Tag: Movie Music

  • Oscar Scores Webcast Your Movie Music Party

    Oscar Scores Webcast Your Movie Music Party

    Due to its timely nature, my annual WWFM Oscar Party has been posted as webcast. I can’t promise you it’s the greatest thing ever (I didn’t eat lunch yesterday), but there’s plenty of enjoyable music from 18 films, including all five of this year’s nominees for Best Original Score (“Phantom Thread,” “Dunkirk,” “The Shape of Water,” “Three Billboards Outside Ebbing, Missouri,” and “Star Wars: The Last Jedi”). Get yourself primed for the Oscars with three hours of classic and contemporary film scores. Follow the link, and crunch away.

    http://wwfm.org/post/enjoy-picture-perfect-oscar-party-friday-afternoon

  • Movie Music Oscars Special on The Classical Network

    Movie Music Oscars Special on The Classical Network

    “You see, this is my life. It always will be. There’s nothing else. Just us, the cameras, and those wonderful people out there in the dark. All right, Mr. DeMille, I’m ready for my close-up!”

    Join me (and Norma Desmond) this Friday afternoon on The Classical Network as we mark the 90th anniversary of the Academy Awards with a SPECIAL THREE-HOUR BROADCAST celebrating the history of music in the movies. Hear selections from all five of this year’s nominees for Best Original Score, alongside music from some of the best-loved and most-honored movies of all time – including “The Godfather,” “Star Wars,” “Titanic,” “The Lord of the Rings,” “Lawrence of Arabia,” “Ben-Hur,” and “Gone with the Wind.”

    The music IS big; it’s the PICTURES that got small. The playlist will be positively cinematic, this Friday from 4 to 7 p.m. EST, on WWFM – The Classical Network and wwfm.org.

  • Movie Music for New Beginnings

    Movie Music for New Beginnings

    This week on “Picture Perfect,” we greet the new year with music from movies about renewal, starting over, new beginnings, and second chances – including “The Natural” (by Randy Newman), “The Best Years of Our Lives” (Hugo Friedhofer), “The Accidental Tourist” (John Williams), and “It’s a Wonderful Life” (Dimitri Tiomkin).

    We look to the future with hope and fortitude, this Friday evening at 6:00 EST, on WWFM – The Classical Network and wwfm.org.

  • Thanksgiving Movie Music Picture Perfect

    Thanksgiving Movie Music Picture Perfect

    This week on “Picture Perfect,” we set the table for Thanksgiving.

    Gary Cooper and Dorothy McGuire star in “Friendly Persuasion” (1956), based on the novel by Jessamyn West. The film’s portrayal of family and the resolution of moral conflict, as pacifist Quakers deal with issues both big and small – from the American Civil War, to the introduction of a “sinful” musical instrument into the household – make “Friendly Persuasion,” in my opinion, a good choice for this time of year.

    The film was nominated for six Oscars, with Dimitri Tiomkin’s score nominated twice. The title song went on to become the popular hit “Thee I Love.” Only Dimitri Tiomkin would use balalaikas to depict Quaker life!

    None other than Aaron Copland composed music for a big screen adaptation of Thorton Wilder’s “Our Town” (1940). The play, which opened at Princeton’s McCarter Theatre, won the Pulitzer Prize for Drama only two years earlier. Copland was at the height of his “populist” period. “El Salon Mexico” and “Billy the Kid” had already been written, and “Fanfare for the Common Man,” “A Lincoln Portrait,” “Rodeo” and “Appalachian Spring” would follow within just a few years.

    The concert version of “Our Town” has been in circulation for decades, but it’s only fairly recently that a recording of the complete score was made available. It was issued briefly on the Naxos label, available only as a download. The recording is now extremely scarce, possibly because of copyright issues.

    The film’s portrayal of small town America and the playwright’s poignant observation, “Do any human beings ever realize life while they live it? Every, every minute?,” are timely reminders that there are things we should all be thankful for, while they – and we – are here for us to appreciate them.

    “Witness” (1985) may seem like an unusual choice for Thanksgiving, with its themes of police corruption and violence, but when honest cop Harrison Ford goes on the lam, he experiences the “plain” lifestyle of a close-knit Amish community. The highlight of Maurice Jarre’s score is a sequence called “Building the Barn,” in which the community comes together to raise a barn for a newly married couple.

    Finally, we’ll listen to selections from “Plymouth Adventure” (1952), with its depictions of William Bradford, John Alden, Miles Standish and Priscilla Mullins. Spencer Tracy stars as the cynical captain of The Mayflower, Gene Tierney is his forbidden love interest, Van Johnson appears as Alden, and Lloyd Bridges is the first mate. If you’re curious to see the film, Turner Classic Movies: TCM will broadcast it this Sunday at 2 p.m. EST.

    The music is by Miklós Rózsa, who, already at this stage of his career, was MGM’s go-to composer for historical drama. Seven years later, Rózsa would take home his third Academy Award, for his classic score to “Ben-Hur.”

    There’s not a turkey among them! It’s never too early to give thanks this week on “Picture Perfect” – music for the movies – this Friday evening at 6:00 EST, on WWFM – The Classical Network and wwfm.org.

  • Madness & Piano Movie Music on WWFM

    Madness & Piano Movie Music on WWFM

    This week on “Picture Perfect,” practice makes psychotic, as we listen to music from movies about madness and the piano.

    Laird Cregar plays an unhinged pianist-composer, who, whenever he hears a loud, discordant sound, is compelled to commit murder, in the 1945 film “Hangover Square.” Bernard Herrmann wrote the moody, romantic score, which includes a piano concerto, played by Cregar’s character during the film’s conflagration finale.

    Peter Lorre is an unstable musicologist who is haunted by the disembodied hand of a murdered pianist with a penchant for Brahms’ arrangement of Bach’s Chaconne, in “The Beast with Five Fingers,” from 1946. Max Steiner wrote the music. The piano is played on the film’s soundtrack by Victor Aller, the brother-in-law of Felix Slatkin, and therefore Leonard Slatkin’s uncle.

    Alan Alda plays a frustrated pianist who falls in with a ring of Satanists, in “The Mephisto Waltz” from 1971. This time, Jerry Goldsmith blends Franz Liszt with amplified instruments and electronics to memorably eerie effect. Five years later, Goldsmith would win his only Academy Award for his music to “The Omen.”

    Finally, Hans Conried plays a dictatorial pedagogue in “The 5000 Fingers of Dr. T,” released in 1953, which holds the distinction of being the only feature film written by Dr. Seuss. The film features outrageous production design (including a gargantuan keyboard for 500 enslaved boys) and whimsical songs.

    The composer was Frederick Hollander, born in London. Hollander came to fame in Germany as Friedrich Hollander. His best-known international success was with “The Blue Angel,” with Marlene Dietrich, who introduced his song, “Falling in Love Again. With the rise of the Nazis, Hollander fled to the United States, where he worked on over 100 films.

    It’s madness and the piano this week, on “Picture Perfect,” music for the movies, this Friday evening at 6:00 EDT, on WWFM – The Classical Network and wwfm.org.

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