Tag: Memorial Day

  • Memorial Day Movie Music Valor and Sacrifice

    Memorial Day Movie Music Valor and Sacrifice

    It’s all about valor and sacrifice this week on “Picture Perfect,” as we anticipate Memorial Day.

    Memorial Day has its roots in Decoration Day, established in 1868 to honor the Civil War dead. We’ll hear music from “Glory” (1989), inspired by the extraordinary courage of Colonel Robert Gould Shaw’s 54th Massachusetts Voluntary Regiment, an all African American outfit that distinguished itself in an impossible assault on Fort Wagner, near Charleston, South Carolina. The outstanding cast features Morgan Freeman, Matthew Broderick, and Cary Elwes, with an Oscar-winning performance by Denzel Washington. The poignant score is by James Horner.

    Gary Cooper had one of his best roles as “Sergeant York” (1941), based on the true story of Alvin C. York, who went from backwoods hell-raiser to devout pacifist. After a period of soul-searching, York was able to reconcile his strong moral convictions with the unfortunate reality that sometimes it really is necessary to fight. He went on to distinguish himself on the battlefield and become one of the most-decorated soldiers of the First World War. The folksy score, evocative of York’s Tennessee roots, is by Max Steiner.

    In director Michael Cimino’s “The Deer Hunter” (1978), three men from a small Pennsylvania steel town serve in Vietnam, then struggle to cope with the war’s psychological impact. The harrowing film, especially memorable for its scenes of Russian roulette in a P.O.W. camp, won five Academy Awards, including Best Picture and Best Director. Christopher Walken was honored with the award for Best Supporting Actor. Stanley Myers wrote the music. We’ll hear his famous “Cavatina,” performed by guitarist John Williams, not to be confused with…

    … composer John Williams, who provided one of his sparser scores for “Saving Private Ryan” (1998). Steven Spielberg’s war-is-hell narrative yet manages to honor the sacrifice of the fighting men of World War II. The opening – a sustained “you-are-there” battle sequence on Omaha Beach – is unforgettable. Remarkably, it is presented wholly without music, Williams preferring to allow the tension of the mise-en-scène to speak for itself. Spielberg picked up his second Academy Award for Best Director. The film, however, inexplicably, lost to “Shakespeare in Love.”

    I hope you’ll join me for music from these cinematic meditations on the costs and consequences of war, as we honor the valor and sacrifice of soldiers who died while serving in America’s armed forces, on “Picture Perfect,” music for the movies, now in syndication on KWAX, the radio station of the University of Oregon!


    Clip and save the start times for all three of my recorded shows:

    PICTURE PERFECT, the movie music show – Friday at 8:00 PM EDT/5:00 PM PDT

    SWEETNESS AND LIGHT, the light music program – ALL NEW! – Saturday at 11:00 AM EDT/8:00 AM PDT

    THE LOST CHORD, unusual and neglected rep – Saturday at 7:00 PM EDT/4:00 PM PDT

    Stream them, wherever you are, at the link!

    https://kwax.uoregon.edu/

  • Romeo Cascarino Blades of Grass Memorial Day

    Romeo Cascarino Blades of Grass Memorial Day

    Philadelphia composer Romeo Cascarino (1922-2002), who served in the U.S. Army during World War II, composed a plaintive elegy, “Blades of Grass,” in 1945. He expressed a preference, on several occasions, that Carl Sandburg’s poem, “Grass,” be read before performances of the work. Sandburg’s poem was written in 1918, in response to “The Great War.”

    Alas, how little the world changed in 27 years. Alas, how little it has changed today.

    On Memorial Day, let us honor those who made the ultimate sacrifice by committing to being more conscious of living with compassion, regarding others with respect, striving for peaceful resolutions, and when conflict is unavoidable, acquitting ourselves with honor, humility, and mercy.

    These are ideals we may not always live up to, but who are we, if we don’t try to be better?


    Pile the bodies high at Austerlitz and Waterloo.
    Shovel them under and let me work—
    I am the grass; I cover all.

    And pile them high at Gettysburg
    And pile them high at Ypres and Verdun.
    Shovel them under and let me work.
    Two years, ten years, and passengers ask the conductor:
    What place is this?
    Where are we now?

    I am the grass.
    Let me work.

  • Memorial Day Movie Soundtracks Salute Valor

    Memorial Day Movie Soundtracks Salute Valor

    It’s all about valor and sacrifice this week on “Picture Perfect,” as we anticipate Memorial Day.

