Category: Daily Dispatch

  • Sweetness and Light New Year’s Operetta Mix

    Sweetness and Light New Year’s Operetta Mix

    It’s always good practice to pay proper obeisance to a man with a scythe and nothing to lose. So try not to make too big a fuss about the kid in the diaper this week on “Sweetness and Light.”

    I hope you’ll join me for a playlist that will blend the wisdom of experience with the exuberance of innocence. We’ll flip the hourglass to enjoy a few selections from operetta, including a concert overture on themes from Franz Lehár’s “The Merry Widow,” a duet from Oscar Straus’ “A Waltz Dream,” and the irresistible “Song of the Laugh,” an insert aria employed in Sidney Jones’ “The Geisha,” in a vintage recording, performed by Ukrainian soprano Claudia Novikova. Trust me, it will put a smile on your face.

    In addition, we’ll have some variations on the familiar New Year’s melody “Auld Lang Syne” – one a playful multi-movement set in the styles of different composers by Franz Waxman (who wrote scores for such classic films as “The Bride of Frankenstein,” “Sunset Boulevard,” and “The Nun’s Story”), conceived for an informal New Year’s Eve get-together with his neighbor, Jascha Heifetz, and friends; the other, an orchestral showpiece incorporating parodies of no less than 129 familiar melodies, by British Light Music master Ernest Tomlinson.

    Erich Wolfgang Korngold, who enjoyed a successful run of reviving the operettas of Johann Strauss II, brought some of that same breezy Old World elegance to his own Hollywood film scores, proving that you can take the composer out of Vienna, but you can’t take Vienna out of the composer, as demonstrated in his “Flirtation Waltz” from the 1936 Errol Flynn classic “The Prince and the Pauper.”

    With only days left in 2024, Father Time still has a few tricks up his sleeve. I hope you’ll join me in raising a mimosa (or two) to the old man this week on “Sweetness and Light,” this Saturday morning at 11:00 EST/8:00 PST, exclusively on KWAX, the radio station of the University of Oregon!

    Stream it wherever you are at the link:

    https://kwax.uoregon.edu/

  • Toy Movie Music Citizen Kane to Toy Story

    Toy Movie Music Citizen Kane to Toy Story

    With the grand cacophony of Christmas still fresh in everyone’s ears, I thought it only appropriate this week on “Picture Perfect” to focus on music from movies about toys.

    Without giving anything away, in the unlikely event you don’t already know the story’s big pay-off, “Citizen Kane” (1941) is a film flanked by toys. There’s even a snow globe in the film’s opening montage. A certain memory of Kane’s childhood provides a poignant glimpse of the larger-than-life newspaper magnate’s lost innocence. “Kane” is often cited as one of the greatest films ever made. Orson Welles triumphed in his debut as writer-director-star, even if, ultimately, his creation proved to be a bottle rocket that blew up in his face. The film also marked the Hollywood debut of composer Bernard Herrmann.

    I’m not sure that “Pee-wee’s Big Adventure” (1985) could be described as the “Citizen Kane” of the ‘80s, exactly, but this endearingly goofy sojourn into the surreal does revolve around the recovery of a lost toy, as Pee-wee, the eternal boy, determines to make his way to “the basement of the Alamo” in an attempt to reclaim his stolen bike. The feature was director Tim Burton’s first. It was also his first collaboration with Danny Elfman, who is obviously a big fan of Nino Rota.

    The husband-and-wife team of Charles and Ray Eames are better known for their contributions to architecture, industrial design, and manufacturing, but they also made short films. “Toccata for Toy Trains” (1957) was inspired by the Eames’ passion for vintage toys. The score was provided by their go-to composer, Elmer Bernstein.

    Finally, in acknowledgement of the greatest toy series of our day, we’ll conclude with music from “Toy Story” (1995), the first full-length computer animated feature. The quality of the film propelled it beyond mere novelty status into the realm of instant classic, and the beloved “Toy Story” franchise has raked in hundreds of millions of dollars. Early on, it was decided by the filmmakers that they did not want “Toy Story” to be a musical, but that songs could be used to underline its emotional content. Randy Newman has provided the music for all the “Toy Story” films so far. He was recognized with an Academy Award for his work on “Toy Story 3,” for the song, “We Belong Together.”

    Keep popping those aspirin. It’s “Toys Everywhere” this week, on “Picture Perfect,” music for the movies, now in syndication on KWAX, the radio station of the University of Oregon!


