Tag: Miklos Rozsa

  • Thanksgiving Movie Music

    Thanksgiving Movie Music

    “Do any human beings ever realize life while they live it? Every, every minute?”

    This poignant observation, from Thornton Wilder’s “Our Town,” stands as a timely reminder that there are things we should all be thankful for, while they – and we – are here to appreciate them.

    This week on “Picture Perfect,” we’ll set the table for Thanksgiving.

    None other than Aaron Copland wrote the music for the big screen adaptation of Wilder’s Pulitzer Prize winning play. The composer was at the height of his “populist” period. “El Salon Mexico” and “Billy the Kid” had already been written, and “Fanfare for the Common Man,” “Lincoln Portrait,” “Rodeo” and “Appalachian Spring” would follow within just a few years. Clearly, there was no better choice in capturing the essence of small town America.

    The concert version of “Our Town” has been in circulation for decades, but it was only in 2011 that a complete recording of the score was made available, briefly, as a digital download.

    Gary Cooper and Dorothy McGuire star in “Friendly Persuasion” (1956), based on the novel by Jessamyn West. The film’s portrayal of family and the resolution of moral conflict, as pacifist Quakers deal with issues both big and small – from the American Civil War, to the introduction of a “sinful” musical instrument into the household – make “Friendly Persuasion,” in my opinion, a good choice for this time of year.

    The film was up for six Oscars, with Dimitri Tiomkin’s score nominated twice. The title song went on to become the popular hit “Thee I Love.” Only Dimitri Tiomkin would use balalaikas to depict Quaker life!

    “Witness” (1985) may seem like an unusual choice for Thanksgiving, with its themes of police corruption and violence, but when honest cop Harrison Ford goes on the lam, he experiences the “plain” lifestyle of a close-knit Amish community. The highlight of Maurice Jarre’s score is a sequence called “Building the Barn,” in which the community comes together to raise a barn for a newly married couple.

    Finally, we’ll hear selections from “Plymouth Adventure” (1952), with its depictions of William Bradford, John Alden, Miles Standish and Priscilla Mullins. Spencer Tracy stars as the cynical captain of The Mayflower, Gene Tierney is his forbidden love interest, Van Johnson appears as Alden, and Lloyd Bridges is the first mate.

    The music is by Miklós Rózsa, who already, at this stage of his career, was MGM’s go-to composer for historical drama. Seven years later, Rózsa would take home his third Academy Award for his classic score to “Ben-Hur.”

    It’s never too early to give thanks. There’s not a turkey among them, this Friday evening at 6:00 EST, on WWFM – The Classical Network and wwfm.org.


    Martha Scott and William Holden in “Our Town” (1940)

  • Lives of the Saints Classic Film Scores

    Lives of the Saints Classic Film Scores

    This week on “Picture Perfect,” on this November 1st, the saints go marching in.

    We’ll hear a suite from “The Song of Bernadette” (1943), one of Jennifer Jones’ finest hours. Jones was honored with an Academy Award for her performance. The film was nominated in 12 categories. Franz Werfel’s novel relates the story of Bernadette Soubirous, a Lourdes peasant prone to visions of the Blessed Virgin Mary.

    Igor Stravinsky made several attempts to break into Hollywood film scoring, but he couldn’t keep up with the relentless schedule. He took a crack at the “Apparition of the Virgin” scene, but then had second thoughts. The project went to Alfred Newman, who won his third of nine Oscars. Stravinsky’s music was recycled in the second movement of his “Symphony in Three Movements.”

    The life of Joan of Arc has been translated to film many times. In the case of “Saint Joan” (1957), Otto Preminger adapted the play by George Bernard Shaw. Newcomer Jean Seberg was cast in the title role. Her inexperience brought her in for a sound critical drubbing. Even an old hand like screenwriter Graham Greene was not immune to critical barbs for the liberties he took in reworking Shaw’s play. Despite all that, the score, by Russian-born English composer Mischa Spoliansky, is lovely.

    By contrast, the film of “A Man for All Seasons” (1966), after the play of Robert Bolt, was lavishly praised, especially Paul Scofield’s performance as Sir Thomas More, for which he received an Academy Award for Best Actor. The film was the recipient of six Oscars in all, including that for Best Picture. The period-inflected score is by Georges Delerue.

    Henryk Sienkiewicz’s international bestseller, “Quo Vadis,” incorporates into its narrative Saints Peter and Paul, but the truly interesting characters are the cynical Petronius, who really knows how to throw a party, and the quite mad Nero, who plays the lyre, even as Rome burns.

