Tag: Picture Perfect

  • Johnny Williams Before the Blockbusters

    Johnny Williams Before the Blockbusters

    Before “Harry Potter.” Before “Jurassic Park.” Before “E.T.” Before “Raiders of the Lost Ark.” Before “Superman.” Before “Close Encounters of the Third Kind.” Before “Star Wars.” Before “Jaws.” Before even John Williams… there was Johnny Williams.

    Well before Williams became America’s most famous living composer, he was busy honing his craft as an orchestrator, an arranger, a session pianist, and a composer in the bush league of television. This week on “Picture Perfect,” we’ll hear some of “Johnny” Williams’ music for “Lost in Space.”

    Also on the program will be selections from “The Alfred Hitchcock Hour” by Bernard Herrmann, the theme from “Wagon Train” by Jerome Moross, and a medley of well-known television music by Jerry Goldsmith.

    Movie composers think inside the box, on “Picture Perfect,” this Saturday evening at 6:00 EST, on WWFM – The Classical Network and wwfm.org.

  • Steampunk Movie Music on Picture Perfect

    Steampunk Movie Music on Picture Perfect

    Prepare to be ‘punked!

    This week on “Picture Perfect,” it’s music from movies with one foot set in the science fiction subgenre known as “steampunk.”

    Generally speaking, steampunk employs forward-looking technologies and gadgetry – in many cases literally powered by steam – in incongruous, quasi-Victorian settings.

    We’ll hear selections from Martin Scorsese’s “Hugo” (2011), with its abundant gears, steam, and free-writing automaton, with music by Howard Shore; “The Golden Compass” (2007), with its carriages, old-fashioned air ships, and vintage arctic gear, with music by Alexandre Desplat; “Wild Wild West” (1999), with its cowboys, proto-James Bond gadgetry, and Gustave Eiffel-style iron spider, with music by Elmer Bernstein; and “Time After Time” (1979), with Jack the Ripper, H.G. Wells, and a time machine of his invention, with music by Miklós Rózsa.

    That’s powered by steampunk on “Picture Perfect,” music for the movies, this Saturday evening at 6:00 EST, on WWFM – The Classical Network and wwfm.org.

  • Spooky Halloween Music WWFM Fall Fundraiser Ends

    Spooky Halloween Music WWFM Fall Fundraiser Ends

    It’s heeeere… the final day of our fall fundraiser. Make your donation to WWFM now, because tomorrow it will be a ghost town!

    This week on “Picture Perfect,” we’re all about hauntings and specters for Halloween. Join me, if you dare, for otherworldly music from “The Uninvited” (Victor Young), “Beetlejuice” (Danny Elfman), “Poltergeist” (Jerry Goldsmith), and “Ghostbusters” (Elmer Bernstein). We’ll keep our spirits high, this Saturday evening at 7:00 EDT.

    In the meantime, who you gonna call? Us, I hope, at 1-888-232-1212, or contribute online at wwfm.org.

    Thank you for your support of WWFM – The Classical Network! Without you, we wouldn’t stand a ghost of a chance.

  • Theremin Sounds from Outer Space & Classic Film

    Theremin Sounds from Outer Space & Classic Film

    What is that… THING?

    Why, it’s the theremin!

    This week on “Picture Perfect,” thrill to the distinctive extraterrestrial timbre of this whooping, whistling, wailing electronic instrument invented by Leon Theremin in 1928. The theremin may be unique of its kind in that it is played without actual physical contact. Pitch and volume are determined by the proximity of a player’s hands to two antennae. You won’t find any frets on this one!

    That said, it can certainly generate fret. Brace yourself for eerie, at times otherworldly selections from “The Thing” by Dimitri Tiomkin (great music for cooking carrots), “Ed Wood” by Howard Shore (Tim Burton’s love letter to the director of “Plan 9 from Outer Space”), “Rocketship X-M” by Ferde Grofé (composer of the “Grand Canyon Suite”), and, one week after the death of Rhonda Fleming, Alfred Hitchcock’s “Spellbound” (with Academy Award winning music by Miklós Rózsa).

    If you’ve got a THING for theremins, you’ll want to be on “hand” (or maybe not). I hope you’ll join me for madness, monsters, and Martians, on “Picture Perfect,” this Saturday evening at 6:00 EDT, on WWFM – The Classical Network and wwfm.org.


    PEOPLE OF EARTH: WWFM is in the midst of its fall fundraiser. If, like me, you find great film music to be out of this world, please consider supporting it. Your donation online at wwfm.org allows us to continue to bring you stellar specialty programs like “Picture Perfect.” Thank you for your part in maintaining quality film music on the astral airwaves!

  • Theremin in Film A Halloween Soundscape

    Theremin in Film A Halloween Soundscape

    We all know the sound. That crazy, trilled electronic whistle that dips into a whoop. Or it starts in a trough and shoots up into the super stratosphere. It’s the sound of UFOs and mad science. It’s the sound of the theremin.

    This week on “Picture Perfect,” we anticipate a hands-off Halloween with selections from four films enhanced by Leon Theremin’s visionary instrument.

    “The Thing from Another World” was one of two seminal science fiction scores written in 1951. (The other was Bernard Herrmann’s “The Day the Earth Stood Still.”) On the soundtrack, the theremin acts as a musical counterpart to James Arness’ rampaging humanoid carrot. This was unquestionably composer Dimitri Tiomkin’s wildest hour; he never wrote anything like it again.

    “The Thing” and “The Day the Earth Stood Still” may have been the most influential, but “Rocketship X-M” was the first. The film was rushed into production to beat George Pal’s “Destination Moon” to theaters in 1950. It was shot in just 18 days! The unlikely plot has the crew of a moon expedition blown off course to Mars. Interestingly, the composer was none other than Ferde Grofé – he of the “Grand Canyon Suite” fame.

    Far more reputable, but still not wholly comfortable with its science, is Alfred Hitchcock’s “Spellbound,” from 1945. Gregory Peck plays an amnesiac, who may or may not have committed murder, and Ingrid Bergman is the psychoanalyst who falls in love with him. The film is of greatest interest for its production design, which features dream sequences conceived by Salvador Dali, and for its score, by Miklós Rózsa.

    Hitchcock disliked the music – he thought it got in the way of his direction – but Academy voters disagreed, and the score earned Rózsa the first of his three Academy Awards.

    Closer to our own time, Howard Shore incorporated the theremin into his Mancini-esque music for “Ed Wood,” released in 1991. The film is Tim Burton’s love letter to the grade-Z director of “Plan 9 from Outer Space.” “Plan 9” is widely regarded as the worst movie ever made (worse even than “Rocketship X-M”).

    Make contact with the theremin – its distinctive, extraterrestrial timbre, you’ll recall, conjured without physical touch – on “Picture Perfect,” music for the movies, THIS SATURDAY EVENING AT 6:00 EDT, on WWFM – The Classical Network and wwfm.org.


    Children of the night… what music they make! WWFM is in the midst of its fall fundraiser. If you’re a fan of “Picture Perfect,” please support it by making a contribution at 1-888-232-1212, or by donating online at wwfm.org. Thank you for your part in keeping the legacy of classic film music ALIVE!

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