    Memorial Day has its roots in Decoration Day, established in 1868 to honor the Civil War dead. We’ll hear music from “Glory” (1989), inspired by the extraordinary courage of Colonel Robert Gould Shaw’s 54th Massachusetts Voluntary Regiment, an all African American outfit that distinguished itself in an impossible assault on Fort Wagner, near Charleston, South Carolina. The outstanding cast features Morgan Freeman, Matthew Broderick, and Cary Elwes, with an Oscar-winning performance by Denzel Washington. The poignant score is by James Horner.

    Gary Cooper had one of his best roles as “Sergeant York” (1941), based on the true story of Alvin C. York, who went from backwoods hell-raiser to devout pacifist. After a period of soul-searching, York was able to reconcile his strong moral convictions with the unfortunate reality that sometimes it really is necessary to fight. He went on to distinguish himself on the battlefield and become one of the most-decorated soldiers of the First World War. The folksy score, evocative of York’s Tennessee roots, is by Max Steiner.

    In director Michael Cimino’s “The Deer Hunter” (1978), three men from a small Pennsylvania steel town serve in Vietnam, then struggle to cope with the war’s psychological impact. The harrowing film, especially memorable for its scenes of Russian roulette in a P.O.W. camp, won five Academy Awards, including Best Picture and Best Director. Christopher Walken was honored with the award for Best Supporting Actor. Stanley Myers wrote the music. We’ll hear his famous “Cavatina,” performed by guitarist John Williams, not to be confused with…

    … composer John Williams, who provided one of his sparser scores for “Saving Private Ryan” (1998). Steven Spielberg’s war-is-hell narrative yet manages to honor the sacrifice of the fighting men of World War II. The opening – a sustained “you-are-there” battle sequence on Omaha Beach – is unforgettable. Remarkably, it is presented wholly without music, Williams preferring to allow the tension of the mise-en-scène to speak for itself. Spielberg picked up his second Academy Award for Best Director. The film, however, inexplicably, lost to “Shakespeare in Love.”

    I hope you’ll join me for music from these cinematic meditations on the costs and consequences of war, as we honor the sacrifice of soldiers who died while serving in America’s armed forces, this Saturday evening at 6:00 EDT, on WWFM – The Classical Network and wwfm.org.

  • Memorial Day Reflection Music and Remembrance

    Memorial Day Reflection Music and Remembrance

    It’s Memorial Day. At the tail end of a very wet holiday weekend, and a limiting year of pandemic, you probably can’t wait to cut loose with the burgers and the quoits and the three legged-races and the gumboot tosses; but I hope you’ll also take a moment to reflect on our comparative good fortune, and those who laid down their lives in the conviction they were defending our interests and securing our safety. We honor our fallen, even as we pray for peace.

    I’ll be on the air LIVE for the first time in well over a year this morning, but it won’t be through the source you might expect. Instead, I’ve been invited to provide color commentary for Captain Phil on WUSB, the radio station of Stony Brook University, as he hosts a program of music for Memorial Day. Among some of the selections we’ve discussed are works by Kimo Williams, Aaron Copland, John Williams, Jay Ungar, and Romeo Cascarino. Listen today at 11:00 am EDT.

    WUSB plays all kinds of music, so don’t be thrown if you tune in and happen to hear blues or progressive rock.

    You’ll find the gray play button at the upper left-hand side of the screen, once you follow the link to wusb.fm.

    https://wusb.fm/?fbclid=IwAR22gb1m2x2606rhjNYEY3LdhGOdWwvAuPfRcxc9xY9sj5qohcSUTdeTkwM

  • Memorial Day Symphonies on WWFM

    Memorial Day Symphonies on WWFM

    This Sunday night on “The Lost Chord,” get ready for Memorial Day with two symphonies composed for the armed forces.

    Morton Gould wrote his Symphony No. 4, his first large scale piece for symphonic band, in 1952, for the United States Military Academy at West Point. The score calls for a “marching machine,” but on the recording we’ll hear, now a classic on the Mercury label, the feet are those of the 120 musicians of the Eastman School Symphony Band. Frederick Fennell directs the Eastman Wind Ensemble.

    Samuel Barber composed his Symphony No. 2 in 1943, while he was serving in the U.S. Army Air Force. 20 years later, he revised and published its slow movement as a separate piece, titled “Night Flight.” He then jettisoned – and actually tried to destroy – the rest of the symphony. The work was reconstituted only after the composer’s death, from rediscovered parts in a warehouse in the UK. We’ll hear a recording with Marin Alsop and the Royal Scottish National Orchestra.

    Reflect on the sacrifice of Americans at war, on “Orchestrated Maneuvers” – American military symphonies for Memorial Day – this Sunday night at 10:00 EDT, on WWFM – The Classical Network and wwfm.org.


    PHOTO: Corporal Samuel Barber with the score of his Second Symphony

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