Tag: Wagner

  • Stokowski’s Wagner Philadelphia Orchestra

    Stokowski’s Wagner Philadelphia Orchestra

    With the exception, perhaps, of his own transcriptions of the music of Johann Sebastian Bach, Leopold Stokowski recorded more Wagner with the Philadelphia Orchestra than any other single composer.

    This Sunday night on “The Lost Chord,” we’ll revisit some of Stoky’s early recordings, originally issued on 78s, including the controversial “Liebesnacht,” the original version of his symphonic synthesis after “Tristan und Isolde” – an arrangement that infuriated listeners, with its inconclusive ending – and the “Liebestod,” which he undertook by popular demand, in order to provide a more satisfactory conclusion.

    We’ll also hear baritone Lawrence Tibbett, in a role he never sang on stage, in a superb recording of “Wotan’s Farewell and Magic Fire Music.”

    That’s “Magic Fire” – Leopold Stokowski’s early Wagner recordings with the Philadelphia Orchestra” – this Sunday night at 10:00 EDT, on WWFM – The Classical Network and wwfm.org.

  • Wagner Migraines and My Headache

    Wagner Migraines and My Headache

    I am not a chronic migraine sufferer, thank God, but for the past two days I have been oppressed by headaches, and this morning’s is worse than yesterday’s (which finally subsided last night). Suffice it to say, I am typing this on my laptop with the brightness turned way down.

    By coincidence, I happen to be reading Simon Callow’s compellingly-written “Being Wagner.” Callow, in addition to being a grandiloquent character actor (you may recollect him from “Amadeus,” “A Room with a View,” “Shakespeare in Love,” or “Four Weddings and a Funeral”), has portrayed some of the great artists (notably Charles Dickens) in one-man stage shows. He’s also written a comprehensive, three volume biography of Orson Welles.

    It was in the scripting of his Wagner play that he became consumed with this complex figure. So he decided to write a book. The subtitle, in its first printing, was “The Story of the Most Provocative Composer Who Ever Lived.” Apparently, it has since been amended to “Triumph of the Will.” Both would be equally valid.

    Wagner’s antisemitism was as pervasive as it was irrational. As a frequently struggling and misunderstood artist, he received nothing but support from his Jewish acquaintances – including Giacomo Meyerbeer, the most successful opera composer in Paris, who helped secure him his big break. Wagner rewarded Meyerbeer’s generosity by making him his bête noire. In fact, Wagner would often froth about the Jews, much to the discomfort of nearly everyone around him. His mania is chillingly prescient of the social corrosion that would allow Hitler’s rise to power. But yes, there is a double meaning in the latter subtitle in that Wagner, for all intents and purposes, willed himself to success.

    With all that I know about Wagner and his music, I suppose I shouldn’t have been surprised when I googled “classical music headache” and what popped up, but Little Richard himself. I had forgotten that Wagner, always very tightly wound, was a migraine sufferer.

    https://migraineagain.com/migraine-music-of-wagner/

  • Thor’s Hammer Mjolnir in Comics and Wagner Opera

    Thor’s Hammer Mjolnir in Comics and Wagner Opera

    Every fan of Marvel Comics knows that Thor’s hammer is called Mjolnir. At the climax of Richard Wagner’s “Das Rheingold,” Thor (here called Donner) summons a thunderstorm in order to clear the air so that the gods may enter Valhalla. Feel the power of Mjolnir!

    https://www.youtube.com/watch?v=sICdPq3kfp8

  • 13 Winter Classics Perfect for a Snowy Day

    13 Winter Classics Perfect for a Snowy Day

    So, what to listen to on a day like today, with gravity-defying snow squalls and raging winds? Here’s a baker’s dozen worth of suggestions, with audio links, posted alphabetically by composer.

    Sir Edward Elgar – The Snow

    Howard Hanson – Symphony No. 1 “Nordic”

    Icelandic Traditional – Edda: Baldur’s Dream, rendered by Sequentia
    https://www.youtube.com/watch?v=l1qm–InMLQ

    David Lang – The Little Match Girl Passion

    Franz Liszt – Transcendental Etudes: Chasse-neige

    Sergei Prokofiev – Alexander Nevsky: Battle on the Ice

    Henry Purcell – King Arthur: Song of the Cold Genius

    Einojuhani Rautavaara – Cantus Arcticus (Concerto for Birds and Orchestra):

    Nikolai Rimsky-Korsakov – Christmas Eve

    Jean Sibelius – Symphony No. 2

    Georgy Sviridov – The Snow Storm

    Ralph Vaughan Williams – Sinfonia Antarctica

    Richard Wagner – Richard Wagner, Die Walküre: Act I, “Winterstürme”

    You’ll be able to hear some of “Alexander Nevsky,” as written for the film (as opposed to Prokofiev’s concert arrangement), along with another work by Sviridov, “Time Forward,” on “Picture Perfect,” this Friday evening at 6:00 EST, on WWFM – The Classical Network and wwfm.org.

  • Carlos Païta Rediscovered Firebrand Conductor

    Carlos Païta Rediscovered Firebrand Conductor

    Even somebody who knows a lot about a subject learns something new all the time. One of my latest “discoveries” is the conductor Carlos Païta (1932-2015), the Argentinean firebrand who made some breathtaking records during the era of London “Phase 4,” but has since largely fallen through the cracks.

    Païta settled in Switzerland, where he was attended to by Furtwängler’s widow, and a special label, Lodia, was founded to reissue both his studio-forged treasures and live concert recordings.

    His recordings of Wagner and Berlioz, which I discovered while sorting through a box of duplicates culled from donations to WWFM, knocked me back on my heels. Who is this guy? There is abundant evidence posted on YouTube. Païta’s conducting technique while rehearsing Beethoven’s 5th symphony is way, way over the top, but another video of his conducting Weber’s “Oberon Overture” suggests he may have dialed it down a bit during his actual concerts. His Janáček is stunning.

    In fact, everything I have sampled with him has been exceptional, yet somehow this musical colossus never settled in with a major orchestra. How could he not have enjoyed a major career?

    Païta would have been 85 this year. Head over to YouTube, search under his name, and prepare for a “wasted” Saturday.

    Or tune in to WWFM – The Classical Network on Monday, from 4 to 7 p.m. EDT, to hear his extraordinary Wagner recordings on Richard Wagner’s birthday. Really, he will spoil it for you when you try to return to many of your previous favorites.


    Carlos Païta, keeping the warhorses fresh:

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