Tag: Aaron Copland

  • John Adams at 75 A Composer’s Reflections

    John Adams at 75 A Composer’s Reflections

    To me, John Adams has always embodied the spirit of youth. How the heck, then, did he get to be 75???

    Adams is considered by some to be America’s preeminent living composer. Of the generation that emerged from the haze of Minimalism, he is perhaps the one representative least likely to repeat. Arguably the most versatile and substantial of the early proponents of the style, he was awarded the Pulitzer Prize for Music in 2003 for his 9/11 memorial “On the Transmigration of Souls.”

    Personally, I’ve never found all of his music convincing, and I would include among that his Pulitzer winner. Some of it I find fun (“Short Ride in a Fast Machine,” “Grand Pianola Music”), some of it I find to be quite good (“Shaker Loops,” “El Niño”), some of it I find to be boring, clumsy, or downright embarrassing (“Harmonium”). But undoubtedly everyone will have their own reactions (“Grand Pianola Music” was booed at its premiere), and all are free to assess for themselves.

    A new opera is imminent, Adams’ take on Shakespeare’s “Antony and Cleopatra” – a departure for a composer whose stage works have been rooted in modernity – scheduled for a Los Angeles debut. Samuel Barber notoriously went down in flames for tackling the same subject for the grand re-opening of the Metropolitan Opera House at its current location at Lincoln Center in 1966 (though some would argue, in Barber’s case, it was not for wholly musical reasons).

    In common with another illustrious predecessor, Aaron Copland, Adams in his maturity has expanded his activities as a conductor. While wondering what new I could possibly add to the 75th birthday encomiums, I stumbled across this substantial interview, in which he talks about, among other things, the challenges and rewards of conducting Sibelius. As a great admirer of Sibelius’ music myself, I found it to be of interest, even if I’m not sure I entirely agree with all of his assessments.

    From a new opera to old synthesizers – Interview with John Adams

    Regardless of my own mixed reaction to Adams’ body of work, there’s no arguing against his influence or his standing. Happy birthday on his 75th. Congratulations on his long-term success, and may he enjoy many more!

    “Short Ride in a Fast Machine”

    “Shaker Loops”

    “Nixon in China”

    John Adams on conducting

  • Happy Thanksgiving Gratitude and Aaron Copland

    Happy Thanksgiving Gratitude and Aaron Copland

    Thankful for friends past and present, family alive and gone, good health, and a more-or-less fortunate life. Happy Thanksgiving, everyone.

    Aaron Copland got mail:

  • Picture Perfect Thanksgiving Movie Music

    Picture Perfect Thanksgiving Movie Music

    Thanks to the support of listeners like you, we were able to make our 7-day goal of $70,000 yesterday, and the WWFM fall fund drive has concluded. Thank you again for your continued generosity! Here’s to a holiday season full of inspiring and cozy classics.

    My movie music show, “Picture Perfect,” ordinarily broadcast on Saturdays at 6 p.m. EST, was to have been preempted this past week, because of fundraising obligations. But then we wound up making our quota for the day, and the show aired after all!

    Due to the last-minute change in plans, the announcement wasn’t posted on Facebook until 6:00. I suspect very few people, beyond those actually listening to the station at the time, knew to tune-in in to be able to hear it.

    Therefore, here’s a link to the webcast, which might serve as an appropriate soundtrack to your Thanksgiving preparations. Enjoy selections from “Friendly Persuasion” (Dimitri Tiomkin), “Our Town” (Aaron Copland), “Plymouth Adventure” (Miklós Rózsa), and the building-the-barn sequence from “Witness” (Maurice Jarre). And if you’re so inclined, save me a piece of pie.

    https://www.wwfm.org/post/picture-perfect-never-too-early-give-thanks

    Thank you for your continued support of WWFM – The Classical Network, and Happy Thanksgiving.

  • Thanksgiving Movie Music on WWFM

    Thanksgiving Movie Music on WWFM

    IT’S A THANKSGIVING MIRACLE!

    Today’s membership drive wrapped up a little early – which means that “PICTURE PERFECT” is on the air!! Pull up a chair and join me for a Thanksgiving feast of Americana film scores.

    None other than Aaron Copland wrote the music for a big screen adaptation of Thorton Wilder’s Pulitzer Prize winning play “Our Town.” The composer was at the height of his “populist” period. “El Salón México” and “Billy the Kid” had already been written, and “Fanfare for the Common Man,” “Lincoln Portrait,” “Rodeo” and “Appalachian Spring” would follow within just a few years. Clearly, there was no better choice in capturing the essence of small-town America.

    The concert version of “Our Town” has been in circulation for decades, but it was only in 2011 that a complete recording of the score was made available, briefly, as a digital download.

    Gary Cooper and Dorothy McGuire star in “Friendly Persuasion” (1956), based on the novel by Jessamyn West. The film’s portrayal of family and the resolution of moral conflict, as pacifist Quakers deal with issues both big and small – from the American Civil War, to the introduction of a “sinful” musical instrument into the household – make “Friendly Persuasion,” in my opinion, a good choice for this time of year.

    The film was up for six Oscars, with Dimitri Tiomkin’s score nominated twice. The title song went on to become the popular hit “Thee I Love.” Only Dimitri Tiomkin would use balalaikas to depict Quaker life!

    “Witness” (1985) may seem like an unusual choice for Thanksgiving, with its themes of police corruption and violence, but when honest cop Harrison Ford goes on the lam, he experiences the “plain” lifestyle of a close-knit Amish community. The highlight of Maurice Jarre’s score is a sequence called “Building the Barn,” in which the community comes together to raise a barn for a newly married couple.

    Finally, we’ll hear selections from “Plymouth Adventure” (1952), with its depictions of William Bradford, John Alden, Miles Standish and Priscilla Mullins. Spencer Tracy stars as the cynical captain of The Mayflower, Gene Tierney is his forbidden love interest, Van Johnson appears as Alden, and Lloyd Bridges is the first mate.

    The music is by Miklós Rózsa, who already, at this stage of his career, was MGM’s go-to composer for historical drama. Seven years later, Rózsa would take home his third Academy Award for his classic score to “Ben-Hur.”

    It’s never too early to give thanks. There’s not a turkey among them, on “Picture Perfect,” music for the movies, this Saturday evening at 6:00 EST, on WWFM – The Classical Network and wwfm.org!


    Martha Scott and William Holden in “Our Town” (1940)

  • Aaron Copland Birthday Celebration

    Aaron Copland Birthday Celebration

    The world was a better place with Aaron Copland in it. How fortunate that one of our greatest composers lived through an era when so much could be documented on film. With Thanksgiving right around the corner, here’s a Copland cornucopia, for his birthday.

    Copland conducts “El Salón México,” for his 60th

    Bernstein introduces Copland’s Clarinet Concerto

    Copland conducts it in L.A., with Benny Goodman the soloist
    https://www.youtube.com/watch?v=iYwPJrRnGSE

    Copland plays his Piano Concerto, with Bernstein conducting

    Copland conducts “Appalachian Spring” in D.C. on his 80th

    Copland’s 80th birthday concert (complete), hosted by Hal Holbrook; conducted by Rostropovich, Bernstein, and Copland himself. Just listening to the composer’s opening remarks… we don’t have people like this anymore.

    Copland interviewed and playing the coda of “Appalachian Spring” at the piano in his studio

    “Appalachian Spring,” complete 1958 television broadcast with Martha Graham

    “Aaron Copland: A Self Portrait”

    Seiji Ozawa conducts Copland’s arrangement of “Happy Birthday” for Bernstein’s 70th

    Happy birthday, Aaron Copland!

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