Category: Daily Dispatch

  • WPRB Holiday Music Mix Happy New Year

    WPRB Holiday Music Mix Happy New Year

    Happy Holidays, Season’s Greetings, Merry Christmas and Happy New Year!

    Tomorrow morning on WPRB, I will be offering a mix of the sacred and the secular, with winter scenes and Christmas music from a wide variety of countries and traditions.

    Do not expect a lot of the “same old, same old.” Undoubtedly there will be a little bit of that, though I am more likely to play from Liszt’s oratorio “Christus” than Handel’s “Messiah.” We’ll also hear some Christmas film scores, some light music, some lovely choral performances, Christmas songs sung by some of the great opera singers, Early Music, seasonal works by contemporary composers, and music evocative of Christmases past – occasionally long past.

    In short, we’ll be making quite merry, tomorrow morning from 6 to 11 ET, on WPRB 103.3 FM and at wprb.com. I hope you’ll join me for a flaming bowl of wassail and a slice of delectable boar’s head, on Classic Ross Amico.

  • More Sibelius Guitar Christmas Iceland

    More Sibelius Guitar Christmas Iceland

    Just when you thought that was all for Sibelius…

    Over the weekend, Norman Lebrecht shared this transcription for guitar of the composer’s “Ekloge,” from his “Four Lyric Pieces,” Op. 74, originally for piano.

    While we’re on the topic, ‘tis the season – here are Sibelius’ “Five Christmas Songs,” Op. 1. The fourth of them, “Give me no splendor, gold or pomp,” is the most famous.

    https://www.youtube.com/watch?v=eklDX_VHTl4

    More about the Christmas songs and Christmas with the Sibelius family here:

    http://finland.fi/christmas/christmas-with-the-sibelius-family/

    If you hunger for something a little more substantial from the Nordic countries, I wrote a lengthy appreciation of the Icelandic Yule Lads over the weekend, but since I didn’t post it until 9:00 on Saturday night, it went largely unnoticed. I didn’t want to hold it until Sunday morning, since the Lads descend from the mountains to commence their holiday torments on the night of December 12. Scroll down my Facebook page to learn more. It’s a real time-killer and certain to brighten your workday.

    Here’s a direct link:


    PHOTO: Joulupukki, the Finnish Santa

  • Icelandic Yule Lads Naughty Folklore

    Icelandic Yule Lads Naughty Folklore

    December 12. Here come the Yule Lads!

    Long-time readers of this page know how much I love me some arcane Yuletide traditions. There’s Krampus and Knecht Ruprecht and Belsnickel and the Yule Goat. Since Krampus, sadly, looks to have jumped the shark with a move to Hollywood and a major motion picture contract, I seek consolation in the Icelandic tradition of the Yule Lads.

    Today, the Yule Lads are frequently personified as a kind of bevy of affable Santa Clauses. Except, being Icelandic, they either leave gifts (if you’ve been nice) or rotting potatoes (if you’ve been naughty). That’s the cleaned-up version. You don’t have to dig too deep to discover their true selves.

    The Lads are thirteen in number. In Icelandic lore, they are annoying pranksters at best; at worst, they are homicidal trolls who devour children. Mostly they steal from and harass Icelandic farmers.

    The Lads descend from the mountains, staggering their arrivals and departures, beginning thirteen nights before Christmas. Each has his own exasperating speciality.

    There’s the peg-legged Stekkjarstaur (Sheep-Cote Clod), who harasses sheep. He arrives on December 12 and takes his leave on Christmas Day.

    There’s Giljagaur (Gully Gawk), who lurks in gullies, biding his time to sneak into the cowshed and steal milk. He turns up on December 13 and returns to his lair on December 26.

    There’s the diminutive Stúfur (Stubby), who steals pans in order to eat the crust out of them. He trots in on December 14 and totters off on December 27.

    There’s Þvörusleikir (Spoon-Licker), who, well, licks spoons. He’s very gaunt, due to malnutrition. He shows up on December 15 and disappears, like Kafka’s hunger artist, into the straw on December 28.

    There’s Pottaskeffil (Pot-Scraper), another one who steals leftovers from pots. He comes a-calling on December 16 and returns to the hills on December 29.

    There’s Askasleikir (Bowl-Licker). Again, he licks bowls. I’d advise you to use extra soap, except once he licks the bowls, he usually steals them. He steals in on December 17 and slips out on December 30.

    There’s Hurðaskellir (Door-Slammer), who slams doors in the night. He raises a ruckus from December 18 to December 31.

    There’s Skyrgámur (Skyr-Gobbler), a Yule Lad who’s crazy for skyr, a kind of Icelandic yogurt. He sates himself from December 19 to January 1.

