Tag: John Fitz Rogers

  • Thanksgiving Music: Home with Rogers & Copland

    Thanksgiving Music: Home with Rogers & Copland

    With Thanksgiving right around the corner, it’s hardly surprising our thoughts, memories, and desires would be full of home. It’s a good time then to listen to John Fitz Rogers’ “Magna Mysteria.”

    This week on “The Lost Chord,” we’ll hear this 2010 work, which weaves together Latin biblical texts and poetic verse of the 6th century philosopher Boethius, to elevate the idea of home – and the seeking of home – to a metaphorical or spiritual realm. If you have a fondness for the choral music of Morten Lauridsen or Stephen Paulus, I think you’ll really enjoy this, though Rogers is very much his own man. The music is tonal, melodic, and quite lovely.

    Also on the program will be Aaron Copland’s “Letter from Home,” from 1943-44. The work was commissioned by Paul Whiteman for his Radio Hall of Fame Orchestra, and suggests the emotions of an American soldier, as he experiences a bittersweet reprieve, if only for a few moments, while savoring a letter from his family.

    There’s no place like home for the holidays. I hope you’ll join me for “Homebodies,” on “The Lost Chord,” this week on “The Lost Chord,” now in syndication on KWAX, the radio station of the University of Oregon!


    Clip and save the start times for all three of my recorded shows:
    PICTURE PERFECT, the movie music show – Friday at 8:00 PM EST/5:00 PM PST

    SWEETNESS AND LIGHT, the light music program – ALL NEW! – Saturday at 11:00 AM EST/8:00 AM PST

    THE LOST CHORD, unusual and neglected rep – Saturday at 7:00 PM EST/4:00 PM PST

    Stream them, wherever you are, at the link!

    https://kwax.uoregon.edu/

  • Home Sounds American Composers

    Home Sounds American Composers

    With the lingering evidence of Thanksgiving both in our refrigerators and around our waistlines, it’s hardly surprising that our thoughts and memories would be full of home. Perhaps you still are “home,” with family and a full day of travel ahead of you, or you can’t wait to get home (your own).

    Whatever the case may be, this Sunday night on “The Lost Chord,” we’ll have music by American composers inspired by the idea of home.

    Our featured work will be “Magna Mysteria,” by John Fitz Rogers, from 2010. Rogers weaves together Latin biblical texts and poetic verse of the 6th century philosopher Boethius, to elevate the idea of home – and the seeking of home – to a metaphorical or spiritual realm. If you have a fondness for the choral music of Morten Lauridsen or Stephen Paulus, I think you’ll really enjoy this, though Rogers is very much his own man. The music is tonal, melodic, and quite lovely.

    Also on the program will be Aaron Copland’s “Letter from Home,” from 1943-44. The work was commissioned by Paul Whiteman for his Radio Hall of Fame Orchestra, and suggests the emotions of an American soldier, as he experiences a bittersweet reprieve, if only for a few moments, while savoring a letter from his family.

    There’s no place like home for the holidays. I hope you’ll join me for “Homebodies,” this Sunday night at 10:00 EST, on WWFM – The Classical Network and wwfm.org.

  • Homebodies Thanksgiving Music on WWFM

    Homebodies Thanksgiving Music on WWFM

    With Thanksgiving right around the corner, it’s hardly surprising our thoughts, memories, and desires would be full of home. It’s a good time then to listen to John Fitz Rogers’ “Magna Mysteria.”

    This Sunday night on “The Lost Chord,” we’ll hear this 2010 work, which weaves together Latin biblical texts and poetic verse of the 6th century philosopher Boethius, to elevate the idea of home – and the seeking of home – to a metaphorical or spiritual realm. If you have a fondness for the choral music of Morten Lauridsen or Stephen Paulus, I think you’ll really enjoy this, though Rogers is very much his own man. The music is tonal, melodic, and quite lovely.

    Also on the program will be Aaron Copland’s “Letter from Home,” from 1943-44. The work was commissioned by Paul Whiteman for his Radio Hall of Fame Orchestra, and suggests the emotions of an American soldier, as he experiences a bittersweet reprieve, if only for a few moments, while savoring a letter from his family.

