Category: Daily Dispatch

  • Jane Austen at 250 on “Picture Perfect”

    Jane Austen at 250 on “Picture Perfect”

    It is a truth universally acknowledged that a radio host in possession of a weekly film music show must be in want of a good theme. This week on “Picture Perfect,” we eschew the usual fare of Vikings, pirates, and dinosaurs, to enter the world Jane Austen, in anticipation of the 250th anniversary of her birth (on December 16, 1775).

    We’ll hear Rachel Portman’s Academy Award winning score for “Emma” (1996), Patrick Doyle’s music for “Sense and Sensibility” (1995), and selections from two versions of “Pride and Prejudice,” with music by Dario Marianelli (2005) and Carl Davis (1995).

    Not only do Austen adaptations sport amazing casts, the scores attract some of classical music’s star performers. Listen in for contributions by soprano Jane Eaglen, pianist Jean-Yves Thibaudet, and fortepianist Melvyn Tan.

    A large income is the best recipe for happiness I ever heard of – at least according to “Mansfield Park.” The next best thing is a playlist assembled from Jane Austen movies. There’s an urgency for Regency this week on “Picture Perfect,” music for the movies, now in syndication on KWAX Classical Oregon!

    ——–

    Clip and save the start times for all three of my recorded shows:

    PICTURE PERFECT, the movie music show – Friday at 8:00 PM EST/5:00 PM PST

    SWEETNESS AND LIGHT, the light music program – Saturday at 11:00 AM EST/8:00 AM PST

    THE LOST CHORD, unusual and neglected rep – Saturday at 7:00 PM EST/4:00 PM PST

    Stream them, wherever you are, at the link!

    https://kwax.uoregon.edu/

    ——–

    If you’re an Austenite, feel free to let me know which novel or film adaptation is your favorite!

  • Brickbats and Adulation for Berlioz

    Brickbats and Adulation for Berlioz

    It’s a major birthday today for those of us who admire the seething Romantics.

    I’ve written a lot about Hector Berlioz over the years (feel free to search at rossamico.com), but because of the day’s obligations and the mounting pressure of the holidays, I thought I could get away with sharing a few caricatures.

    After all, Berlioz had one of the great heads of hair in all of classical music, and his compositions have invited parody by cartoonists who fill with their pages with exploding cannon, roaring choruses, and ruptured eardrums. No one can say Berlioz didn’t earn it, although he could exercise touching restraint, on occasion, as in his chansons, his song cycle “Les Nuits d’été,” and his Christmas oratorio “L’Enfance du Christ.”

    Yeah, he could be a little crazy at times, like when he wouldn’t take no for an answer when attempting to woo the Shakespearean actress Harriet Smithson, to the point that he composed an epic, programmatic symphony, evocative of an opium-induced fever dream, her murder (!), his execution, and a witches’ sabbat, hoping to impress her. (He did.)

    Or the time he raced back to France from Italy in a coach with two loaded pistols, a vial of poison, and women’s clothes, planning a cross-dressing murder of his inconstant fiancée and her lover. (He abandoned the plot after he forgot the dress when changing coaches.)

    But he could also be incisive in his observations and exhibited a wry sense of humor in his writings.

    The website at the link below is full of amusing Berlioziana, and in fact it was in doing an image search for caricatures that I discovered it. The administrators are a husband-and-wife team of retired Scottish academics who are passionate about the composer. The site is the result of nearly 30 years’ effort. A lot of the images were scanned from their own personal collection, so if I’m going to violate their claim of copyright by borrowing a couple to illustrate this piece, I might as well give them some free publicity and direct you to the site, which is quite staggering as a resource for information about the composer. It betrays an obsessive quality worthy of the great Berlioz himself!

    Thank you, Michel Austin and Monir Tayeb*, for all your hard work and generosity. And happy birthday, Hector Berlioz!

    http://www.hberlioz.com

    ——-

    *In looking more deeply into the website, I learn that Monir Tayeb passed away in 2021. My condolences to her widower, Michel Austin. I certainly mean no disrespect with my whimsical tone. I am sincerely awed by their accomplishment!

    ——-

    IMAGES: From “The Hector Berlioz Website,” cartoons published in “Le Figaro,” March 3, 1883: “H. Berlioz – Before” and “H. Berlioz – Today”

  • Jubilant Speaks

    Jubilant Speaks

    I found this interview with baritone Jubilant Sykes to be especially poignant. Sykes was fatally stabbed on Monday, and his 31-year-old son, said to have a history of mental illness, was taken into custody. Reading it really brings you closer to the man. It’s a little surreal to hear him speak so lovingly about his children, then still quite young.

    https://www.bruceduffie.com/sykes.html
  • A Lament for Jubilant

    A Lament for Jubilant

    This is very sad, all the more horrible, coming as it does during the holiday season. Jubilant Sykes appeared in the world’s great opera houses and sang the Celebrant on a Grammy-nominated album of Leonard Bernstein’s “Mass.”

    He died on Monday of stab wounds allegedly inflicted by his son.

    Sykes was 71 years old.

    R.I.P.

    https://www.theguardian.com/music/2025/dec/10/jubilant-sykes-son-arrested-after-grammy-nominated-opera-singer-stabbed-to-death

  • Not All Devils Wear Horns

    Not All Devils Wear Horns

    I couldn’t lavish my usual love on Krampus this year, because Krampus Night, December 6, fell on a weekend, and I had to give preference to promoting my radio shows. I know, what a drag.

    Thankfully, only days after St. Nicholas’ dark helper was unleashed upon the naughty children of the world to lash them and toss them into hellfire comes the birthday of Emil Waldteufel. Waldteufel is German for “Forest Devil.” He was born on this date in 1837.

    Although Waldteufel had long been a mainstay of Paris society balls of the Second Empire, he was nearly 40 by the time he achieved international fame. It was the Prince of Wales – the future King Edward VII – who introduced him to London, and his music came to dominate Queen Victoria’s state balls at Buckingham Palace. One of his best-known works, “Les Patineurs” (“The Skaters’ Waltz”) was introduced there in 1882. Another of his most successful waltzes, from the other end of the decade, was “Roses de Noël” (“Christmas Roses”).

    The holidays are in bloom! Take some time to smell the roses with Emil Waldteufel.

    “The Skaters’ Waltz”


    “Roses de Noël”

    Because of the unusual nature of the conductor, in period costume and facial hair, to this I add the Rimsky-Korsakov Central Navy Band of Russia playing “Estudiantina”

    Happy birthday, Waldteufel, you devil.

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