Category: Daily Dispatch

  • Early Music Month Renaissance Inspiration KWAX

    Early Music Month Renaissance Inspiration KWAX

    Yea, we change the clocks tonight, so we lose an hour’s sleep. But odd’s bodkins, man! It’s never too late to be Early!

    This week on “The Lost Chord,” for Early Music Month, we hearken to works by 20th and 21st century composers who found inspiration in music of the Renaissance.

    William Kraft (1923-2022), long associated with the Los Angeles Philharmonic, wrote “Vintage Renaissance” on a commission from the Boston Pops. The work incorporates two 15th century melodies: “Danza,” by Francesco de la Torre, and an anonymous “bransle.”

    George Frederick McKay (1899-1970), the so-called “Dean of Northwest Composers,” founded the composition department at the University of Washington, where he taught for over 40 years. His “Suite on Sixteenth Century Hymn Tunes” is based on works by Louis Bourgeois (c. 1510-1559), compiler of Calvinist hymn tunes and composer of the Protestant doxology known as the “Old 100th.”

    Lukas Foss (1922-2009), the German-born musical prodigy who settled in the United States in 1937, composed his “Renaissance Concerto” in 1986. The work, for flute and orchestra, falls into four movements: “Intrada;” “Baroque Interlude” (on a theme of Rameau); “Recitative” (after Monteverdi); and “Jouissance” (after a 1612 madrigal by a composer of the name David Melville).

    I hope you’ll join me as American composers cast an affectionate look back. “It’s Never Too Late to Be Early,” on “The Lost Chord,” now in syndication on KWAX, the radio station of the University of Oregon!


    Clip and save the start times for all three of my recorded shows:

    PICTURE PERFECT, the movie music show – Friday at 8:00 PM EST/5:00 PM PST

    SWEETNESS AND LIGHT, the light music program – Saturday at 11:00 AM EST/8:00 AM PST

    THE LOST CHORD, unusual and neglected rep – Saturday at 7:00 PM EST/4:00 PM PST

    Stream them, wherever you are, at the link!

    https://kwax.uoregon.edu/

  • Women Composers on Sweetness and Light Radio

    Women Composers on Sweetness and Light Radio

    This week on “Sweetness and Light,” for International Women’s Day, we’ll have lighter works by six female composers: (pictured, clockwise from upper left) Peggy Stuart Coolidge, Elisabeth Lutyens, Teresa Carreño, Cécile Chaminade, Katherine Gladney Wells, and Doreen Carwithen – though not necessarily in that order. One was a crotchety avant-gardist who kept food on the table by writing music for sci-fi/horror films. One played for Abraham Lincoln at the White House. One was an heiress of the Seven-Up fortune. I’ll fill you in, as concisely as possible, on “Sweetness and Light.” Cherchez les femmes, this Saturday morning at 11:00 EST/8:00 PST, exclusively on KWAX, the radio station of the University of Oregon!

    Stream it, wherever you are, at the link:

    https://kwax.uoregon.edu/

  • Doreen Carwithen Unsung Film Composer

    Doreen Carwithen Unsung Film Composer

    This week on “Picture Perfect,” we’ll shine a light on the shamefully underutilized talent of Doreen Carwithen.

    In 1941, Carwithen studied harmony and composition with William Alwyn at London’s Royal College of Music. For both, it was love at first sight. Their fateful pairing led to a decades-long romance that culminated in their marriage, finally, in 1975.

    The reason for the delay was, unfortunately, at the time of their meeting, Alwyn happened already to be married. The double-life caused tremendous stress. Alwyn, in particular, descended into alcoholism and suffered a nervous breakdown. Finally, his doctor urged him that, if he was going to live at all, he should get on with it already and live honestly.

    In the concert hall, Alwyn – a contemporary of William Walton and Michael Tippett – enjoyed comparative success as a symphonist. Carwithen, too, got off to a promising start. Her overture “ODTAA (One Damn Thing After Another)” was conducted by Adrian Boult at Covent Garden in 1947. She also wrote two award-winning string quartets. But the cinema promised more lucrative employment. Carwithen was the first selected by J. Arthur Rank to enter the college’s new film music program.

    Combined, during their heyday, in the 1940s and ‘50s, Alwyn and Carwithen wrote the music for over 100 films. Alwyn, in particular, scored such high-profile projects as “The Crimson Pirate,” “A Night to Remember,” and “The Swiss Family Robinson.” Carwithen, although groomed for the very purpose, was not given the same opportunities. In all, she scored only six dramatic features. The rest were documentaries and shorts.

    Neither were her concert works, though well-received, met with the same enthusiasm or eagerness by either programmers or publishers. In 1961, she became Alwyn’s secretary and amanuensis, and following his death in 1985, devoted herself to the preservation of his legacy.

