Category: Daily Dispatch

  • Elgar’s Graduation March The Story Behind The Music

    Elgar’s Graduation March The Story Behind The Music

    Is it by design that Sir Edward Elgar’s birthday coincides with graduation season? In reality, the composer of the “Pomp and Circumstance March No. 1” was a fairly introverted and often melancholy character. In academic circles, he felt inadequate as he was largely self-taught. He was a Catholic in a largely Protestant country. He married a woman “above his station,” for which she was disinherited. Is it any wonder that he preferred animals to the company of people? Yet this perpetual outsider went on to become his country’s most celebrated composer. Funny, how fate works sometimes.

    Happy birthday, Sir Edward Elgar (1857-1934).

    Rare footage of Elgar conducting:
    https://www.youtube.com/watch?v=R-AmryhlRpI

    At play with his dogs:
    https://www.youtube.com/watch?v=0y5LtycnkoM


    PHOTO: He overcompensated with the most impressive moustache in the land

  • Glinka Mravinsky Celebrate on Classic Ross Amico

    Glinka Mravinsky Celebrate on Classic Ross Amico

    Today is the birthday of Mikhail Glinka (1804-1857). Thursday is the birthday of Yevgeny Mravinsky (1903-1988). The two meet here, on Classic Ross Amico.

    PHOTO: Ruslan gets a head of Chernomor’s big brother

  • Domenico Scarlatti Tributes on The Lost Chord

    Domenico Scarlatti Tributes on The Lost Chord

    Not for any reason beyond the fact that I was able to cobble together what I think is an interesting program, this Sunday night on “The Lost Chord,” the focus will be on Domenico Scarlatti.

    The Baroque keyboard master, born in Naples in 1685 – the same year as Bach and Handel – composed some 555 keyboard sonatas, revered by artists from Frédéric Chopin to Marc-André Hamelin.

    We’ll have tributes and arrangements by four different composers, including Charles Avison, Norman Dello Joio, Dmitri Shostakovich and Alfredo Casella.

    Casella’s “Scarlattiana” (1926), a seven movement suite for piano and orchestra, draws its inspiration from dozens of Scarlatti sonatas. It was not intended for the dance, but since it unabashedly recalls Stravinsky’s “Pulcinella,” it’s hardly surprising that it was only a matter of time before some clown decided to choreograph it.

    I hope you’ll join me for “Italian Dressing” – musical tributes to Domenico Scarlatti – tomorrow night at 10 ET, with a repeat Wednesday evening at 6; or that you’ll enjoy to it later as a webcast at http://www.wwfm.org.

    PHOTO: Wladimir Skouratoff (levitating) and Jacqueline Moreau in a 1954 production of “Scarlattiana”

  • Korngold Errol Flynn Hollywood Birthday

    Korngold Errol Flynn Hollywood Birthday

    May 29 marks the birthday of one of my favorite composers, Erich Wolfgang Korngold (1897-1957). Thanks to a steady diet of Errol Flynn films, Korngold will forever be a part of the soundtrack to my life.

    Korngold went from being one of Europe’s great musical prodigies, his works admired by Mahler, Strauss and Puccini – and championed by Schnabel, Weingartner and Klemperer – to becoming one of Hollywood’s transformative film composers. He is a link from Old World opulence to New World fantasy, his music gracing a number of Warner Brothers’ classic historical adventures.

    The best ones starred Flynn, and we’ll hear music from “The Sea Hawk” (1940) and “The Adventures of Robin Hood” (1938), as well as the mostly forgotten “Another Dawn” (1937). Flynn stars alongside Kay Francis and Ian Hunter (who would go on to play Richard the Lionheart in “Robin Hood”) in this love triangle involving pilots in a British desert colony.

    The film may be an obscurity to all save classic movie buffs, but Korngold thought enough of his music that he salvaged the main title as the opening theme to his Violin Concerto, premiered by Heifetz in 1947.

    It was an invitation from theatrical impresario Max Reinhardt that brought Korngold to Hollywood in the first place, for a cinematic adaptation of “A Midsummer Night’s Dream” (1935). The film stars James Cagney, Dick Powell and Olivia de Havilland, in her big screen debut, with Mickey Rooney an irrepressible Puck.

    For the project, Korngold adapted the famous incidental music of Felix Mendelssohn, interweaving material from Mendelssohn’s symphonies and orchestrating some of the “Songs without Words.” Even so, the music bears the composer’s unmistakable stamp, as you’ll hear in the opening number, lifted from the “Scottish Symphony,” which is marked by plenty of Korngoldian swagger.

    It’s all-Korngold this week, on “Picture Perfect,” music for the movies. Enjoy it this evening at 6 ET; make your heart crow with a repeat, tomorrow morning at 6; or listen to it later as a webcast at http://www.wwfm.org.

    Happy birthday, EWK!

  • Sgambati Dyson Ligeti Birthdays Classical Music

    Sgambati Dyson Ligeti Birthdays Classical Music

    There are days when I have to reach into the dank recesses my lizard brain in order to find something worthwhile to post. There are others when the Classical Music Gods rain interesting birthday anniversaries like manna from Heaven. Today is an example of the latter.

    Unfortunately, with all my obligations, I am unable to do any of them justice, but they all wrote worthwhile music. Do yourself a favor and sample some of it.

    Today is the birthday anniversary of

    Giovanni Sgambati (1841-1914)

    Here’s his knucklebusting Piano Concerto – performed by Jorge Bolet, no less:
    https://www.youtube.com/watch?v=37dlnzTSF-s;

    George Dyson (1883-1964)

    His oratorio after Chaucer, “The Canterbury Pilgrims”:
    https://www.youtube.com/watch?v=BNxdVTS9028;

    and György Ligeti (1923-2006)

    “Lux Aeterna” (with creepy fractal):
    https://www.youtube.com/watch?v=-iVYu5lyX5M.

    Happy birthday, boys. Wish I had time to write about any one of you!

    More about fractals here:

    What are Fractals?

    PHOTOS (clockwise from left): Sgambati; Dyson; and Ligeti, channeling Klaus Kinski

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