Category: Daily Dispatch

  • Metaphorical Big Cats on Film

    Metaphorical Big Cats on Film

    RrrrrrrrrrrrAAAAAAAAAAA!!!!!!!!!!!!!!!!!

    This Saturday, on “Picture Perfect,” the focus will be on metaphorical big cats.

    Simone Simon’s barely repressed desires are made manifest in Val Lewton’s “Cat People” (1942). Lewton was a master of suggestion, with a majority of the horrors in his films imagined, rather than seen. Part of the reasoning behind the approach was practical, the result of shoestring budgets imposed by RKO. Whatever the case, the insinuating weirdness undeniably induces psychological chills. In fact, it was only as a concession to the studio that a literal big cat is included at all. The music is by RKO workhorse Roy Webb.

    Sean Connery plays a Berber chieftain who faces off against Teddy Roosevelt in “The Wind and the Lion” (1975). In a letter to Roosevelt (played in the film by Brian Keith), Connery’s character writes, “I, like the lion, must stay in my place, while you, like the wind, will never know yours.” Jerry Goldsmith provides one of his best scores for the Moroccan adventure. In fact, he was fairly confident that he finally had a lock on the Oscar. He experienced a harsh reality check when he went to see “Jaws.” (Goldsmith would receive his only Academy Award the following year for his music to “The Omen.”)

    Luchino Visconti’s epic telling of Giuseppe Tomasi di Lampedusa’s novel, “The Leopard” (1963), is a melancholy exploration of the fading Sicilian aristocracy. A bewhiskered Burt Lancaster plays Prince Fabrizio, who feels himself slipping into obsolescence. Nino Rota gives the film a full-blooded, operatic soundtrack, full of lyricism and pathos.

    Finally, Lyn Murray provides the breezy accompaniment for Alfred Hitchcock’s “To Catch a Thief” (1955), with Cary Grant a reformed burglar, known as The Cat, who attempts to clear himself of some “copycat” crimes, while romancing Grace Kelly on the French Riviera.

    Any excuse to get “The Wind and the Lion” and “The Leopard” in the same show…

    I hope you’ll join me for an hour of metaphorical big cats, on “Picture Perfect” – NOW AT A NEW TIME – THIS SATURDAY EVENING AT 6:00 EDT, on WWFM – The Classical Network and wwfm.org.

    (If you miss it, enjoy it later as a webcat – er, webcast – at wwfm.org!)

  • Time Machine & Time After Time Movie Discussion

    Roy and I were on-the-clock last night, with our discussion of George Pal’s “The Time Machine” (1960). Enjoy our striking commentary by clicking on the video below.

    Then, we figured we’d go ahead and make it a timely weekend, by following-up tomorrow night, with a loosely-wound chat about “Time After Time” (1979), Nicholas Meyer’s sci-fi thriller about H.G. Wells (Malcolm McDowell) and his pursuit of Jack the Ripper (David Warner) to late 20th century San Francisco.

    The film also features Mary Steenburgen, ample affectionate touches that recall George Pal’s classic, and a late-career score by Miklós Rózsa!

    You’re welcome to chime in with your commentary. Roy’s Tie-Dye Sci-Fi Corner live-streams on Facebook every Friday and Sunday at 7 pm EDT.

    https://www.facebook.com/roystiedyescificorner/

  • Rosh Hashanah 5781 Music for the High Holy Days

    Rosh Hashanah 5781 Music for the High Holy Days

    Shana tova! Rosh Hashanah, the Jewish New Year, begins at sunset. The two-day observance commences ten Days of Awe, concluding with Yom Kippur, the holiest day on the Jewish calendar.

    I hope you’ll be able to join me this Sunday night at 10:00 EDT, as I’ll be presenting music for the High Holy Days – including Herman Berlinski’s “Shofar Service,” David Stock’s “Yizkor,” and John McCabe’s “The Chagall Windows” – on “The Lost Chord,” on WWFM – The Classical Network and wwfm.org.

    Of course, I’ll be posting more about it on Sunday. In the meantime, I am wishing everyone a sweet, happy, and healthy 5781!

  • The Time Machine (1960) Revisited

    The Time Machine (1960) Revisited

    It’s about time.

    Caught between the apathetic Eloi and the slovenly Morlocks, H. George Wells seeks a ray of sanity in a civilization on the brink of collapse. No, it’s not the U.S. in time of COVID, but rather George Pal’s big screen adaptation of H.G. Wells’ “The Time Machine” (1960).

    Roy Bjellquist and I will discuss this sixty-year-old classic, about an idealistic Victorian scientist, who hopes to find validation, once free of the Boer War, of man’s higher good, only to discover an England ravaged repeatedly, by two world wars and a nuclear holocaust.

    Rod Taylor and Yvette Mimieux of “Devil Dog: The Hound of Hell” are joined by Sebastian Cabot of “Family Affair” and Alan Young of “Mr. Ed.”

    We are now as far away from this movie as this movie was from the year in which it was set (1900)!

    Leave your comments and join the conversation, on the next Roy’s Tie-Dye Sci-Fi Corner, to be live-streamed on Facebook, this Friday evening at 7:00 EDT.

    https://www.facebook.com/roystiedyescificorner/

  • Cat Movie Music Picture Perfect Saturday

    Cat Movie Music Picture Perfect Saturday

    PICTURE PERFECT, NOW ON SATURDAY:

    METAPHORICAL BIG CATS!

    Paws for a litter of music from films with catty titles and characters, including selections from “Cat People” (Roy Webb), “The Wind and the Lion” (Jerry Goldsmith), “To Catch a Thief” (Lyn Murray), and “The Leopard” (Nino Rota).

    It’s a stretch for feline tails, as purr the theme. Don’t forget, “Picture Perfect” has moved to a new time. The cats are out of the bag, this Saturday evening at 6:00 EDT, on WWFM – The Classical Network and wwfm.org.

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