Naïve fellow that I am, I actually thought that maybe my impressions of this past weekend at the Bard Music Festival would be ready to post today. It turns out I’ve got more to say than I thought I would (at five screens in Word and counting)! Go figure. So I’ll likely wind up posting them in several parts, starting tomorrow.
In the meantime, here’s another candid shot, a reunion with Mather Pfeiffenberger, whom I met at last year’s festival, “Martinů and His World.” Mather is a very knowledgeable guy, who interviewed Aaron Copland, attended Leonard Bernstein’s Norton Lectures, and hounded a cantankerous Walter Piston for his autograph (twice). Though he now lives in DC, he continues to do occasional radio work for Harvard’s WHRB, including, recently, a multi-day Copland salute and a special America 250 presentation for July 4th.
It was nice to have a chance to catch up at Bard. “Mozart and His World” will continue in Annandale-on-Hudson, NY, through Sunday.
https://fishercenter.bard.edu/what-we-do/bard-music-festival/
Stay tuned. More on the way!
Category: Daily Dispatch
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Mozart, for the Most Part, at Bard
It’s been a busy weekend of concerts, panels, and pre-concert talks at Bard College. I’m hoping to compile my impressions of the first weekend of this year’s Bard Music Festival for your delectation tomorrow. “Mozart and His World” will continue in Annandale-on-Hudson, NY, through August 16.
https://fishercenter.bard.edu/what-we-do/bard-music-festival/ -
Vintage Wagner on “The Lost Chord”
I’ve been celebrating the sesquicentennial of the “Ring” on my radio shows this weekend. The four installments of Wagner’s famed operatic tetralogy were performed on quasi-consecutive days for the first time in the newly-constructed Festspielhaus at the inaugural Bayreuth Festival on August 13-17, 1876.
I’ll conclude my three-part homage on “The Lost Chord,” with an hour of vintage recordings, two of them “Ring”-related and the other captured on the premises at Bayreuth.
American baritone Lawrence Tibbett never actually sang the role of Wotan on stage, in the context of a “Ring” cycle. However, he did record “Wotan’s Farewell and Magic Fire Music,” magnificently, in 1934, with the Philadelphia Orchestra and Leopold Stokowski.
Karl Muck was a casualty of anti-German sentiment during his time as music director of the Boston Symphony Orchestra, which, unfortunately, happened to coincide with the First World War. Be that as it may, he was held in the highest regard by fellow musicians and thought by many to be one of Wagner’s finest interpreters. We’ll hear a fascinating 1927 recording of the Transformation Music and the beginning of the Grail Scene from Act I of “Parsifal,” made at the Festspielhaus in Bayreuth.
The recording employs the original bells designed by Wagner, which would be melted down by the Nazis for ammunition during the Second World War. So this will be a rare opportunity to experience the “Parsifal” Wagner actually knew. Muck was principal conductor of the Bayreuth Festival since 1903. He conducted “Parsifal” at Bayreuth 14 times between 1901 and 1930.
Finally, we’ll return to “Die Walküre” to wrap things up on a buoyant note with Siegmund and Sieglinde’s love music from Act I, which concludes with the lovers fleeing together into the welcoming spring. Nine months later, Sieglinde gives birth to Siegfried, the saga’s hero-without-fear. Lotte Lehmann strikes sparks with legendary Danish heldentenor Lauritz Melchoir in a 1935 recording with Bruno Walter and the Vienna Philharmonic.
The power of these performances remains undiminished by the passage of time. I hope you’ll join me for another Wagner power hour on “Vintage Wagner,” on “The Lost Chord,” now in syndication on KWAX Classical Oregon!
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Clip and save the start times for all three of my recorded shows:
PICTURE PERFECT, the movie music show – Friday at 8:00 PM EDT/5:00 PM PDT
SWEETNESS AND LIGHT, the light music program – Saturday at 11:00 AM EDT/8:00 AM PDT
THE LOST CHORD, unusual and neglected rep – Saturday at 7:00 PM EDT/4:00 PM PDT
Stream them, wherever you are, at the link!
https://kwax.uoregon.edu
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PHOTOS: Lotte Lehmann as Sieglinde and Lauritz Melchior as Siegmund -
Frolicking with Light Music Master Richard Wagner on “Sweetness and Light”
The four installments of Wagner’s Ring Cycle were performed together for the first time in the brand-spanking-new Festspielhaus at the inaugural Bayreuth Festival on August 13-17, 1876. This week on “Sweetness and Light,” to mark the 150th anniversary of Wagner’s magnum opus, we’ll have music tying in, in one way or another, with opera’s most successful “miniseries.” An unlikelier source for a light music program would be more difficult to imagine!