    In a year when reunions may be difficult to achieve, home is in our hearts. I hope you’ll join me for “Homebodies,” this Sunday night at 10:00 EST, on WWFM – The Classical Network and wwfm.org.

  • Homebodies American Composers on WWFM

    Homebodies American Composers on WWFM

    With the lingering evidence of Thanksgiving both in our refrigerators and around our waistlines, it’s hardly surprising that our thoughts and memories would be full of home. Perhaps you still are “home,” with family and a full day of travel ahead of you, or you can’t wait to get home (your own).

    Whatever the case may be, this Sunday night on “The Lost Chord,” we’ll have music by American composers inspired by the idea of home.

    We’ll have a work by the “Dean of American composers,” Aaron Copland – his “Letter from Home,” from 1943-44; then a recent piece by John Fitz Rogers, “Magna Mysteria,” from 2010.

    Rogers, who studied with Steven Stucky, Roberto Sierra, Martin Bresnick, and Jacob Druckman, is an associate professor at the University of South Carolina School of Music and the founder of the Southern Exposure New Music Series, which received the 2005-2006 Chamber Music America/ASCAP Award for Adventurous Programming.

    “Magna Mysteria” was commissioned in 2009 to celebrate the restoration of Trinity Episcopal Cathedral (Columbia, South Carolina). From its very title, which translates as “Great Mysteries,” it is clear that this is a work about questions. Its intent is nicely encapsulated in the promotional material accompanying this release from innova Recordings.

    “Weaving together Latin biblical texts and poetic verse from the sixth-century philosopher Boethius, the composition explores ideas of home and the seeking of home, the elevation of home to a metaphorical or spiritual realm, and the nature of time.”

    What is clear is that the work is gorgeous. If you have a fondness for the choral music of Morten Lauridsen or Stephen Paulus, you will enjoy this, though Rogers is very much his own man. His music is tonal, melodic, and quite lovely.

    We’re home for the holidays this week. I hope you’ll join me for “Homebodies,” this Sunday night at 10:00 EST, on WWFM – The Classical Network and wwfm.org.

  • Homebodies The Lost Chord American Composers

    Homebodies The Lost Chord American Composers

    With the lingering evidence of Thanksgiving both in our refrigerators and around our waistlines, it’s hardly surprising that our thoughts and memories would be full of home. Perhaps you still are “home,” with family and a full day of travel ahead of you, or you can’t wait to get home (your own).

    Whatever the case may be, this Sunday night on “The Lost Chord,” we’ll have music by American composers inspired by the idea of home.

    We’ll have a work by the “Dean of American composers,” Aaron Copland – his “Letter from Home,” from 1943-44; then a recent piece by John Fitz Rogers, “Magna Mysteria,” from 2010.

    Rogers, who studied with Steven Stucky, Roberto Sierra, Martin Bresnick, and Jacob Druckman, is an associate professor at the University of South Carolina School of Music and the founder of the Southern Exposure New Music Series, which received the 2005-2006 Chamber Music America/ASCAP Award for Adventurous Programming.

    “Magna Mysteria” was commissioned in 2009 to celebrate the restoration of Trinity Episcopal Cathedral (Columbia, South Carolina). From its very title, which translates as “Great Mysteries,” it is clear that this is a work about questions. Its intent is nicely encapsulated in the promotional material accompanying this brand new release from Innova Recordings:

    “Weaving together Latin biblical texts and poetic verse from the sixth-century philosopher Boethius, the composition explores ideas of home and the seeking of home, the elevation of home to a metaphorical or spiritual realm, and the nature of time.”

    What is clear is that the work is gorgeous. If you have a fondness for the choral music of Morten Lauridsen or Stephen Paulus, you will enjoy this, though Rogers is very much his own man. His music is tonal, melodic, and quite lovely. Thank you, Marvin Rosen, for introducing me to this beautiful piece, which I first heard on your radio show, Classical Discoveries.

    We’re home for the holidays this week, on “The Lost Chord.” I hope you’ll join me for “Homebodies,” tonight at 10 ET, with a repeat Wednesday evening at 6; or that you’ll listen to it later as a webcast at wwfm.org.

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