    There’s Bjúgnakrækir (Sausage-Snatcher), who’s crazy for the pig-products. He hides in the rafters and swipes smoked sausages. He makes his mark from December 20 to January 2.

    There’s Gluggagægir (Window-Peeper), who peeps, creepily, through windows, looking for things to steal. He cases the joint from December 21 to January 3.

    There’s Gáttaþefur (Doorway-Sniffer), who sniffs around the door jamb with his abnormally large proboscis, in search of laufabrauð, Icelandic Christmas bread. He hungers from December 22 to January 4.

    There’s Ketkrókur (Meat-Hook), who uses a hook to steal meat. He steals from December 23 to January 5.

    And finally, there’s Kertasníkir (Candle-Stealer), who pursues children so that he can eat their candles. (He likes tallow.) He’s a “light” eater from Christmas Eve, December 24, to Epiphany, January 6.

    And you thought holiday visits from your relatives drove you batty!

    Their mother is the ogress Grýla, who descends from the mountains in search of children to boil in her cauldron. If you happen to find yourself in her gnarled claws, remember, she has to release you if you repent.

    The Yule Lads are frequently accompanied by the Yule Cat, which eats children who do not receive new clothes before Christmas. This is a tradition that definitely would have kept me from pouting under the clothes rack at the department store as my poor mother tried to get me presentable for the new school year.

    Move over Krampus! Can a Yule Lads movie be far away?

  • Hindemith’s Long Christmas Dinner Review

    Hindemith’s Long Christmas Dinner Review

    For anyone who’s ever felt like they’ve been stuck on an interminable holiday visit, composer Paul Hindemith has got you licked.

    His one-act opera, “The Long Christmas Dinner,” spans 90 years and offers musical snapshots of several generations of the Bayard family as they convene for their annual Yuletide ritual.

    The libretto is by Thornton Wilder, based on one his own plays, and shares some of the same concerns as his Pulitzer Prize-winning “Our Town.” Especially characteristic is the passage of time and the human tendency not to savor every precious moment.

    Two doors flank the stage, one representative of Birth and the other Death. Family members come and go; historical, political and economic factors impinge on familial relations and the fortunes of the family unit; the specter of war rears its head – all in a 50-minute span.

    The work is not without humor, irony, and certainly poignancy. However, it’s all presented in Hindemith’s clean, neoclassical, unsentimental syntax. The opening is a setting of “God Rest Ye Merry, Gentlemen” that suggests anything but unalloyed merriment, sounding somewhat haunted, as if conceived by the Ghost of Christmas Past.

    Bridge Records has issued the first English-language recording of the work, captured last year in live performance at Alice Tully Hall at Lincoln Center in New York, and it is satisfying in every way. Of course, seeing the piece live would greatly benefit being able to tell certain characters apart, since some of the singers assume different roles down the generations. Innovatively, it was presented on the second half of the program, preceded by an actual performance of the play.

    The conductor, Leon Botstein, has built a career on looking at music through fresh perspectives. Botstein is founder and co-artistic director of the Bard Music Festival. He has been president of Bard College since 1975. He has been music director of the American Symphony Orchestra, heard on this recording, since 1992.

    Because of his love of the piece, Maestro Botstein very generously consented to a last-minute phone interview, granted only hours before he had to be on a plane to Budapest. I’ve edited his remarks down to a five-minute spoken introduction. Check back here tonight to hear a more complete version of our conversation, which I will be posting concurrently with the broadcast of the show.

    I hope you’ll join me when “Dinner Is Served,” tonight at 10 ET, with a second helping this Wednesday evening at 6; or that you’ll listen to it later as a webcast, at wwfm.org.

  • Sinatra at 100 Bing Crosby & The Voice

    Sinatra at 100 Bing Crosby & The Voice

    Francis Albert Sinatra was born on this date one hundred years ago.

    As a young man, Sinatra idolized Bing Crosby. He did everything he could to emulate Bing’s style. It wasn’t long before Frank blossomed into a force of his own. There could be tension between the two outsized personalities, but I think it’s safe to say that theirs was a mutual admiration society.

    “What a Swell Party This Is,” from “High Society” (1956):

    Frank and Bing share a holiday bromance on “The Frank Sinatra Show” (1957):

    Frank and Bing in “Robin and the Seven Hoods” (1964), with Dino:

    Frank and Bing caricatured in the Warner Brothers animated short, “Swooner Crooner” (1944), with the added bonus of a Durante cameo and Raymond Scott’s “Powerhouse”:

    http://www.criticalcommons.org/Members/sammondn/clips/swooner

    Happy birthday, Frank Sinatra!

    [This post is dedicated to Frank’s biggest fan – and regular Classic Ross Amico commentator – Kenneth Hutchins.]

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