Category: Daily Dispatch

  • Sinfonietta Nova Latin Concert Princeton NJ

    Sinfonietta Nova Latin Concert Princeton NJ

    As the orchestra tunes for its final concert of the season, Sinfonietta Nova’s dance card is nearly full.

    The West Windsor-based community ensemble is about to conclude its 2018-19 series, devoted to the dance, with a concert on Latin American themes. The program will be presented on May 11 at 7:30 p.m. at the orchestra’s home, Prince of Peace Lutheran Church – NJ in Princeton Junction.

    Musical selections will include Arturo Márquez’s “Danzón No. 2,” Ernesto Lecuona’s “Malagueña,” Astor Piazzolla’s “Tangazo,” and Morton Gould’s rousing “Latin American Symphonette.”

    Violinist Denise Dillenbeck will join the orchestra for the “Havanaise” by Camille Saint-Saëns and a special encore.

    You can find out more in my interview with – and profile of – Sinfonietta Nova’s music director, Gail Hsui-Wen Lee, in this week’s U.S. 1 Newspaper – PrincetonInfo, out today.

    https://princetoninfo.com/sinfonietta-nova-brings-latin-flair-to-season-finale/

  • Smetana’s Syphilis a Composer’s Life in Music

    Smetana’s Syphilis a Composer’s Life in Music

    Nothing says May Day like syphilis. Fa la la la la la la, fa la la la la la la!

    The disease was something of an occupational hazard for the great composers. This week on “Music from Marlboro, we’ll examine the sad case of Bohemian master Bedřich Smetana.

    Smetana had already lost his hearing at the time he embarked on his String Quartet No. 1 in E minor, in 1876, at the age of 52. Understandably, his malady would have been much on his mind, and the work bears considerable autobiographical influence – so much so, that he subtitled it “From My Life.”

    Allegedly, the first movement is representative of the composer’s romantic ideals in life and music; the second, a recollection of the happiness of youth; and the third, a paean to love.

    But it is the fourth movement that contains the most dramatic stroke, as the first violin shatters a mood of artistic fulfillment through the intrusion of a high, sustained harmonic E, suggestive of a ringing in the composer’s ears he experienced prior to going deaf. Syphilis would claim Smetana’s sanity and eventually his life, in 1884.

    We’ll hear a performance of the quartet, from the 2007 Marlboro Music Festival, featuring violinists Hye-Jin Kim and Karina Canellakis, violist David Kim, and cellist David Soyer.

    Antonin Dvořák played the viola in the private premiere of the work in 1878. We’ll open the hour with Dvořák’s own, unpretentious “Serenade for Winds,” which was given its first performance the very same year, when the composer was 37 years-old.

    The serenade is written in the tried-and-true “Slavonic style” that established Dvořák’s fame. Its instrumentation and emphasis on melody recall occasional and ceremonial serenades of the 18th century.

    We’ll enjoy it in a recording made in 1957, with oboists Alfred Genovese and Earl Shuster, clarinetists Harold Wright and Richard Lesser, bassoonists Anthony Cecchia and Roland Small, hornists Myron Bloom, Richard Mackey, and Christopher Earnest, cellists Yuan Tung and Dorothy Reichenberger, and double bassist Raymond Benner, all under the direction of Louis Moyse.

    Marlboro musicians balance their Czechs, on the next “Music from Marlboro,” this Wednesday evening at 6:00 EDT, on WWFM – The Classical Network and wwfm.org.

    Marlboro School of Music and Festival: Official Page


    NOTE: Following today’s broadcast, I hope you’ll stick around for tonight’s Exploring Music with Bill McGlaughlin (at 7:00), as Bill continues his week-long celebration of Marlboro Music with performances of works by Jacques Ibert, Shulamit Ran, Mozart, and Beethoven.


    PHOTOS: Czech out Dvořák (left) and Smetana

  • Walpurgis Night Faust Symphony on The Classical Network

    Walpurgis Night Faust Symphony on The Classical Network

    When the sun sets this evening, we will be in the grip of Walpurgisnacht!

    Walpurgis Night, the eve of the feast day of Saint Walpurga, is a time when evil spirits are believed to roam the earth. Tradition holds that this is the night of a witches’ sabbath and orgy of the damned, held high atop the Brocken, the tallest peak of the Harz Mountains in central Germany. It’s the last blast of diablerie before May Day. In Goethe’s “Faust,” Mephistopheles guides his imperiled charge into a swirling cauldron of witches and demons so as to complete his moral degradation.

