Category: Daily Dispatch

  • Remembering Philadelphia Jazz Legend Bob Perkins

    Anyone who’s listened to jazz on the radio in Philadelphia is familiar with Bob Perkins’ shorthand. “BP with the GM” signifies “Bob Perkins with the Good Music,” naturally.

    During my time at WRTI, if I happened to be filling in on an afternoon classical shift, he and I crossed paths occasionally. (The station segues from classical to jazz at 6:00.) Knowing his sly sense of humor, I offered once, “It’s not every day that British Petroleum meets American Oil Company” – a play on BP and Amico (Amoco). His rejoinder had something to do with both of us being full of gas.

    I just learned from this tribute by Kile Smith that Perkins died yesterday at the age of 91. I beg your indulgence for my trafficking in cliché, but with his passing, we lost a piece of living history, with a lifetime of accrued knowledge that truly was encyclopedic. You know how people say, “He’s forgotten more than I’ll ever know?” That was Bob. He actually knew most of the Philadelphia artists, stretching back decades, whose recordings he played.

    In his 60-some years in the media, he met countless figures from the worlds of arts and entertainment, politics, radio and TV – people like Nancy Wilson, Johnny Hartman, Billy Eckstine, and Mercer Ellington. As a newsman and editorialist, he was invited to the White House twice, during the Ford and Carter administrations. He was the recipient of numerous honors and awards for his achievements in the field of broadcast.

    Beneath the effortless cool Kile describes (and Perkins had it in spades), he also possessed impeccable taste. Whether it was Yusef Lateef’s “Love Theme from Spartacus” or Dakota Staton’s “The Late, Late Show,” I always did enjoy his GM.

    I was active at WRTI for a little over two years, hired as an on-call classical host, who somehow wound up holding down a regular overnight jazz shift. How crazy is that? I even filled in on “Sunday Jazz Brunch” once or twice. But I was little more than keeping the chair warm for Bob. All the same, it was an honor for me to be able to share the air waves with him, if only for a short time. R.I.P.

  • Music Meaning Love Faith Happiness

    Music Meaning Love Faith Happiness

    “Everybody longs for meaning. Everybody needs to love and be loved. Everybody needs to clap hands and be happy. Everybody longs for faith. In music… there is a stepping stone towards all of these.”

    – Martin Luther King, Jr.

  • Simon Rattle Sketch Birthday Memory

    I have to be out the door, but on Sir Simon Rattle’s 70th birthday, I thought I’d share this reminiscence from 2015 — with Rattle self-portrait sketched for me during a dog-walk in Philadelphia’s Rittenhouse Square.

    Ignore the outdated broadcast info. I no longer work at that station!

  • Leif Kayser: Composer, Priest, & Organ Master

    Leif Kayser: Composer, Priest, & Organ Master

    Leif Kayser was certainly a multifaceted individual. This week on “The Lost Chord,” we’ll listen to some of his music, of course, but we’ll also talk about his many roles.

    Born in Copenhagen on 1919, Kayser began his studies at the Royal Danish Academy of Music in 1936. In Stockholm, he studied composition with Hilding Rosenberg and conducting with Tor Mann. In 1941, he made his debut as a pianist, in Copenhagen, and as a conductor, in Gothenburg.

    As a composer, he emerged as one of Denmark’s most promising young symphonists. However, following theological studies in Rome, Kayser was ordained in 1949. He largely abandoned concert music – but you can’t keep a good composer down.

    Over time, he began to write for the organ and gradually he produced another symphony. He served as pastor and organist of St. Ansgar Roman Catholic Cathedral until 1964. Then he left the Church to marry and to teach at his alma mater, the Royal Danish Academy of Music.

    Kayser died in 2001. He is still regarded as one of the leading organ composers of Denmark.

    We’ll hear one of Kayser’s gorgeous symphonies, from 1939. That will be prefaced by “Caleidoscopio,” a work for flute and organ, composed between 1974 and 1976. After a brief introduction, it gradually becomes apparent that the piece is constructed as a series of reflections on the familiar chorale “Von Himmel hoch.” Interesting that a former Catholic priest would write variations on a chorale associated with Martin Luther!

    But, like Whitman, Kayser contained multitudes, as composer, organist, pianist, conductor, priest, husband, and teacher. I hope you’ll join me for “Kayser Roles,” on “The Lost Chord,” now in syndication on KWAX, the radio station of the University of Oregon!


    Clip and save the start times for all three of my recorded shows:

    PICTURE PERFECT, the movie music show – Friday at 8:00 PM EST/5:00 PM PST

    SWEETNESS AND LIGHT, the light music program – ALL NEW! – Saturday at 11:00 AM EST/8:00 AM PST

    THE LOST CHORD, unusual and neglected rep – Saturday at 7:00 PM EST/4:00 PM PST

    Stream them, wherever you are, at the link!

    https://kwax.uoregon.edu/


    PHOTO: Kayser pulls out all the stops

  • Latin American Music Getaway on KWAX

    Latin American Music Getaway on KWAX

    With more snow and frigid temperatures on the way – at least where I’m typing, here in the Mid-Atlantic United States – I’m thinking it might be cheering for some to reflect that it’s actually summer in the Southern Hemisphere. Who am I to deny the pleasure? This week on “Sweetness and Light,” I invite you to think warm thoughts as we take a musical journey to Latin America.

    Argentina, Brazil, Chile, Paraguay, and Peru will be represented in works by Agustín Barrios, Theodoro Valcárcel Caballero, Camargo Guarnieri, Astor Piazzolla, and Heitor Villa-Lobos.

    We’ll cap the hour back in New York with more cowbell and Morton Gould’s vibrant “Latin-American Symphonette.”

    Join the conga line. It’s a South American getaway on “Sweetness Light,” this Saturday morning at 11:00 EST/8:00 PST, exclusively on KWAX, the radio station of the University of Oregon!

    Stream it wherever you are at the link:

    https://kwax.uoregon.edu/

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