• Sea Movies Galore on Picture Perfect

    Sea Movies Galore on Picture Perfect

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    Taste the “cat” and prepare to be keelhauled!

    This week on “Picture Perfect,” we give in to the impulse to run away to sea.

    Though Gregory Peck cuts a dashing figure as “Captain Horatio Hornblower” (1951), the movie itself is a bit episodic, adapted as it was from three of C.S. Forester’s Hornblower novels. Canadian-born master of British light music Robert Farnon wrote the score, lending another dimension to this nautical adventure.

    Alan Ladd and James Mason engage in a battle of wills in “Botany Bay” (1953). Ladd plays a doctor, wrongly convicted of a crime, who is transported to a penal colony in New South Wales on a ship under the harsh command of Mason. In perhaps the film’s most memorable sequence, Mason has one of his charges keelhauled! Franz Waxman wrote the score.

    If it all sounds a mite familiar, it’s because the story is by Charles Nordhoff and James Norman Hall, who also wrote the book that became the basis for “Mutiny on the Bounty” (1962). The classic film version of “Bounty” dates from 1935, with Clark Gable butting up against Charles Laughton’s Captain Bligh. The ‘60s version bears a certain notoriety, mostly for Marlon Brando’s eccentric performance, which turns Fletcher Christian into a fop, and the fact that he essentially directed all his own scenes himself. The film was colossal failure, earning back only $13 million of its $19 million budget. Nonetheless, it managed to inspire Bronislau Kaper to compose one of his most monumental scores.

    Interesting fact: the enlarged replica of the 1787 HMS Bounty, constructed specifically for the 1962 film, sank off the coast of North Carolina during Hurricane Sandy in 2012. The ship had also been used in the “Pirates of the Caribbean” franchise.

    Finally, we’ll hear selections from “Windjammer” (1958), the only feature shot using the Cinemiracle process. The film documents the round-trip, transatlantic journey of a Norwegian vessel from Oslo to the Caribbean to New York to Portsmouth, NH, and then back home again. Morton Gould wrote the evocative score, which alternates dance rhythms and sea shanties with a recurring melody suggestive of the sweeping romance of the high seas.

    Set sail with tall ships recommissioned, on “Picture Perfect,” music for the movies, this Saturday evening at 6:00 EDT, on WWFM – The Classical Network and wwfm.org.


  • Musicians Beach Day Hot Summer Fun

    Musicians Beach Day Hot Summer Fun

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    Too darn hot! Famous musicians hit the beach (identified as you click through the gallery).


  • American Music Greats Born on This Day

    American Music Greats Born on This Day

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    A great day for American music.

    Seminal jazz artist and pop cultural icon Louis Armstrong was born on this date in 1901. Armstrong’s birth certificate didn’t come to light until years after his death, so he always celebrated his birthday on July 4. Can’t get much more American than that.

    William Schuman, president of the Julliard School (1945-61) and Lincoln Center (1961-69), and first recipient of the Pulitzer Prize for Music for his cantata “A Free Song” in 1943, was born on this date in 1910. In his day, he was regarded as one of our great American symphonists. His Symphony No. 3 (1941) was especially well-regarded.

    Film composer David Raksin, who got his start working with Chaplin on “Modern Times,” but best-remembered for his music for the noir classic “Laura,” was born in Philadelphia on this date in 1912. Due to his longevity – Raksin lived to see 92 – he became an invaluable fount of information about old Hollywood.

    Pretty great country, that could produce that array of talent. Happy birthday, gentlemen. Thanks for all the music.


    Armstrong live in 1933

    With Velma Middleton, “All That Meat and No Potatoes”

    William Schuman on “What’s My Line?”

    Schuman, Symphony No. 3

    Raksin talks about working with Chaplin on “Modern Times”

    Raksin plays “Laura”


  • Vaughan Williams’ Antartica Symphony: Ice and Tragedy

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    Think cool thoughts with Ralph Vaughan Williams’ “Sinfonia Antartica” – his Symphony No. 7 – spun off of his score for the Ealing Studios film “Scott of the Antarctic” (1948).

    The fatal polar expedition of Robert Falcon Scott and his companions enthralled the composer, who responded with music evocative of ice and wind, penguins and whales, and inexorable snows. Vaughan Williams wrote most of the score before even seeing the film.

    The symphony is scored for large orchestra, including vibraphone, pianoforte, organ, and wind machine, with wordless women’s chorus and soprano soloist.

    It falls into five movements – Prelude, Scherzo, Landscape, Intermezzo, and Epilogue – with the third movement leading directly into the fourth. The scherzo is propelled by whales and penguins. The “landscape” in question is the icy wasteland of Ross Island.

    The score itself includes brief literary quotations – from Shelley, the Biblical Book of Psalms, Coleridge, Donne, and Captain Scott’s Last Journal – at the head of each movement. These are sometimes declaimed in performance and recordings, though the composer did not indicate that they were intended to be spoken.

    The title of the work is frequently misspelled, since the composer opts for the Italian “Antartica” (spelled with only one “c”) – a decision he made at the last minute, so as to keep it consistent with his use of the Italian word “Sinfonia.”

    Vaughan Williams was 80 years-old when he completed the symphony in 1952. It received its first public performance on January 14, 1953. Sir John Barbirolli conducted the Hallé Orchestra.

    The tragic dimension of the overall tone of the symphony is unmistakable, with man’s endeavors insignificant in the face of implacable nature.

    Here’s hoping your reception is a chilly one!


  • Yoko Sato Violinist Remembered

    Yoko Sato Violinist Remembered

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    The Japanese violinist Yoko Sato has died. There is shockingly little documentation of her artistry available in the West, in terms of video and recordings, especially on CD, although she did make an album with Ennio Morricone, the soundtrack to “Dedicato al mare Egeo.” (All that’s posted on YouTube is a horrible disco cover, with no violin that I can perceive.) However, there is a great video that’s been circulating of her playing Khachaturian’s Violin Concerto at the age of 13, with the composer conducting.

    Here, she appears at the Tchaikovsky Competition in 1966 (around the 3-minute mark), with some footage of her teacher, Leonid Kogan.

    Wouldn’t mind hearing this album, in which Sato plays the rarely-heard concerto by Tikhon Khrennikov, who caused so much suffering for Shostakovich, Prokofiev, and others – including Khachaturian – as General Secretary of the Union of Soviet Composers.

    http://www.musicweb-international.com/classrev/feb99/violin.htm

    Oh, this is very interesting. Apparently “Dedicato al mare Egeo” is a quasi-skin flick, directed by Masuo Ikeda, the painter, printmaker, sculptor, and novelist (and Akutagawa Prize winner for his novel “Offering in the Aegean,” upon which the film is presumably based), who was Sato’s partner from 1980.

    https://letterboxd.com/film/dedicato-al-mare-egeo/

    Sato was 72 years-old. Ikeda died in 1997 at the age of 63.

    Her obituaries have been succinct. None of them mention the movie.

    Renowned Japanese Violinist Yoko Sato Dies at 72

    R.I.P.


    PHOTO: Sato as soloist, with a well-decorated Khachaturian on the podium, in 1965


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