Category: Daily Dispatch

  • 1980s Concert Programs A Blast from the Past

    1980s Concert Programs A Blast from the Past

    Recently, during one of my domestic excavations, I tapped into a rich vein of concert programs from the 1980s. I’m only just now flipping through some of them, and they’re churning up waves of nostalgia and making me wistful for an irretrievable past. I mean, I always have been, sort of, but it is only getting worse with age. I can’t believe how lucky we had it back then and the performers and concerts I saw! And these represent but the merest fraction.

    What surprises me is how vividly even the program notes and articles conjure a faded world. It’s unfortunate that in the quest to “demystify” classical music, everything has become so watered-down. And of course the recording industry, at least as it existed in those days, is in tatters.

    But back then, giants still walked the earth. Artists had major recording contracts, and when they came to town, people were eager to see them. Also, you could put on the radio and hear a complete symphony, even one that’s not played all the time. So when it turned up in concert, you were excited to be able to hear it live. Elgar’s Symphony No. 2? Berlioz’s “Symphonie funèbre et triomphale?” Tchaikovsky’s “Manfred?” I’m there!

    Now, after decades of pandering, instead of elevating, in our movies and our television and our books and our music, and with the rise of the internet, people’s attention spans have withered, and interest in any kind of personal growth or brush with the transcendent is practically nonexistent. People can’t even be bothered to get dressed up to go to church anymore. Why should they put on a clean shirt to attend an interminable concert? The snake has been devouring its tail for a long time. I wonder how many regard music these days as more than entertainment, as “product.”

    Alas, it is what it is. I am so glad these printed programs survive. These days, even I hang onto those for most recent concerts only for a week or two before they go to the recycle bin.

    I figure from time to time I can share some images and conjure a few happy memories from 40 years ago, especially on days when I’m up against deadline or have other work to do. I hope they give you some vicarious enjoyment. Try not to be embittered like me.

  • Princeton Festival Oral History Interview

    Princeton Festival Oral History Interview

    Just finishing up a late lunch, following another round of documentary/promotional/archival interviews for an oral history of The Princeton Festival. The festival’s founding artistic director, Richard Tang Yuk, flew all the way up from his home in Trinidad for this one. I had a blast listening to his stories. He’s a great speaker. Richard was joined by Markell “Mickey” Shriver and Marcia Atcheson (also founding members of the festival). For many years, Marcia was my festival press contact when I wrote about classical music for The Trenton Times. Again, the interviews were documented by videographer Briann Dixon. This year’s festival runs June 6-21.

    https://www.princetonsymphony.org/festival

  • Earth Day: Fighting for Our World’s Soul

    Earth Day: Fighting for Our World’s Soul

    Earth Day. At a time when our natural resources are viewed by those in power as so many unclaimed dollar signs, the prospect of a better future can seem pretty bleak. Log it, mine it, drill it, pave it over, and do it all as cheaply and irresponsibly as possible is the rule of the day. But it all comes at such a terrible cost.

    The physical impact is evident, but there’s also an incalculable psychological impact. Does anyone else feel oppressed when regenerative fields and woods are sacrificed to ugly housing developments or miles of enormous box warehouses? These things wear on the soul.

    Beethoven and Mahler weren’t inspired to write their masterworks while walking around the parking lot of a strip mall on Route 1 or against a backdrop of roaring chainsaws or by taking in lungs-full of diesel exhaust. I only just googled Asher B. Durand’s painting “Kindred Spirits” to discover this classic depiction of man in nature is now owned by a Walmart heiress! Wordsworth’s head would explode.

    I know, with deregulation and official, flagrant disregard for the environment, our oceans, the protective atmosphere, our national parks, our farms, the water we drink, and the air we breathe, it almost seems like what’s the point. But that is the point. It’s why it’s all the more important to support whatever environmental/wildlife organizations you can, especially those with a reputation for lawyering up and winning.

    In the old days, you used to be able to contact your state representatives and feel as if you might have done some good. I don’t have any faith in that anymore. I can’t even get my neighbors to recycle properly, and it’s not like they stand to gain anything monetarily from their lack of concern. When billions of dollars are at play, I imagine it’s all too easy to ignore the consequences – I’m not going to worry about that right now, as long as I get mine – and view quality of life, imperiled health, and curtailed existence as intangibles.

    It’s a very warped perspective, as the evidence is all around us, with scorching summers, natural disasters, and infectious disease and cancer on the rise, species in decline, and ugly “development” everywhere. It’s common for woods to be hacked down and fields to be plowed under, but rare to see trees planted. Even how we care for our very lawns can be so irresponsible. In too many instances, people just don’t think, or they don’t care. But once these things are gone, they’re gone, or if they can come back, it can take generations, and not everything will survive.

