Tag: Xavier Montsalvatge

  • Montsalvatge Mystery A Composer An Artist A Bookplate

    Montsalvatge Mystery A Composer An Artist A Bookplate

    It’s one of those strange coincidences.

    I was online perusing vintage bookplates yesterday, and I just happened to stumble across this image. I found the design highly amusing, of course, but what really caught my attention is the name on the plate, which looks an awful lot like “J. Montsalvatje.” On Friday, out of the blue, I had just played the “Cinco canciones negras” by Catalan composer Xavier Montsalvatge (note the variant spelling). Montsalvatge also composed an opera, “El gato con botas,” on the subject of Puss in Boots.

    But that’s not all. I once found myself at a party in Philadelphia – this was a number of years ago – and at a point struck up a conversation with an artist by the name of… Javier Montsalvatje. I couldn’t believe it. Of course, I had to ask if he knew of the composer. If anything, he was more astonished than I. How the hell would anyone in Philadelphia know about Xavier Montsalvatge? It turns out he was his grandson or his nephew or his cousin. I can’t remember, I was drinking.

    Some quick research turns up the fact that Xavier Montsalvatge was credited in some of his film work as… you guessed it, Javier Montsalvatje.

    So what’s the deal with this bookplate? I emailed his descendant this morning.


    Montsalvatge, ““Cinco canciones negras”

  • Montsalvatge’s Puss in Boots Opera

    Montsalvatge’s Puss in Boots Opera

    You can tune an orchestra, but you can’t tun-a fish. This Sunday night on “The Lost Chord,” we put the “cat” in Catalan music with selections from Xavier Montsalvatge’s one-act opera “Puss in Boots.”

    “Puss in Boots,” Montsalvatge’s first opera, was composed in 1947. We all know the story. The tale, in its best-known guise, was published by Charles Perrault in 1695 as one of the “Tales of Mother Goose.”

    A poor miller laments his inheritance. Most of the family property – the mill and the mules – goes to his elder brothers, and all that’s left for him is an unprepossessing cat. He wonders of what use to him a cat could possibly be. He contemplates eating it, perhaps using the skin to make a hat. The cat, however, promptly endears himself, and offers to gain his master a fortune, a kingdom, and the hand of a beautiful princess. All he asks in exchange is a pair of boots, to spare his feet, a stylish hat with a plume, a cape, and a sword fashioned out of bone.

    Since the cat presents him with a ring from the hand of the princess, the Miller considers it a fair deal, and sets about getting, by hook or by crook, whatever the cat desires.

    Throughout the course of the story, with his cunning and superior wits, the cat is able to deliver on everything he promises.

    We’ll heard selections from a 2004 recording, on the Columna Musica label, with Argentine mezzo-soprano Marisa Martins as Puss (an unusual take on the traditional “trouser role”), and tenor Antonio Comas as the Miller. The Symphony Orchestra of the Gran Teatre del Liceu is conducted by Antoni Ros Marba.

    Listen for the charming cat-like touches in the string-writing and the use of a piano throughout the opera to evoke the style of decorative 18th century recitative.

    That’s “Fur Love and Valor” – highlights from Xavier Montsalvatge’s “Puss in Boots” – this Sunday night at 10:00 EST, on WWFM – The Classical Network and wwfm.org.

  • “El Gato con Botas” Opera for Stormy Weekends

    “El Gato con Botas” Opera for Stormy Weekends

    It looks as if there’s a pretty good storm brewing for the weekend. As I shop online for new boots, enjoy these selections from the one-act opera “El Gato con Botas,” by the Catalan composer Xavier Montsalvatge.

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