Tag: Leonard Bernstein

  • Everett Lee, Pioneering Conductor, Dies at 105

    Everett Lee, Pioneering Conductor, Dies at 105

    Pioneering conductor Everett Lee has died at the age of 105. And what a lot he must have seen!

    Lee was the first African American to conduct on Broadway, rising from the pit orchestra as a substitute to direct “Carmen Jones,” and then employed by Leonard Bernstein as full-time conductor of “On the Town.” That was in 1945.

    Lee was also the first Black conductor of an established symphony orchestra below the Mason-Dixon Line (while guesting with the Louisville Orchestra) and the first to conduct a major American opera company (“La traviata” at New York City Opera in 1955, returning the following season to conduct “La bohème”).

    Lee received encouragement especially from Bernstein and Artur Rodzinski, and worked with such conductors as Leopold Stokowski and Serge Koussevitzky.

    Though regular employment seems not to have been an issue, Lee found that many of the best opportunities were closed to him on account of his race. Once, he was considered by Rodgers and Hammerstein to lead a national tour of one of their shows, but in the end, fearing trouble in the South, they decided to go with somebody else.

    To maintain his presence as a conductor, Lee organized the Cosmopolitan Symphony Orchestra. The orchestra, interracial and multiethnic, was staffed with underdogs in the field – Jews, Chinese, Slavs, Italians, and women.

    Eventually, like African American conductor Dean Dixon (born in 1915), Lee left America to seek better opportunities abroad. He moved to Munich in 1957 and was hired as music director in Norköpping, Sweden, in 1962.

    He returned to the U.S. to conduct the New York Philharmonic – orchestra of his former mentors Rodzinski and Bernstein – for the first time on January 15, 1976, a concert given in honor of Martin Luther King’s birthday. On the program was Sibelius’ Violin Concerto, Rachmaninoff’s Piano Concerto No. 3, and “Kosbro” by African American composer David Baker (Baker revealed the title was short for “Keep on Stepping, Brothers”).

    Lee’s first wife, Sylvia, was hired by the Met in 1953, becoming the first African American on the house’s staff. (Of course, Marian Anderson would be the first on stage, in 1955.) But for Everett Lee, despite invitations to guest conduct, a permanent position with a major orchestra in the United States or Europe remained elusive.

    In 1979, he became music director of the Bogata Philharmonic Orchestra of Colombia.

    Lee died on December 12 in Malmö, Sweden.


    A must-read account of Lee’s life and accomplishments:

    http://www.brooklyn.cuny.edu/web/academics/centers/hitchcock/publications/amr/v43-1/oja.php

    Everett Lee tribute, including footage of him conducting:

  • Sibelius Birthday Post: Bernstein’s Fifth

    Sibelius Birthday Post: Bernstein’s Fifth

    Longtime followers of this page know that I tend to go a little berserk around the time of Sibelius’ birthday. In fact, for the past few years, I’ve honored “Eight Days of Sibelius,” from the start of the month to December 8 – conveniently, the actual anniversary.

    Well, this year, somehow, it slipped by the wayside. I always have Sibelius’ birthday firmly in mind, but I forgot all about the “Eight Days.” Which is why you may have gotten slammed yesterday by multiple Sibelius posts, which I hope at least you found interesting or informative. There’s just so much Sibelius material to share, and I’m always setting it aside, making a mental note to save it for December. Trouble is, the memory isn’t so well-oiled as it used to be!

    With that in mind, I hope you won’t turn up your nose at a little leftover birthday cake. I mentioned in one of my posts yesterday that Sibelius’ Fifth Symphony is a personal favorite. I haven’t always found Leonard Bernstein to be the ideal interpreter of Sibelius’ symphonies, but I still can’t pass up a live performance. I saw Bernstein conduct it at Carnegie Hall once, back in the 1980s, and it was a fabulous occasion, to be able to hear Lenny work his magic like some grizzled Kalevala wizard.

    Here he is, with the London Symphony Orchestra, in 1966:

    A sublime, ennobling start to any day – even if the interpretation may not always be my particular glass of vodka.

  • Aaron Copland Birthday Celebration

    Aaron Copland Birthday Celebration

    The world was a better place with Aaron Copland in it. How fortunate that one of our greatest composers lived through an era when so much could be documented on film. With Thanksgiving right around the corner, here’s a Copland cornucopia, for his birthday.