    Some might say it’s the way of the world, but if an economy can be built by adjusting our manner of thinking and by training a work force to move toward a greener future, I don’t see why there’s so much pushback against it. One way or the other, it’s always the consumer who’s going to get milked in the end, so it’s not like industry is going to lose anything, in terms of profits, by converting.

    At the very least, we should do no harm, if it can possibly be avoided, and everything to help, if we can.

    Happy Earth Day hardly seems to address the mess that we are in.


    THE WORLD IS TOO MUCH WITH US (1802)
    William Wordsworth

    The world is too much with us; late and soon,
    Getting and spending we lay waste our powers;
    Little we see in Nature that is ours;
    We have given our hearts away, a sordid boon!
    This Sea that bares her bosom to the moon,
    The winds that will be howling at all hours,
    And are up-gathered now like sleeping flowers,
    For this, for everything, we are out of tune;
    It moves us not. – Great God! I’d rather be
    A Pagan suckled in a creed outworn;
    So might I, standing on this pleasant lea,
    Have glimpses that would make me less forlorn;
    Have sight of Proteus rising from the sea;
    Or hear old Triton blow his wreathèd horn.


    IMAGE: Asher B. Durand, “Kindred Spirits” (1849)

  • Remembering Pope Francis Compassion and Influence

    Remembering Pope Francis Compassion and Influence

    It used to be common sense, handed down by those who learned it through hard experience, never to discuss religion or politics. But I hope it’s uncontroversial to state, regardless of one’s personal convictions or interpretation of Scripture or feelings about the Church, Pope Francis was a good man. He was a voice of compassion in an often cruel world that of late seems to be racing downhill on a banana peel. No one in his position could ever be all things to all people, but the very fact that in at least one of the world’s highest and most influential offices there was an adult with his hand on the tiller was somehow reassuring. May his successor continue to be a moderating influence. R.I.P.

    Ennio Morricone, “Mass for Pope Francis”

  • Ryelandt’s Symphony No 4 Easter Vigil Special

    Ryelandt’s Symphony No 4 Easter Vigil Special

    This week on “The Lost Chord,” we anticipate Easter with a symphony by devout Belgian composer Joseph Ryelandt.

    Born in Bruges in 1870, Ryelandt was raised to value culture, tradition, and faith. He was unhindered by financial concerns for the first half of his very long life. World War I, however, badly affected his finances. The father of eight children himself, he took up teaching out of necessity at the age of 54. He did so with some hesitation, but was relieved to find it truly rewarding. He was appointed director of the Bruges Conservatory in 1924.

    While his academic and creative work evidently brought him enormous satisfaction, life at home was saddened by the gradual decline of his wife’s health. She died in 1939. Ryelandt composed very little during the Second World War. A few chamber works followed, and then he abandoned composition altogether. He devoted his retirement to literature – writing poetry and reading the world’s classics. He died, following a brief illness, in 1965, at the age of 95.

    Of all of his works, he considered his five oratorios the most important, though he composed much else, including six symphonies (the first of which he destroyed). None of the symphonies were performed until 1960. It was then that the Symphony No. 4 received its belated premiere, on a concert in celebration of the composer’s 90th birthday.

    Ryelandt’s inspiring Fourth Symphony was composed in 1912-1913, on the very eve of World War I. Like nearly everything he wrote, the work is an outgrowth of his personal faith. About twenty minutes in, a choir of tenors appears, to sing a passage from Thomas à Kempis’ “The Imitation of Christ.” The triumphant chorus that concludes the piece is from the Credo, as heard in the traditional Catholic Mass.

    Then, following the symphony, and in the time remaining, we’ll hear another Credo setting, by Franco-Flemish composer Josquin des Prez.

    I hope it will suit the mood for your Easter Vigil. I invite you to join me for “Creative Spirits” on “The Lost Chord,” now in syndication on KWAX, the radio station of the University of Oregon!


    Clip and save the start times for all three of my recorded shows:

    PICTURE PERFECT, the movie music show – Friday at 8:00 PM EDT/5:00 PM PDT

    SWEETNESS AND LIGHT, the light music program – Saturday at 11:00 AM EDT/8:00 AM PDT

    THE LOST CHORD, unusual and neglected rep – Saturday at 7:00 PM EDT/4:00 PM PDT

    Stream them, wherever you are, at the link!

    https://kwax.uoregon.edu/

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