    Clip and save the start times for all three of my recorded shows:

    PICTURE PERFECT, the movie music show – Friday at 8:00 PM EST/5:00 PM PST

    SWEETNESS AND LIGHT, the light music program – ALL NEW! – Saturday at 11:00 AM EST/8:00 AM PST

    THE LOST CHORD, unusual and neglected rep – Saturday at 7:00 PM EST/4:00 PM PST

    Stream them, wherever you are, at the link!

    https://kwax.uoregon.edu/

  • Remembering Christmases Past Nostalgia & Joy

    Remembering Christmases Past Nostalgia & Joy

    I hope everyone — all of you who celebrate or observe, I mean — enjoyed a warm and rewarding Christmas.

    Christmas is a nostalgic time, so it’s understandable that in the days leading up to the holiday, I found my thoughts drifting, often involuntarily, to memories of Christmases of yore. I remembered the early Christmases, when I lived with my grandparents, and their grand, stocky tree with its prehistoric decorations — being fixated on the large, dangerous-smelling colored bulbs with cloth-encased cords that filled the air with the scent of imminent combustion; the little lead skaters on the frozen pond (actually a mirror) beneath; and the fake snow, created out of Lord knows what, spread over everything. How many environmental hazards we were exposed to back then. And let’s not forget the tinsel. Tinsel everywhere — hanging thick on branches, snarling the platform train tracks, eaten by dogs and passed with their stool. World War II-era grandparents must have basically aspired to have a tree like the one in “The Bishop’s Wife.” Why even have a tree, when it was mostly tinsel anyway?

    Surely, the American Dream found its most extreme expression in the wholly aluminum trees of the 1950s and ’60s. What was that all about? Thankfully, we didn’t have one of those. Well, for a couple of years in my 30s a friend and I did, but it was a legacy tree, then accepted with a blend of nostalgia and irony, but for me never love. It’s hard to love a metal tree with no life of its own that basically reflects light from a rotating color wheel. It made me long to prick my fingers on the natural needles of my grandparents’ firs.

    I remember gazing into those trees, lost in fantasies of Christmas and dreaming of Santa’s munificence. What would he bring, finally? Would my hours of poring over the Sears Wish Book to continuous replays of Andy Williams on my mom’s stereo work their charm? Mostly, yes, they did.

    I did love my grandparents’ glass ornaments. Nowadays, it seems most trees are adorned with resin, wood, or wool. Sensible alternatives if you have children or pets, to be sure. But I will always have a soft-spot for the glass ornaments of old. Inevitably, a few would drop and shatter during the season.

    All that said, for some reason, it’s the Christmas when I was 12 that most occupied my thoughts this year. As I was walking out to fill the birdfeeders a couple of days ago, snow packing underfoot, my thoughts lit on the set of “The Lord of the Rings” paperbacks my parents gave me, in the gold foil box, in 1978. Now THAT was a Christmas. The toy manufacturer Kenner, caught unawares by the sensational popularity of “Star Wars” in 1977, was finally up to speed. Also, “Superman” was in theaters. There were calendars and books and action figures and playsets and games. Not all “Star Wars,” mind you. There was always a nice variety under the tree. And then my aunt and uncle would come over, and my uncle would be down on the floor with me, as much into my Christmas loot as I was. On New Year’s Eve, we took the best of it over to be played or played with at their house until midnight.

    In 1978 (seventh grade), I formed my earliest lifelong friendships, all my relatives were healthy and vital, and my mother and grandparents were still alive. Every day was full of laughter, comfort, hope, and fun.

    Christmases are different now — pleasant enough, at times, but not as resonant and seldom as rich — unavoidably poignant, with those of my youth still seeming to exist somewhere, like drifting islands in a thousand lakes, perhaps somewhere near the North Pole, to be revisited only in dreams.

  • Boar’s Head Christmas & Hanukkah Greetings

    Boar’s Head Christmas & Hanukkah Greetings

    This is one steaming boar’s head Santa really worked for. Merry Christmas, everyone. And for those of you find the dish abhorrent, a happy first night of Hanukkah!


    William Henry Walker (1871-1938), “Elves Serving Dinner to Santa and Mrs. Claus,” 1903. Charcoal on board.

  • Santa’s Hybrid Sleigh A Christmas Eve Journey

    Santa’s Hybrid Sleigh A Christmas Eve Journey

    Santa is about to climb into his North Pole hybrid and get started on his biggest night.

    My computer keeps crashing on me every few minutes, and then it takes multiple false starts before it can get enough of a charge so that I can get back online, so you might not hear from me for a couple of days until I get a new battery. For now, Happy Christmas to all, and to all a good night!

    IMAGE: William Henry Walker (1871-1938), “Santa Speeding Down Road in Motorized Sleigh,” 1903. Charcoal on paper.

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