    Following her own death, in 2003, discovered among her papers were sketches for an unfinished string quartet (her third), a symphony, and a cello concerto. One can only imagine that, as an artist, her potential remained unfulfilled.

    We’ll do our best to level the playing field for an hour, anyway, dividing the program between Alwyn and Carwithen, 50/50, this week, on “Picture Perfect,” music for the movies, now in syndication on KWAX, the radio station of the University of Oregon!


    Clip and save the start times for all three of my recorded shows:

    PICTURE PERFECT, the movie music show – Friday at 8:00 PM EST/5:00 PM PST

    SWEETNESS AND LIGHT, the light music program – Saturday at 11:00 AM EST/8:00 AM PST

    THE LOST CHORD, unusual and neglected rep – Saturday at 7:00 PM EST/4:00 PM PST

    Stream them, wherever you are, at the link!

    https://kwax.uoregon.edu/

  • Maurice Ravel: A 150th Birthday Celebration

    Maurice Ravel: A 150th Birthday Celebration

    He was a natty dresser, a reckless driver, a lover of cats, mechanical toys, and American jazz. Most of all, he was an exquisite composer. Frequently pigeonholed as an Impressionist, he could certainly evoke mood and atmosphere in his music, but he also expressed himself with the transparency and precision of a classicist. I’ve posted a lot about Maurice Ravel over the years. On the 150th anniversary of his birth, here are links to just a few of my past observations. If you’re interested, I hope you’re able to access everything.

    Merci, Maurice Ravel!


    Ravel’s love of toys

    https://www.facebook.com/photo/?fbid=559132580920703&set=a.279006378933326

    Ravel and cats (there are multiple images, so you’ll have to click “view post” at the upper right after following the link)

    https://www.facebook.com/photo/?fbid=2064327513734528&set=pcb.2064339847066628

    Ravel and Gershwin (and, by extension, jazz)

    https://www.facebook.com/photo/?fbid=1265378057714588&set=a.883855802533484

    Ravel and Vaughan Williams (again, there are multiple images, so you’ll have to click “view post” at the upper right after following the link)

    https://www.facebook.com/photo/?fbid=1057531578499238&set=pcb.1057534635165599

    Ravel and war

    https://www.facebook.com/photo?fbid=784646281702664&set=a.279006378933326

    Ravel’s “Bolero” (multiple images, so you’ll have to click “view post” at the upper right after following the link)

    https://www.facebook.com/photo?fbid=1253515038900890&set=pcb.1253593182226409

    Ravel delays possible

    https://www.facebook.com/photo?fbid=1176348285865793&set=a.279006378933326

  • Einstein Martinů & Princeton in Print

    Einstein Martinů & Princeton in Print

    I’ve been pretty low-key about it (as in, I haven’t said anything about it at all), but then, I’ve never exactly been a genius at self-promotion. However, my article on Princeton’s most beloved brainiac, Albert Einstein, and his relationship to music, is one of the features in this month’s Princeton Echo. I believe the print edition was issued on March 1. So keep a lookout for my byline in Princeton vending machines and at area businesses.

    An amateur violinist who adored Mozart, Einstein knew and even played with a number of notable musicians and scientists, both in Princeton and abroad. He was even honored at Carnegie Hall by Leopold Godowsky and Arnold Schoenberg.

    While he wasn’t exactly at home with music of the 20th century, Einstein liked and respected Bohuslav Martinů, who taught composition at Princeton University from 1948 to 1951. The two shared much in common, and Martinů wound up writing a piece of music for him.

    It just so happens that the composer, who is not exactly a household name, but perhaps should be, will be the subject of his own music festival, “Martinů and His World,” at Bard College in Annandale-on-Hudson, NY, August 8-17.

    You can access the article at one of the links below. I’ll also include a link to the Bard Music Festival.

    The article is slated to be reprinted in the Princeton weekly U.S. 1 in advance of Pi Day, 3/14 (by coincidence, also Einstein’s birthday), always a big deal in these parts. So you’ll have a choice between the two newspapers in the next week or so.

    For your convenience, I’ll also include a link to the schedule of this year’s Pi Day events (to be held in Princeton on Friday and Saturday, 3/14 & 3/15).

    My article, “Relatively Musical: Albert Einstein and Bohuslav Martinů”

    https://www.communitynews.org/towns/princeton-echo/relatively-musical-albert-einstein-and-bohuslav-martin/article_64f724c8-f840-11ef-81f3-77d946927c50.html

    The Bard Music Festival, “Martinů and His World”

    https://fishercenter.bard.edu/whats-on/programs/bard-music-festival/

    Princeton Pi Day events

    https://princetontourcompany.com/tours/pi-day/

    Better get cracking on your pi memorization!


    Fisher Center at Bard

    PHOTO: Einstein with Gaby Casadesus at Princeton’s Present Day Club

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