    Copland conducts “El Salón México,” for his 60th

    Bernstein introduces Copland’s Clarinet Concerto

    Copland conducts it in L.A., with Benny Goodman the soloist
    https://www.youtube.com/watch?v=iYwPJrRnGSE

    Copland plays his Piano Concerto, with Bernstein conducting

    Copland conducts “Appalachian Spring” in D.C. on his 80th

    Copland’s 80th birthday concert (complete), hosted by Hal Holbrook; conducted by Rostropovich, Bernstein, and Copland himself. Just listening to the composer’s opening remarks… we don’t have people like this anymore.

    Copland interviewed and playing the coda of “Appalachian Spring” at the piano in his studio

    “Appalachian Spring,” complete 1958 television broadcast with Martha Graham

    “Aaron Copland: A Self Portrait”

    Seiji Ozawa conducts Copland’s arrangement of “Happy Birthday” for Bernstein’s 70th

    Happy birthday, Aaron Copland!

  • M

    M

    This is best news I had all weekend?

    That John Malkovich will star in a film about the eccentric Romanian maestro Sergiu Celibidache. Celibidache, one-time conductor of the Berlin Philharmonic, gained notoriety for his uncompromising pursuit of “the transcendent moment,” his exhaustive rehearsals, and his refusal to record.

    Of course, the market is flooded with Celibidache recordings, many of them from his years in Munich, but these are all byproducts of actual live concerts. Few of them could be described as pedestrian.

    Equally, few would be described as “definitive.” When Celibidache was “on,” he could be like nobody else; but when he was “off” – again, he could be like nobody else.

    The film, titled “The Yellow Tie,” is scripted by Celi’s son. Shooting will begin in Romania early next year.

    https://variety.com/2021/film/news/john-malkovich-the-yellow-tie-1235067250/amp/?__twitter_impression=true

    The venture is the latest in a spate of movies about conductors. In the past week or two, it was announced that Cate Blanchett will play (the fictional) Lydia Tár, the first woman to conduct a major German orchestra. The Dresden Philharmonic will participate in the film, in which Blanchett will be seen conducting Mahler’s Symphony No. 5. The project is titled “TÁR.” Academy Award winning composer Hildur Guðnadóttir (“Joker”) will provide the film’s underscore.

    https://theviolinchannel.com/cate-blanchett-plays-orchestra-music-director-in-upcoming-film/

    And of course Bradley Cooper is headlining a Leonard Bernstein biopic, “Maestro,” initiated by Martin Scorsese, and co-produced by Steven Spielberg. Spielberg’s remake of “West Side Story” is due for release in theaters in December. It looks like “Maestro” quashed a rival Bernstein project, titled “The American,” that was to have starred Jake Gyllenhall, when the Bernstein estate opted to license Lenny’s music to Cooper, Scorsese, and Spielberg. Who could have seen that coming?

    https://www.hollywoodreporter.com/news/general-news/dueling-bernstein-biopics-how-bradley-cooper-took-baton-jake-gyllenhaal-1112599/

    Movies about classical music and musicians are notoriously weak. I’m not holding my breath, but I am hoping at least one of these gets it right.


    Celibidache has a fever, and the only prescription is more viola!

  • Leonard Bernstein Birthday Playlist

    Leonard Bernstein Birthday Playlist

    HAPPY BIRTHDAY, LEONARD BERNSTEIN!

    Enjoy a lovingly-curated Bernstein playlist (below).


    “Rhapsody in Blue” from the keyboard, with the fearless Stanley Drucker on clarinet

    Bernstein conducts “Prelude, Fugue and Riffs” on “Omnibus” in 1955

    Bernstein and Aaron Copland create demo record of “Fancy Free” for Jerome Robbins. Stick around for commentary at the end, with self-incriminating interjection by Copland!

    Bernstein’s sensational eleventh-hour debut with the New York Philharmonic, at 25, in 1943

    An entire playlist of Bernstein rarities!

    Conducting Haydn – with his face

    Lauren Bacall sings “The Saga of Lenny,” lyrics by Stephen Sondheim (with apologies to Kurt Weill), for Bernstein’s 70th birthday celebration.

    Bernstein’s death reported on ABC News in 1990.

    Bernstein conducts his recently-composed “Candide Overture” on a televised Young People’s Concert in 1960

    Bernstein conducts Mahler’s “Resurrection Symphony” as a memorial tribute, broadcast live, two days after the assassination of President Kennedy in 1963.

    https://www.youtube.com/watch?v=qruHjywjE_g

    Bernstein on the future of music, from one of his Harvard lectures. The answer is yes!

    Bernstein celebrates the fall of the Berlin Wall with a multinational ensemble and Beethoven’s 9th

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