    Miklós Rózsa’s score has been much-lauded for its attempt at historical authenticity – allegedly it incorporates early Greek, Hebrew and Sicilian melodies – though its popularity has been eclipsed, somewhat, by Rózsa’s “Ben-Hur” and “King of Kings.” “Quo Vadis” is really the film in which Rózsa lays out the blueprint for a decade or more of big screen piety. Bernard Herrmann called it “the score of a lifetime.”

    I hope you’ll join me for “Lives of the Saints,” on this All Saints’ Day, on “Picture Perfect,” music for the movies, this Friday evening at 6:00 EDT, on WWFM – The Classical Network and wwfm.org.


    PHOTO: Jennifer Jones and the Lourdes’ prayer

  • Miklós Rózsa Ben-Hur Composer Birthday

    Miklós Rózsa Ben-Hur Composer Birthday

    “Who the hell wants foxtrots? I want serious music!”

    So says Miklós Rózsa, in this 30-minute documentary.

    Enjoy it, and then join me this Friday evening at 6:00 EDT, as I present Rózsa’s magnum opus, “Ben-Hur,” among my featured selections, on “Picture Perfect” – music for the movies – on WWFM – The Classical Network and wwfm.org.

    Happy birthday, Miklós Rózsa!

  • Bible Movie Epics: Samson, Solomon & More

    Bible Movie Epics: Samson, Solomon & More

    With Passover and Easter right around the corner, we’re entering the peak season for Bible movies. This week on “Picture Perfect,” it’s an hour of music from epics inspired by the Old Testament – including “Samson and Delilah” (Victor Young), “Solomon and Sheba” (Mario Nascimbene), “Sodom and Gomorrah” (Miklós Rózsa) and “The Ten Commandments” (Elmer Bernstein).

    We begin and end with two Cecil B. DeMille productions. DeMille could always be counted on to give his audience a good show. Both “Samson” and “The Ten Commandments” feature sultry temptresses, violent, bare-chested men, and plenty of austere moralizing. The climactic special effects in both films are still sublime.

    Tyrone Power was originally cast as Solomon in King Vidor’s “Solomon and Sheba.” However, he died of a massive heart attack during shooting (at the age of 44), paving the way for Yul Brynner to assume the role of the wise king. Brynner, of course, would later become DeMille’s pharaoh Rameses. With Gina Lollobrigida as the Queen of Sheba, you know there has to be an orgiastic dance.

    Miklós Rózsa characterized “Sodom of Gomorrah” as “an intriguing subject which developed into a bad picture,” and most critics agreed. Any film that casts Stewart Granger as Lot should be taken with a pillar of salt. Rózsa determined not to score any more Biblical epics after “Sodom,” though his music is nothing to be ashamed of. It possesses that classic Rózsa epic sound, much beloved thanks to his work on “Quo Vadis,” “Ben-Hur” and “King of Kings.”

    Chariots! Tunics! Histrionic acting! It’s going to be epic, this Friday evening at 6:00 EDT, on WWFM – The Classical Network and wwfm.org.


    PHOTOS: Victor Mature’s stuffed lion vs. Charlton Heston’s cotton candy beard

  • Remembering André Previn: A Hollywood & Classical Music Giant

    Remembering André Previn: A Hollywood & Classical Music Giant

    The outpouring of love and grief precipitated by the death of André Previn on February 28 seems to have brought the music world to state of catharsis. So I wonder how many will pause to remember him today, on what would have been his 90th birthday. Clearly any musical tributes will take place as scheduled over the coming season.

    For now, I offer a few reminiscences of “Previn & The Pittsburgh,” a television series featuring performances by the Pittsburgh Symphony Orchestra, introduced by Previn, then the orchestra’s music director. Of particular interest was an episode subtitled “The Music that Made the Movies,” devoted to outstanding film scores, with special guests John Williams and Miklós Rózsa. To hear Rózsa talk and to see him conduct his music for “Ben-Hur” is priceless.

    It is to be remembered that before he became recognized as a world-class conductor of symphonies, Previn enjoyed an active and successful career in the film industry, where he rubbed shoulders with many Hollywood legends, musical and otherwise.

    Thank you, André Previn, for all the beauty, inspiration, solace, and refinement you brought to the world.


    Previn conducts Jerry Goldsmith, from “The Blue Max.”

    Miklós Rózsa talks about Old Hollywood and Bernard Herrmann.

    Previn conducts Bernard Herrmann’s music for “Psycho.”

    Rózsa, bringing it Old School, as he conducts “Ben-Hur.”

    Previn invites John Williams to conduct “Star Wars.”

    Williams conducts “Superman.”


    Three Magi of movie music (left to right): Williams, Previn, and Rózsa

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