Category: Daily Dispatch

  • Sherlock Holmes A Lifelong Literary Love

    This short film of Sir Arthur Conan Doyle, which has been making the rounds on social media, was sent to me last week by a friend. I must say, I find it absolutely delightful. Doyle confirms, as has often been told, that his most famous creation, Sherlock Holmes, was believed by many to be an actual person – and he has the letters to prove it. If I ever knew Doyle was born in Edinburgh, I’d forgotten it, but surely it is evident in his accent, which you will hear when following the link to the video. I defy you not to smile when he says goodbye and strolls off with his dog.

    By coincidence, I have been working my way through the Granada Television adaptations of the Sherlock Holmes stories starring the great Jeremy Brett, who was widely lauded as the definitive interpreter of the character, and rightly so. At any rate, he is the most faithful to Doyle’s vision. The series, produced between 1984 and 1994, aired here in the U.S. on PBS’ “Mystery!”

    The first Holmes’ story I ever read was “The Adventure of the Speckled Band,” which I believe was in 8th grade English class. I loved it, as I did just about everything I read that year. This would have included “Great Expectations” and “Romeo and Juliet” (which we students read aloud, taking the various parts). I remember being amazed at how bawdy the latter turned out to be, since it’s always endured in our collective memory as the epitome of romantic love. This led to some lively discussions. That’s what school was like back then. If there were ever any offended students or disgruntled parents, we never heard anything about it. There certainly were never any threats of book-bannings or lawsuits. But maybe I just wasn’t privy to what went on at PTA meetings.

    As recently as this past Christmas, I revisited Doyle’s “The Adventure of the Blue Carbuncle” (included in an anthology of Christmas stories), which I’d forgotten I’d done until viewing the Granada Television adaptation last week.

    So Holmes has been a life-long acquaintance, and Doyle’s stories have provided decades of pleasure. By the time we were in our teens, all of my friends and I had acquired, I venture to guess most of us as Christmas gifts, the collected stories, as well as those of Edgar Allan Poe. And we actually read them, and loved them! It’s remarkable that these works, in Doyle’s case written nearly a hundred years earlier (in Poe’s case, more like 150), still held us in their thrall. I wonder if it’s still the case for young people today, when we are told so many no longer read?

    Certainly, Poe and Doyle did wonders for our vocabulary. And we all tittered whenever Watson “ejaculated.”

  • Graduation Anthems on Sweetness and Light

    Graduation Anthems on Sweetness and Light

    No more stuffing phone booths or goldfish swallowing contests or taking the dean’s car apart and reassembling it in his living room. In the words of the poet: All good things must come to an end.

    This morning on “Sweetness and Light,” for graduation season, it’s a hazy recollection of the world of higher education, as we salute another successful batch of cogs about to enter the work force.

    Join me for a program of processionals and scenes from campus life – including a shocking number of works based on student drinking songs. Composers represented will include Jean Sibelius, Johannes Brahms, Franz Liszt, Johann Strauss II, Sigmund Romberg, Nikolai Rimsky-Korsakov, and of course Sir Edward “Pomp and Circumstance” Elgar.

    Hide the empties from the folks and join me in cap and gown. We’ll be churning out responsible citizens as they reel to the platform to claim their parchment on the next “Sweetness and Light,” this Saturday morning at 11:00 EDT/8:00 PST, exclusively on KWAX, the radio station of the University of Oregon!

    Stream it, wherever you are, at the link:

    https://kwax.uoregon.edu/

  • Ashcan Classics Making Music with Found Objects

    Ashcan Classics Making Music with Found Objects

    Wait! Hang on to that seashell collection! Don’t get rid of that eraser! Before you take out the recyclables, think twice. Grab a flower pot, a soup can, or a Coke bottle, and pull up a chair. This week on “The Lost Chord,” we’ll be playing a lot of garbage.

    So, what else is new?

    Well, I’m afraid this week I mean it quite literally. We’ll hear a three-movement “Garbage Concerto” by Canadian composer Jan Järvlepp, selections from “Underground Overlays from the Cistern Chapel” – acoustical experiments employing various permutations of conch, trombone, and didgeridoo, inside a two-million-gallon water tank, no less – rendered by Stuart Dempster and friends, and a short piece for prepared piano (foreign objects inserted between the strings) by John Cage.

    That’s “Ashcan Classics,” making music with found objects, on “The Lost Chord,” now in syndication on KWAX, the radio station of the University of Oregon!


