the then-young filmmaker that struck a chord with the composer when he agreed to write the music for “Cinema Paradiso” in 1988. The movie went on to win an Academy Award for Best Foreign Language Film and of course the music became one of Morricone’s most beloved scores. Morricone scored every one of Tornatore’s films thereafter. Whenever he pondered retirement in an interview, he was always careful to mention that he might be tempted back by another Tornatore project. His final film score was for Tornatore’s “Correspondence” in 2016.

    I posted some observations on the documentary after watching it in March. You’ll pardon me if my “review” wound up being almost as long as the movie!

    https://www.facebook.com/photo/?fbid=1314087782843615&set=a.883855802533484

    Access to Kanopy is free with your public library card, but you’ll need to sign up if you don’t already have an account..

    View the trailer here:

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