• Proms Cancelled A Missed Opportunity for Music?

    Proms Cancelled A Missed Opportunity for Music?

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    The BBC has cancelled the last two Proms, out of respect for the Queen’s passing. Last night, barely an hour after her death was announced, the Philadelphia Orchestra took the stage of Royal Albert Hall to play “God Save the Queen” and “Nimrod” from Elgar’s “Enigma Variations.”

    Traditionally, the Last Night of the Proms is a raucous affair, marked by audience participation and lots of flag-waving, “popular” in the truest sense. Many people attend the event that ordinarily would never set foot in a concert hall. Certainly, you’re not going to please everyone, but might not the scheduled programs have been altered to include selections of a more suitable mood?

    The music of Ralph Vaughan Williams has been very well-represented on this year’s Proms, as well it should be, in his sesquicentennial year. Interestingly, it turns out that the Queen was an admirer of Vaughan Williams’ Symphony No. 5. This serene work by a 71 year-old composer bears a message of consolation and hope and has been offering solace to audiences since its premiere in June 1943 – the height of World War II – introduced on a Prom concert at Albert Hall, no less. An air-raid warning sounded before the concert, but was ignored.

    Might not this favorite of the Queen, a symphony of such national significance and great humanity, have been substituted, rather than simply turning out the lights and leaving everyone to pass the evenings at home with their phones and tellies?


    Vaughan Williams’ Symphony No. 5

    “O Taste and See,” composed for the Queen’s coronation in 1953


  • Unpacking The Man Who Fell to Earth

    Unpacking The Man Who Fell to Earth

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    “The Man Who Fell to Earth” (1976) may have traveled without luggage, but there certainly is a lot to unpack.

    Nicholas Roeg’s determinedly experimental adaptation of Walter Tevis’ novel (he also wrote the books that formed the bases for Paul Newman’s “The Hustler” and the recent Netflix sensation “The Queen’s Gambit”), “The Man Who Fell to Earth” is kind of like E.T.’s lost weekend.

    David Bowie, in his big screen debut, is the ethereal visitor from a dying planet who plans to return home with the necessary resources to save his people. However, he becomes increasingly mired in earthly distractions: media saturation, addiction (both chemical and interpersonal), human foibles, and institutional interference. Also, everyone he meets seems to spend so much of their time naked. And I’m talking really ‘70s naked.

    Disorienting at times to the point of semi-coherence, “The Man Who Fell to Earth” is the perfect metaphor for a Roy and Ross conversation. You’ll need something stronger than water when ranking your favorite Rip Torn nude scenes in the comments section, on the next Roy’s Tie-Dye Sci-Fi Corner. Interplanetary travel has seldom been so trippy as when we livestream on Facebook, this Friday evening at 7:30 EDT!

    https://www.facebook.com/roystiedyescificorner


  • Anne Akiko Meyers Returns to NJ with Márquez

    Anne Akiko Meyers Returns to NJ with Márquez

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    I first saw Anne Akiko Meyers with the Philadelphia Orchestra at The Mann Center back in 1991 (playing Samuel Barber’s Violin Concerto), and she was very special indeed. Ten years earlier, at the age of 11, she was already performing on “The Tonight Show with Johnny Carson.” The next year, she made her “Top 5” debut, with the New York Philharmonic. Meyers has long since been in demand as one of the world’s top-tier violinists.

    This weekend, she will be the soloist on the opening concerts of the Princeton Symphony Orchestra in Arturo Márquez’s Violin Concerto “Fandango,” a piece that was given its premiere, by Meyers, last summer at the Hollywood Bowl.

    The concerto will form the core of a Latin-inflected program that will also include Ruperto Chapí’s prelude to the zarzuela “La Revoltosa” and the U.S. premiere of Marcos Fernández-Barrero’s homage to Leonard Bernstein, “America.”

    Joaquín Turina’s evocative “Danzas fantásticas” and Nikolai Rimsky-Korsakov’s colorful “Capriccio espagnol” will lend further zest to this musical paella.

    Music director Rossen Milanov will conduct.

    The concerts will take place at Princeton University’s Richardson Auditorium this Saturday at 8 p.m. and Sunday at 4 pm. For tickets and more information, visit princetonsymphony.org.


    Meyers on “Living the Classical Life”


  • Queen Elizabeth II Dies at 96

    Queen Elizabeth II Dies at 96

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    According to a statement issued by Buckingham Palace, Queen Elizabeth II died peacefully today at Balmoral Castle, her estate in the Scottish Highlands, with her family around her. She was 96 years-old.

    Elizabeth reigned as Queen of England from 1953. In 2015, she became the country’s longest-reigning monarch. She lived to see the massive celebrations in honor of her 70th year on the throne, held only this past June. Now Charles is King.

    Under the circumstances, it doesn’t seem appropriate to link a bunch of festive coronation marches. Instead, here’s Herbert Howells’ “Behold O God Our Defender,” composed on Christmas Day, 1952, also for Elizabeth’s coronation.

    “When beggars die, there are no comets seen;
    The heavens themselves blaze forth the death of princes.”

    Or of queens, for that matter. R.I.P.


  • WWFM Celebrates 40 Years of Classical Music

    WWFM Celebrates 40 Years of Classical Music

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    A few more memories of WWFM – The Classical Network for the station’s 40th anniversary.

    TOP: Live broadcast of Choral Arts Philadelphia performance of Bach’s “Christmas Oratorio,” with Rachel Katz and Alice Weiss

    BOTTOM (left to right): Hand-in-hand with David Dubal; from an old program guide, with Bliss Michelson, Richard Gladwell and Marjorie Herman, and Heidi Jamieson, Win Howard, Ted Otten, and Michael Kownacky; with Mike Harrah at one of the editing booths


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