• Venezuelan Christmas Traditions

    Venezuelan Christmas Traditions

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    As Americans, our concept of Christmas tends to be rather Northern-centric. Even to call ourselves “Americans” is a bit presumptuous, being that there are all these other folks living around the Equator and in lands south – roughly 40 percent of the population of the Eastern Hemisphere – who are also Americans, though not citizens of the United States.

    The people of Venezuela may never know what it is to enjoy a white Christmas, but they have developed their own seasonal traditions to compensate for a lack of “dashing through the snow.” On Christmas Day in the capital city of Caracas, the streets are closed to traffic, fireworks shatter the silence before dawn, and those youngsters who can sleep through anything are awakened by a tug on the toe.

    Children go to bed on Christmas Eve with a string tied to their piggies. One end is dangled out the window to be tugged – gently, I would hope – by passersby, as a reminder that it is time to get up and strap on the skates. For in the city of Caracas, it is customary for anyone who is able-bodied to roller skate to Christmas mass. If the kids are good, they have received gifts in the night, not from Santa, but from Baby Jesus himself.

    After mass, everyone goes out and gets tostados and drinks coffee. The big meal is enjoyed on Christmas Eve (actually the wee hours of Christmas morning), following midnight mass, or Misa de Gallo. “Gallo,” if you don’t know, is Spanish for “rooster.” Nobody gets any sleep on Christmas in Venezuela. That’s one aspect of the holiday Americans in both hemispheres pretty much share in common.


  • Nadolig Llawen A British Isles Christmas

    Nadolig Llawen A British Isles Christmas

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    Nadolig Llawen!

    This Sunday night on “The Lost Chord,” we’ll celebrate Christmas in the British Isles, with selections from The Chieftains’ “The Bells of Dublin,” William Mathias’ “Bell Carol,” and “Rose & Thistle: English and Scottish Music from The Christmas Revels.” Also, Dylan Thomas will read his holiday classic, “A Child’s Christmas in Wales.”

    Travel across the pond for “Four Countries Christmas,” this Sunday night at 10:00 EST, on WWFM – The Classical Network and wwfm.org.


    More about the Welsh custom of Mari Lwyd here:

    http://christmasisawesomeandsoshouldyou.blogspot.com/2013/12/18-mari-lwyd.html


  • Lessons and Carols Kings College Christmas

    Lessons and Carols Kings College Christmas

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    Every year for the past century, a unique spell has been woven by the purity of a solo treble voice floated across a cavernous, candlelit 15th century chapel. The boy chorister, always selected at the last moment from the ranks of his well-drilled peers, is joined in succession by full chorus, then congregation with organ. It is an inspiring moment, and for many an indelible part of the Christmas season.

    “A Festival of Nine Lessons and Carols” from King’s College Chapel has been a Christmas Eve tradition since 1918. It has been enjoyed by millions of listeners around the world since its first radio broadcast in 1928. (This year’s audience is projected to be 30 million.) Readings of Biblical passages are punctuated by atmospheric musical selections for the season.

    Since 1983, the program has also incorporated a newly-commissioned work, expanding the repertoire with contributions by some of the world’s foremost composers: Thomas Adès, Richard Rodney Bennett, Lennox Berkeley, Judith Bingham, Harrison Birtwistle, Brett Dean, Alexander Goehr, Robin Holloway, James MacMillan, Nicholas Maw, Peter Maxwell Davies, Thea Musgrave, Arvo Pärt, Stephen Paulus, John Rutter, John Tavener, Einojuhani Rautavaara, and Peter Sculthorpe are among those who have contributed. This year, the honor has fallen to Judith Weir, who currently holds the title of Master of the Queen’s Music. (She is the first woman to do so.)

    This expansion of the Christmas choral repertoire was spearheaded by Stephen Cleobury. Cleobury has been director of music at King’s College, Cambridge, since 1982. He will retire from his position on September 30, 2019. Monday will be the final “Lessons and Carols” given under his direction.

    The Classical Network will once again broadcast this beloved annual tradition live on Christmas Eve morning at 10:00 EST.

    For additional insights, join Rachel Katz for an exclusive interview with Cleobury on “A Tempo.” Cleobury will talk about the history of the service, his experiences in leading it, and the role it has played in the broader world of choral music. Also on the program will be a conversation with James Jordan, who in 1992 launched Westminster Choir College’s own “Evening of Readings and Carols.”

    “A Tempo” can be heard tonight at 7:00 EST, on WWFM – The Classical Network and wwfm.org.


  • Winter Arrives 5:23 PM EST Welcome Yul

    Winter Arrives 5:23 PM EST Welcome Yul

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    Winter arrives at 5:23 p.m. EST.

    Welcome, Yul!


  • Classic Christmas TV Specials Music

    Classic Christmas TV Specials Music

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    TV or not TV?

    This week on “Picture Perfect,” we’ll think inside the box, with music for classic Christmas television specials.

    “The Snowman” (1982), based on the picture book by Raymond Briggs, is about boy whose snowman comes to life and whisks him away on a journey to the North Pole. The show became enormously popular in the UK and through occasional showings on U.S. television. It was nominated for an Academy Award for Best Animated Short. Like the book, the film is wordless, using animation and music to tell its story, with the exception of an enchanting interlude, known as “Walking in the Air,” which employs a boy treble. “Walking in the Air” is easily the best-known music by Howard Blake.

    The television film “The Homecoming” (1971) starred Patricia Neal and Richard Thomas in a heart-warming story of a rural family Christmas in 1933. Written by Earl Hamner, the film’s success spawned the television series “The Waltons.” Jerry Goldsmith wrote the music. He would return to work on “The Waltons,” though as of “The Homecoming,” he had yet to write the indelible theme.

    An adaptation of Charles Dickens’ “A Christmas Carol” (1954) was the subject of a special episode of the anthology series “Shower of Stars.” Frederic March played Ebenezer Scrooge, and Basil Rathbone was Jacob Marley’s ghost. But it was Ray Middleton, who played both Scrooge’s nephew and the Spirit of Christmas Present, who was given arguably the show’s most memorable tune, “A Very Merry Christmas.” The teleplay and lyrics were by Maxwell Anderson, and the music was by Bernard Herrmann!

    Finally, Christmas time is here, happiness and cheer, with “A Charlie Brown Christmas” (1965). We’ll hear the Vince Guaraldi Trio perform selections from this most beloved of Christmas classics.

    For once, the snow on your television screen is wholly intentional. Join me for music from classic Christmas television specials, this Friday evening at 6:00 EST, on WWFM – The Classical Network and wwfm.org.


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