I may lack the muscle to hoist Donner’s hammer, but I will employ the cunning of Loge to dissipate the Wagnerian gloom with virtuosic piano transcriptions of “Ride of the Valkyries” (by Carl Tausig) and “Magic Fire Music” (by Louis Brassin), Wagner’s “Siegfried Idyll” (arguably the sweetest thing he ever wrote), humorist Anna Russell’s classic routine “The Ring of the Nibelungs (An Analysis),” and a cheeky work for piano four-hands by Gabriel Fauré & André Messager, in which they render somber motifs from the “Ring” as a quadrille!
They say it can’t be done! You’ll be left agog at the evidence of your own ears when you join me for an hour of Wagnerian “light” music, in celebration of 150 years of the “Ring,” on “Sweetness and Light,” this Saturday morning at 8:00 EDT/11:00 PDT, exclusively on KWAX Classical Oregon!
Stream it, wherever you are, at the link:
https://kwax.uoregon.edu/ -
Korngold as Ghostwriter on “Picture Perfect”
Errol Flynn writes a ballet? Charles Boyer composes a tone poem? Claude Rains writes a cello concerto!
This week on “Picture Perfect,” we’ve got three examples from Hollywood’s Golden Age of movies about fictional composers. These, of course, required music allegedly written by the characters, and this was provided by two-time Academy Award-winner Erich Wolfgang Korngold.
Korngold is probably best known to movie buffs as the composer for Flynn swashbucklers such as “The Adventures of Robin Hood” and “The Sea Hawk,” but his filmography is more varied than one might at first suspect. No matter what the subject, Korngold could be counted on to bring that opulent fin de siècle gloss, developed in a Vienna steeped in Mahler and Strauss.
We’ll hear music from “Escape Me Never” (1947), a slightly preposterous melodrama about two composer brothers who become rivals in love; “The Constant Nymph” (1943), about a would-be romantic bond between a composer struggling to find his true voice and an admiring girl on the verge of womanhood who develops deeper feelings for him; and “Deception” (1946), about a cellist reunited with his former love, who had believed him killed during the war, and the vindictive composer who attempts to shatter his psyche through grueling rehearsals of his latest concerto.
“Deception” was Korngold’s last, wholly original score, though he was lured back to Hollywood for one final project, “Magic Fire” (1955), a biopic of the composer Richard Wagner, for which he adapted selections from Wagner’s operas. Furthermore, Korngold makes an appearance onscreen (!) as conductor Hans Richter. The film was subject to heavy cuts prior to its U.S. release and was not a success.
Hollywood seldom gets it right when it comes to portraying the process of the composer, but Korngold, true to his name, did his best to spin gold from corn, producing some appropriately grand utterances, albeit condensed to only a few minutes of screen time. Quite a task for this figure who made his greatest mark in opera.
Join me for these examples of Korngold as ghostwriter, on “Picture Perfect,” music for the movies, now in syndication on KWAX Classical Oregon!
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Clip and save the start times for all three of my recorded shows:
PICTURE PERFECT, the movie music show – Friday at 8:00 PM EDT/5:00 PM PDT
SWEETNESS AND LIGHT, the light music program – Saturday at 11:00 AM EDT/8:00 AM PDT
THE LOST CHORD, unusual and neglected rep – Saturday at 7:00 PM EDT/4:00 PM PDT
Stream them, wherever you are, at the link!
https://kwax.uoregon.edu
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Follow the link to hear Korngold improvise on themes from “The Flying Dutchman” (with entertaining stills):https://www.youtube.com/watch?v=h4bNEw1nu3I
MAGIC FIRE: When the actor who was hired to play Hans Richter failed to show, Korngold was rushed into make-up (hence, the fake beard). This is the only existing footage of Korngold conducting.
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