    Clip and save the start times for all three of my recorded shows:

    PICTURE PERFECT, the movie music show – Friday at 8:00 PM EDT/5:00 PM PDT

    SWEETNESS AND LIGHT, the light music program – Saturday at 11:00 AM EDT/8:00 AM PDT

    THE LOST CHORD, unusual and neglected rep – Saturday at 7:00 PM EDT/4:00 PM PDT

    Stream them, wherever you are, at the link!

    https://kwax.uoregon.edu/


    Wish I could give credit to the artist, but I can find no attribution

  • Planet of the Apes Prophecy Music Review

    Planet of the Apes Prophecy Music Review

    I don’t know about you, but I found life much less disturbing when all these escapist fantasies I viewed or read as a kid became so embedded in our popular culture that they attained almost “camp” status. I’ve been noticing of late, and I must say, it’s making me rather uneasy, that an awful lot of them are starting to seem downright prophetic.

    But really? “Planet of the Apes?”

    Of course, the “Apes” movies were always thinly-veiled allegories about all the ways humans are idiots – violent, acquisitive, xenophobic, racist, fundamentalist, and irredeemably destructive. Unquestionably it is so, but even the original “Planet of the Apes” had moments of self-aware levity! Once the lights came up and we got on with our lives, who believed these fairy stories were more than cautionary tales? Who anticipated that the destiny of human civilization would seem to be playing out just as the “Apes” movies forecast?

    But that’s what gives them their elemental power. The issues addressed, sadly, will always be the same. Ignorance, fear, and brutality will always rage against enlightenment, equity, and compassion, and the people who can make a difference will never change before it’s too late.

    But… it’s Friday, and I know you’re all looking forward to the weekend. Our demise may be inevitable, but for now, kick back and enjoy selections from this lovingly restored, limited edition boxed set of “Apes” music from La-La Land Records.

    Today on “Picture Perfect,” in the wake of my spoken intro about Jerry Goldsmith’s seminal score, delivered earlier this week, prior to a screening of the first film at Princeton Garden Theatre, I am primed for primates. I hope you’ll join me as we sample music from “Planet of the Apes” (1968),” “Beneath the Planet of the Apes” (1970), “Escape from the Planet of the Apes” (1971), “Conquest of the Planet of the Apes” (1972), and “Battle for the Planet of the Apes” (1973). Composers will include Goldsmith (who also scored “Escape”), Leonard Rosenman (“Beneath” and “Battle”), and Tom Scott (“Conquest”).

    Has there ever been a more nihilistic series pitched to a family audience? From the era of Flower Power, the Vietnam War, and the Nixon administration, “Planet of the Apes” was the ultimate bad trip. As I say, it’s easy to view these films as silly, escapist fare, but more than half a century later, the themes, subtexts and overarching message of “Planet of the Apes” remain disconcertingly relevant.

    Keep your filthy paws off me, you damn dirty apes! Yes we have no bananas, on “Picture Perfect,” music for the movies, now in syndication on KWAX, the radio station of the University of Oregon!


    Clip and save the start times for all three of my recorded shows:

    PICTURE PERFECT, the movie music show – Friday at 8:00 PM EDT/5:00 PM PDT

    SWEETNESS AND LIGHT, the light music program – Saturday at 11:00 AM EDT/8:00 AM PDT

    THE LOST CHORD, unusual and neglected rep – Saturday at 7:00 PM EDT/4:00 PM PDT

    Stream them, wherever you are, at the link!

    https://kwax.uoregon.edu/

  • Korngold Birthday Rediscovering a Master

    Korngold Birthday Rediscovering a Master

    Today is the birthday of one of my favorite composers, Erich Wolfgang Korngold (1897-1957), in my heart since childhood, thanks to viewings of “The Adventures of Robin Hood. But guess what? I love his concert music and his operas too! Here’s a joyous discovery for a spring afternoon: Korngold at the piano, playing his own themes from opera and the movies, at the home of Ray Heindorf, who worked very closely with the composer as an orchestrator on a number of his classic film scores. By 1951, Korngold had already left Warner Brothers. He would work on only one more film, the Richard Wagner biopic “Magic Fire,” released by Republic Pictures in 1955. Hear Korngold sing (if you can distinguish him from Heindorf) and actually speak, especially during the final minutes, accompanied by some fascinating home movies.

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