    This Tuesday afternoon on The Classical Network, we’ll anticipate the worst (or the best?), with Franz Liszt’s “A Faust Symphony.” That will be followed by another work inspired by Goethe, Felix Mendelssohn’s “Die erste Walpurgisnacht” (“The First Walpurgis Night”), in which prankish Druids get the best of their superstitious occupiers. It ain’t exactly “Faust,” but it will do.

    First, on today’s Noontime Concert, a ray of light, as we listen to Marianna Prjevalskaya – Concert Pianist, in recital from Merkin Hall at Kaufman Music Center,129 West 67th Street, in New York City. Merkin’s Tuesday Matinees present a new generation of critically acclaimed, extraordinary young performers in a concert hall known for its near-perfect acoustics.

    On Prjevalskaya’s program will be the Piano Sonata in A major, Op. 2, No. 2, by Beethoven; two Rhapsodies, Op. 79, by Johannes Brahms; and six selections from the two books of Preludes, by Claude Debussy.

    Then the Brocken, she’ll be rockin’. Join me, if you dare, from 12 to 4 p.m. EDT, on WWFM – The Classical Network and wwfm.org.

  • Marlboro Music Festival Spotlight on Exploring Music

    Marlboro Music Festival Spotlight on Exploring Music

    It’s an embarrassment of riches for chamber music enthusiasts on this week’s Exploring Music with Bill McGlaughlin, as the focus will be on the legendary Marlboro Music Festival.

    Marlboro Music was established by Rudolf Serkin, Adolf Busch, Marcel Moyse and friends in Marlboro, VT, in 1951. From the start, Marlboro has offered a unique environment for the study and performance of the chamber music repertoire, with ideas and insights passed between veteran and up-and-coming musicians performing side by side in a relaxed atmosphere far removed from the pressures of daily life.

    Marlboro has benefited from the indispensible mentorship of such luminaries as Pablo Casals, Felix Galimir, Mieczyslaw Horszowski, and Sándor Végh, among others, who have helped foster then-promising musicians such as Yo-Yo Ma, Paula Robison, Richard Stoltzman, and all four members of the Guarneri Quartet (well, five, if you count Peter Wiley). The tradition continues, and Marlboro musicians now fill out many of the world’s great chamber music and orchestral ensembles.

    Bill McGlaughlin will celebrate this famed chamber music retreat in five installments, this Monday through Friday at 7:00 p.m. EDT, on WWFM – The Classical Network and wwfm.org.

    In the meantime, check out all this invaluable interview material with many Marlboro stalwarts, including its current directors, Mitsuko Uchida and Jonathan Biss:

    https://exploringmusic.wfmt.com/discussion/

    Enjoy a Marlboro double-whammy this Wednesday, as I’ll present “Music from Marlboro,” as always, at 6 p.m., followed by Bill’s third installment.

    Marlboro School of Music and Festival: Official Page

  • Alexander Quartet’s NYC Concert: Mozart Penderecki Dvořák

    Alexander Quartet’s NYC Concert: Mozart Penderecki Dvořák

    There must be something in human nature that pleases us in the idea that good things come in threes.

    Even so, this afternoon on The Classical Network, I’ll be interviewing violinist Frederick Lifsitz, one of four musicians that comprise the very fine Alexander String Quartet.

    The Alexander Quartet will appear on Thursday at 8 p.m. at the Baruch Performing Arts Center in New York City. On the program will be works of Mozart, Penderecki, and Dvořák. The concert will cap a day of lectures and panel discussions on the topic of Poland and the Jewish people, to coincide with the observation of Yom HaShoah, Holocaust Remembrance Day in Israel. The Alexander’s recital will include Penderecki’s poignant String Quartet No. 3 “Leaves of an Unwritten Diary.”

    The Alexander Quartet has been Baruch’s quartet-in-residence since 1986. My interview with Lifsitz will take place at 5:00 this afternoon.

    But if “three” is indeed your thing, then there will be plenty else to satisfy your organizational impulses, including the observations of the birthdays today of three notable conductors – Sir Thomas Beecham, Sir Malcolm Sargent, and Zubin Mehta – and three American composers – Wallingford Riegger, Harold Shapero, and Duke Ellington.

    I hope you’ll join me today from 4 to 7 p.m. EDT (that’s THREE hours), with the interview at 5. We’ll take the time to count our musical blessings, on WWFM – The Classical Network and wwfm.org.

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