Category: Daily Dispatch

  • Suffrage, Time, and How Young We Are

    Suffrage, Time, and How Young We Are

    When I was a kid, I remember, everything seemed like ancient history. Even in my teens, I looked upon the early 20th century as if it were another world, albeit a ceaselessly fascinating one. Now that I’m in my 50s, it astonishes me that someone my age could go to the movies in 1974, to see “Blazing Saddles,” “The Texas Chainsaw Massacre,” or “Chinatown,” and the year of his or her birth would have been the year that women in this country were first legally permitted to vote.

    In another eight years, we will be as far away from 1974 as 1974 was from the ratification of the 19th Amendment. Furthermore, if we scroll back another 54 years from 1920, we arrive at 1866 – one year after the passage of the 13th Amendment, making slavery illegal in the United States.

    Whaaaaaaaaaat?? What kind of barbarism is this? And how young a country are we? Small wonder it’s been such an uphill battle for women and minorities. It’s only yesterday that anyone was acknowledged to have any rights!

    In this week of the Democratic National Convention and the anniversary of the ratification of the 19th Amendment (on August 18, 1920), legalizing a woman’s right to vote, and with the Republican National Convention right around the corner, politics is everywhere. It’s one of my least favorite subjects on the planet, but sadly we now live in a world where it must be in the forefront of our consciousness always. Perhaps it always has been the case, and I was simply ignorant, albeit blissfully so.

    Here’s an article on music in the women’s suffrage movement in America:

    https://www.loc.gov/collections/womens-suffrage-sheet-music/articles-and-essays/music-in-the-womens-suffrage-movement/

    “Songs of the Suffragettes”:

    Victoria Woodhull was the first woman to run for president – in 1872! The year before, Woodhull addressed Congress (the first woman ever to do so) and argued that the 14th and 15th Amendments already implicitly grant a woman’s right to vote. Essentially, she said, as an American citizen, her right to cast a ballot was protected. The committee overwhelmingly saw it otherwise. Woodhull was an indomitable force. She never stopped pushing for what she believed, and she lived to see women’s suffrage pass into law. She died in 1927, at the age of 88.

    Woodhull is the subject of an opera, “Mrs. President,” by Victoria Bond:

    Act I

    Act II

    Here’s a recent production of Virgil Thomson’s Susan B. Anthony opera, “The Mother of Us All,” on a libretto by Gertrude Stein:

    Finally, “Musical Activism in the American Women’s Suffrage Movement, 1900-1920”:

    We should be proud of how far we have come as a nation, but not be too arrogant or complacent. The “modern era” has been a short one, and we still have a long way to grow.

  • Ennio Morricone Western Scores on WWFM Tonight

    Ennio Morricone Western Scores on WWFM Tonight

    Well… it appears that signals were crossed. It’s now WESTERN SCORES BY ENNIO MORRICONE, UNTIL 7:00 EDT, ON “PICTURE PERFECT,” music for the movies, on WWFM – The Classical Network and wwfm.org.

    If you miss it, I’m sure it will be posted as a webcast soon. Sorry for the confusion. I would have liked to have promoted the show with a nice write-up on Morricone, who died last month at the age of 91, with an ample side dish on the art of the spaghetti western, but, alas, now there’s no time.

    Tune in for Latin swords, including “The Adventures of Don Juan,” next week!

  • Don Juan Swashbuckling Film Scores on WWFM

    Don Juan Swashbuckling Film Scores on WWFM

    “The sword is not for a traitor… YOU’LL DIE BY THE KNIFE!!”

    So declares Errol Flynn, as Don Juan, as he backs up his words – and saves the Spanish throne – by hurling himself down a marble staircase to dispatch the slimy Duke de Lorca.

    “The Adventures of Don Juan” (1948) will be among my featured works this week, on “Picture Perfect.” In terms of audacity and swagger, Max Steiner’s classic film score gives Erich Wolfgang Korngold a run for the money. The music enjoyed a bit of a resurgence in the 1980s, when portions were reused in “Zorro, the Gay Blade” (1981) and “Goonies” (1985).

    Enjoy a rousing suite from the film, on a program of Latin swashbucklers, which will also include selections from “Captain from Castile” (Alfred Newman), “The Mask of Zorro” (James Horner), and “Puss in Boots” (Henry Jackman), on “Picture Perfect” – music for the movies – this Friday evening at 6:00 EDT, on WWFM – The Classical Network and wwfm.org.


    FUN FACT: The actual leap was accomplished by stuntman Jock Mahoney, soon to be Sally Field’s stepfather. Mahoney was paid $350 to execute the stunt.

  • Latin Swords Swashbuckling Film Scores

    Latin Swords Swashbuckling Film Scores

    Feeling a little out of shape? Boxed in? Blue? This week on “Picture Perfect,” put some swagger back into your step with an hour of audacious music from Latin swashbucklers.

    Alfred Newman gets the blood pumping with his virile soundtrack for “Captain from Castile” (1947), in which Tyrone Power flees persecution at the hands of the Inquisition to join Cortés’ expedition to conquer Mexico. The film was shot on location with one sequence set against the backdrop of an erupting volcano!

    Power, of course, was one of the screen’s great Zorros. However, with “The Mask of Zorro” (1998), Antonio Banderas becomes the Zorro for our time. He’s aided and abetted by Anthony Hopkins, as the elder Zorro who mentors him. (TWO Zorros in one movie! I could expire of joy.) Catherine Zeta-Jones is radiant, and the music by James Horner literally hits all the right notes.

    This film was already a throw-back upon release, with plenty of real-life, real-time swordplay and stunts galore, with the barest minimum of computer-generated bells and whistles. I wish to God popcorn entertainment could still be like this. “The Mask of Zorro” was like a belated last gasp of the 1980s; easily the best swashbuckler of the ‘90s – though, really, was there much competition?

    Banderas got a chance to send-up his image in the Dreamworks’ computer-animated feature, “Puss in Boots” (2011), a spin-off from the Shrek series that actually turned out to be a better sequel than “The Legend of Zorro” (2005).

    The film sports plenty of Zorro in-jokes, which extend even to Henry Jackman’s entertaining score. How is it that animated movies are just about the only movies these days that seem to keep up the great orchestral tradition of classic film scoring?

    Finally, Errol Flynn has one last swash left in his buckle for “The Adventures of Don Juan” (1948), his last wholly satisfying period adventure. Max Steiner rises to the occasion and provides one of his best scores, just about on the same level as those of the master of the genre, Erich Wolfgang Korngold.

    A cape, a plume, and seven-league boots are guaranteed mood-elevators. Forget your cares! Join me for Latin swords, on “Picture Perfect,” music for the movies. We ride hell-for-leather, this Friday evening at 6:00 EDT, on WWFM – The Classical Network and wwfm.org

  • Why Classical Music Gives You Thrills The Science Behind Chills

    Why Classical Music Gives You Thrills The Science Behind Chills

    Sex, drugs, and classical music.

    Not exactly new (the study was conducted ten years ago), but I’ve been saving this for a slow day. Just in case you ever wondered why you sometimes get chills when you listen to Mahler.

    https://www.mcgill.ca/newsroom/channels/news/musical-chills-why-they-give-us-thrills-170538

    Details of the study, along with a list of the music used, here:

    https://journals.plos.org/plosone/article?id=10.1371/journal.pone.0007487#s5


    PHOTO: The late, lamented “Mozart in the Jungle” – not always the last word in authenticity, but it played “with the blood”

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