Category: Picture Perfect

We don’t know exactly when Shakespeare was born, but he was baptized on April 26, 1564 – so it could have been a few days before that. Since he died on April 23, 1616, and because human beings love symmetry, the Bard’s birthday is most commonly observed on the presumptively-shared anniversary of his death. His little life may have been rounded with a sleep, but posterity has fluffed the pillows in an impulse to keep things tidy.

Be that as it may, this time of year is an excellent excuse to make much ado about Patrick Doyle. This week on “Picture Perfect,” we’ll enjoy selections from Doyle’s scores composed for the films of Kenneth Branagh.

In 1987, Doyle joined Branagh’s Renaissance Theatre Company, for which he provided incidental music. Two years later, Branagh – and by extension, Doyle – made a leap to the big screen, where they achieved a remarkable feat, rethinking Shakespeare’s “Henry V.” Remember, this is the play that propelled Laurence Olivier to worldwide fame in 1944, both as a filmmaker and the Bard’s most celebrated interpreter, and William Walton’s score is regarded as one of the best of all time.

Branagh’s version is quite different. Though equally rousing, it doesn’t shy away from Henry’s more complicated nature and the grittier aspects of what it means to go to war. It was a bold gamble, but one that paid off. Not only did this revisionist “Henry” receive nearly universal acclaim, the film was a box office success, and Branagh would be nominated for two Academy Awards, like his predecessor, in the categories of Best Actor and Best Director. Certainly, the film’s score deserved to be recognized – but in the year of “The Little Mermaid,” it failed even to secure an Academy Award nomination.

An interesting footnote: Doyle himself is the baritone who introduces “Non nobis Domine,” a prayer of thanksgiving, following the Battle of Agincourt.

In 2006, Branagh directed an adaptation of “As You Like It.” As has become his custom, he took a celebrity approach to its casting, although perhaps not so wildly uneven as some of the cameos in his big screen “Hamlet.” Kevin Kline plays Jacques; Alfred Molina the fool, Touchstone; and Branagh regulars, Brian Blessed and Richard Briers appear, as well.

The most radical liberty taken with the play is that Branagh transplants the action to 19th century Japan. The language remains firmly rooted in Shakespeare’s text, although there are striking cross-cultural elements, including ample kimonos, kabuki theatre, ninjas, and a sumo wrestler. Still, it’s a long way off from the astounding bomb that was Branagh’s American Songbook-interpolated “Love’s Labour’s Lost.”

While Olivier’s “Hamlet” won four Academy Awards in 1948, including those for Best Picture and Best Actor, Branagh’s 1996 version is cinema’s first adaptation of the complete text. It is, unavoidably, an uneven interpretation, with some puzzling casting choices – including walk-ons by Jack Lemmon, Robin Williams, and Gerard Depardieu – but there are enough merits, certainly, to make the four-hour trek worthwhile.

Finally, Branagh teamed with his then-wife, Emma Thompson, for a “merry war” of wits, as Benedick and Beatrice, in his 1993 adaptation of “Much Ado About Nothing.” Again, the film features an eclectic supporting cast of classically trained actors and pop Hollywood phenomena. Briers, Blessed, and Imelda Staunton share screen time with Denzel Washington, Michael Keaton, and Keanu Reeves. Yet, somehow, despite the different nationalities, ethnicities, and accents, the entire enterprise works. There is an exuberance to the over-the-top opening sequence which sets up a momentum that carries through the rest of the film.

Sigh no more! Join me for the Shakespeare scores of Patrick Doyle on “Picture Perfect,” music for the movies, now in syndication on KWAX Classical Oregon!

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Clip and save the start times for all three of my recorded shows:

PICTURE PERFECT, the movie music show – Friday at 8:00 PM EDT/5:00 PM PDT

SWEETNESS AND LIGHT, the light music program – Saturday at 11:00 AM EDT/8:00 AM PDT

THE LOST CHORD, unusual and neglected rep – Saturday at 7:00 PM EDT/4:00 PM PDT

Stream them, wherever you are, at the link!

https://kwax.uoregon.edu