Category: Daily Dispatch

  • Walpurgis Night Brocken Witches Music

    Walpurgis Night Brocken Witches Music

    Get ready to rock the Brocken! It’s April 30th – Walpurgis Night.

    Walpurgis Night, the eve of the feast day of Saint Walpurga, is a time when evil spirits are believed to roam the earth. Tradition holds that a witches’ sabbath and orgy of the damned are held atop the Brocken, the highest peak of the Harz Mountains in Central Germany. It’s the last blast of diablerie before May Day. In Goethe’s “Faust,” Mephistopheles guides his imperiled charge into a swirling cauldron of witches and demons so as to complete his moral degradation.

    Of course, “Faust” has inspired innumerable pieces of music – operas, symphonies, cantatas, piano works, and songs. Here, Samuel Ramey sings “Ecco il mondo” from the Walpurgis Night scene (Act II, Scene 2) of Arrigo Boito’s “Mefistofele.” Sadly, the clip doesn’t run to the end of the act.

    Another Goethe poem provides the basis for Felix Mendelssohn’s cantata “Die erste Walpurigisnacht” (“The First Walpurgis Night”), about a band of prankish Druids playing mind games with some superstitious Christians.

    Johannes Brahms wrote a song, “Walpurgisnacht,” on a text of Alexis Willibald (nom de plum of Wilhelm Häring), about a mother freaking out her daughter, telling her a thunderstorm is actually the sound of witches celebrating on the Brocken. As if that isn’t enough, she adds that she herself is a witch! Ha ha! So German.

    Walpurgis Night is an occasion for leaping over bonfires, vandalizing neighbors’ property, and rioting, all in the name of welcoming spring. It is not to be confused with St. John’s Eve (June 23), the night the demon Chernobog emerges from the Bald Mountain. More on that later, I’m sure.

    This year, sadly, you’ll have to do all your cavorting over Zoom. Have fun, but remember… keep Walpurga in Walpurgis Night!


    “The Goat of Mendes! The Devil himself.”

  • Franz Lehár 150th Birthday & Lost Operetta Charm

    Franz Lehár 150th Birthday & Lost Operetta Charm

    Today is the 150th birthday of Franz Lehár.

    Here he is at the piano, in rare footage, with his great champion, tenor Richard Tauber, performing a selection from his operetta, “Paganini” – “Gern hab’ ich die Frau’n gekusst.” In English, it’s been circulated as “Girls are made to hug and kiss.”

    https://www.youtube.com/watch?v=K_ERtrUtrxs

    Somehow, with a title like that, I don’t exactly see this music being embraced by a new generation. More’s the pity.

    A literal translation would be more along the lines of “I was happy to kiss the woman.” Tauber presents it as “How I love to kiss a girl.”

    Can you imagine going to a cinema today and having this offered as entertainment for the masses? And the masses being genuinely receptive? Take me back!


    PHOTO: Lehár (right) with Heinrich Reinhardt, composer of the 1901 operetta, “Das süße Mädel” (“The Sweet Girl”)

  • Lockdown Moving Find Qualified Movers Now

    Lockdown Moving Find Qualified Movers Now

    Hard to find qualified movers during lockdown.

    “Swiss Miss”

    “The Music Box”
    https://www.youtube.com/watch?v=21V0SdlmTMU

  • Sir Thomas Beecham Wit and Wisdom

    Sir Thomas Beecham Wit and Wisdom

    “The British may not like music, but they absolutely love the noise it makes.”

    “A musicologist is a man who can read music but can’t hear it.”

    “Brass bands are all very well in their place – outdoors and several miles away.”

    “If an opera cannot be played by an organ grinder, it’s not going to achieve immortality.”

    “Her singing reminds me of a cart coming downhill with the brake on.”

    “There are two golden rules for an orchestra: start together and finish together. The public doesn’t give a damn what goes on in between.”

    “Composers and musicians have always starved and, as this is a sentimental country, we think the tradition should be continued.”

    “Beethoven’s last quartets were written by a deaf man and should only be listened to by a deaf man.”

    On Beethoven’s 7th: “What can you do with it? It’s like a lot of yaks jumping about.”

    On the harpsichord: “…like two skeletons copulating on a tin roof.”

    On the cello: “Madam, you have between your legs an instrument capable of giving pleasure to thousands, and all you can do is scratch it.”

    Happy birthday, Sir Thomas Beecham (1879-1961)

    More about Beecham here:
    https://www.theguardian.com/friday_review/story/0,3605,468909,00.html

    Beecham conducts Delius:

    Beecham conducts Berlioz:

    Beecham conducts Schubert:

    Beecham conducts Liszt:

    Beecham conducts Balakirev:

    Beecham conducts Handel (as arranged by Beecham):

    Beecham conducts Sibelius:

  • Lynn Harrell Legendary Cellist Dies at 76

    Lynn Harrell Legendary Cellist Dies at 76

    The music world has lost a giant of the cello – Leonard Slatkin described him as a bear! – and of course, that means a tremendous loss for us all.

    Lynn Harrell has died at the age of 76.

    The son of baritone Mack Harrell, Lynn matured into one of the world’s most sought-after cellists. He recorded with Ashkenazy and Perlman and Zukerman and Kipnis, and Boulez and Maazel and Marriner and Levine, among others.

    I remember seeing him in Philadelphia, when he was in his prime, in a wondrous performance of Witold Lutoslawski’s Cello Concerto. About 20 years ago, his career as a performer was jeopardized by carpal tunnel syndrome, which led him to undergo corrective surgery.

    Harrell made go-to recordings of works by composers from Shostakovich to Victor Herbert. Like so many artists who have held an honored place in my record collection for decades, it’s a shock to realize that suddenly 30 or 40 years have passed.

    R.I.P., and thanks for all the music.


    Schumann: Cello Concerto in A minor (with Marriner)

    Beethoven: Cello Sonata No. 3 in A major (with Ashkenazy)
    I. https://www.youtube.com/watch?v=UqHsPIe7n0Q
    II. https://www.youtube.com/watch?v=89J6uLwiuUM
    III a. https://www.youtube.com/watch?v=Bcqa02-FkOU
    III b. https://www.youtube.com/watch?v=lH5tsTPewdw

    Herbert: Cello Concerto No. 2 in E minor (with Marriner)

    Brahms: Cello Sonata No. 2 in F major (with Ashkenazy)

    Lalo: Cello Concerto in D minor (with Chailly)

    Beethoven: String Trio in G major, Op. 9, No. 1 (live, with Perlman & Zukerman):

    Elgar: Cello Concerto in E minor (live, with Mattias Bamert, on the strad formerly owned by Jacqueline Du Pré)

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