Category: Daily Dispatch

  • Chanticleer Walden on WWFM This Monday

    Chanticleer Walden on WWFM This Monday

    “I do not propose to write an ode to dejection, but to brag as lustily as Chanticleer in the morning, standing on his roost, if only to wake my neighbors up.” So wrote Henry David Thoreau in his preface to “Walden.”

    American composer Daniel Gregory Mason’s “Chanticleer Festival Overture” will lead off music for your afternoon commute.

    “All climates agree with brave Chanticleer. He is more indigenous even than the natives. His health is ever good, his lungs are sound, his spirits never flag.”

    I’ll give you something to crow about, this Monday from 4 to 7 p.m. EST, on WWFM – The Classical Network and wwfm.org.

  • Montsalvatge’s Puss in Boots Opera

    Montsalvatge’s Puss in Boots Opera

    You can tune an orchestra, but you can’t tun-a fish. This Sunday night on “The Lost Chord,” we put the “cat” in Catalan music with selections from Xavier Montsalvatge’s one-act opera “Puss in Boots.”

    “Puss in Boots,” Montsalvatge’s first opera, was composed in 1947. We all know the story. The tale, in its best-known guise, was published by Charles Perrault in 1695 as one of the “Tales of Mother Goose.”

    A poor miller laments his inheritance. Most of the family property – the mill and the mules – goes to his elder brothers, and all that’s left for him is an unprepossessing cat. He wonders of what use to him a cat could possibly be. He contemplates eating it, perhaps using the skin to make a hat. The cat, however, promptly endears himself, and offers to gain his master a fortune, a kingdom, and the hand of a beautiful princess. All he asks in exchange is a pair of boots, to spare his feet, a stylish hat with a plume, a cape, and a sword fashioned out of bone.

    Since the cat presents him with a ring from the hand of the princess, the Miller considers it a fair deal, and sets about getting, by hook or by crook, whatever the cat desires.

    Throughout the course of the story, with his cunning and superior wits, the cat is able to deliver on everything he promises.

    We’ll heard selections from a 2004 recording, on the Columna Musica label, with Argentine mezzo-soprano Marisa Martins as Puss (an unusual take on the traditional “trouser role”), and tenor Antonio Comas as the Miller. The Symphony Orchestra of the Gran Teatre del Liceu is conducted by Antoni Ros Marba.

    Listen for the charming cat-like touches in the string-writing and the use of a piano throughout the opera to evoke the style of decorative 18th century recitative.

    That’s “Fur Love and Valor” – highlights from Xavier Montsalvatge’s “Puss in Boots” – this Sunday night at 10:00 EST, on WWFM – The Classical Network and wwfm.org.

  • Mickey Mouse Steamboat Willie’s NYC Debut

    Mickey Mouse Steamboat Willie’s NYC Debut

    Mickey, Mickey, you’re so fine…

    In New York City on this date in 1928, Mickey Mouse made his first appearance, in the animated short “Steamboat Willie.” “Steamboat Willie” was the first cartoon with synchronized pre-recorded sound effects and music. Carl Stalling was the composer. Stalling would go on to a prolific career scoring cartoons for Warner Brothers – employing scattershot references to the “Light Cavalry,” “William Tell,” and “Poet and Peasant” Overtures and more – providing for generations of viewers a gateway to the wider enjoyment of classical music.

    Steamboat Willie:

    https://www.youtube.com/watch?v=BBgghnQF6E4

    The Rabbit of Seville:

    http://www.dailymotion.com/video/x2o5y7d

  • Thanksgiving Movie Music Picture Perfect

    Thanksgiving Movie Music Picture Perfect

    This week on “Picture Perfect,” we set the table for Thanksgiving.

    Gary Cooper and Dorothy McGuire star in “Friendly Persuasion” (1956), based on the novel by Jessamyn West. The film’s portrayal of family and the resolution of moral conflict, as pacifist Quakers deal with issues both big and small – from the American Civil War, to the introduction of a “sinful” musical instrument into the household – make “Friendly Persuasion,” in my opinion, a good choice for this time of year.

    The film was nominated for six Oscars, with Dimitri Tiomkin’s score nominated twice. The title song went on to become the popular hit “Thee I Love.” Only Dimitri Tiomkin would use balalaikas to depict Quaker life!

    None other than Aaron Copland composed music for a big screen adaptation of Thorton Wilder’s “Our Town” (1940). The play, which opened at Princeton’s McCarter Theatre, won the Pulitzer Prize for Drama only two years earlier. Copland was at the height of his “populist” period. “El Salon Mexico” and “Billy the Kid” had already been written, and “Fanfare for the Common Man,” “A Lincoln Portrait,” “Rodeo” and “Appalachian Spring” would follow within just a few years.

    The concert version of “Our Town” has been in circulation for decades, but it’s only fairly recently that a recording of the complete score was made available. It was issued briefly on the Naxos label, available only as a download. The recording is now extremely scarce, possibly because of copyright issues.

    The film’s portrayal of small town America and the playwright’s poignant observation, “Do any human beings ever realize life while they live it? Every, every minute?,” are timely reminders that there are things we should all be thankful for, while they – and we – are here for us to appreciate them.

    “Witness” (1985) may seem like an unusual choice for Thanksgiving, with its themes of police corruption and violence, but when honest cop Harrison Ford goes on the lam, he experiences the “plain” lifestyle of a close-knit Amish community. The highlight of Maurice Jarre’s score is a sequence called “Building the Barn,” in which the community comes together to raise a barn for a newly married couple.

    Finally, we’ll listen to selections from “Plymouth Adventure” (1952), with its depictions of William Bradford, John Alden, Miles Standish and Priscilla Mullins. Spencer Tracy stars as the cynical captain of The Mayflower, Gene Tierney is his forbidden love interest, Van Johnson appears as Alden, and Lloyd Bridges is the first mate. If you’re curious to see the film, Turner Classic Movies: TCM will broadcast it this Sunday at 2 p.m. EST.

    The music is by Miklós Rózsa, who, already at this stage of his career, was MGM’s go-to composer for historical drama. Seven years later, Rózsa would take home his third Academy Award, for his classic score to “Ben-Hur.”

    There’s not a turkey among them! It’s never too early to give thanks this week on “Picture Perfect” – music for the movies – this Friday evening at 6:00 EST, on WWFM – The Classical Network and wwfm.org.

  • Luis Bacalov Spaghetti Western and Il Postino RIP

    Luis Bacalov Spaghetti Western and Il Postino RIP

    Film composer Luis Bacalov has died. Many of the obituaries I’m seeing lead off with the credit for his Oscar-winning work on “Il Postino;” some prefer to front-load Quentin Tarantino’s repurposing of his music for “Kill Bill” and “Django Unchained.” I prefer to remember Bacalov from the original spaghetti westerns, back in the day when Django was played by Franco Nero. R.I.P.

    The man:

    http://exclaim.ca/film/article/r_i_p_italian_soundtrack_hero_luis_enriquez_bacalov

    His music:

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