Tag: Movie Music

I try to watch “The Quiet Man” every year on St. Patrick’s Day, whether I need it or not. If, already a quarter of the way into the 21st century, this confirms that I am hopelessly out of touch, so be it. Someday, someone will pry this twee, politically-incorrect Irish fable from my cold dead hand.

I’m working my way through the recent John Williams biography by Tim Greiving, and although I am having some major issues with it (the book, published by Oxford University Press, reads like a first draft, to put it kindly), it is obviously written with love and chock full of valuable information. I know Williams always speaks fondly of Victor Young, but it was interesting to learn that Young’s music for “The Quiet Man,” which Williams saw in the theater in 1953, was one of the first film scores that really made him sit up and take notice and made him consider the possibility of writing for the movies.

I guess this makes sense, especially with having everything laid out chronologically in a biography. Progressions become clearer, and from the start Williams was always a gifted arranger. I mean, his first Academy Award was for his arrangements for Norman Jewison’s film of “Fiddler on the Roof,” and it was far from his first musical. Even apart from the movies, Williams was arranging for and accompanying Frank Sinatra, Vic Damone, Frankie Laine, and so many others. So he would have had a connoisseur’s appreciation of what Young achieved in his score for “The Quiet Man,” which positively overflows with inspiring arrangements of folk and popular song and sentimental ballads.

On a related note, for a long time, after having run across some clips, probably on YouTube, I’ve wanted to see a film called “Broth of a Boy.” It stars Barry Fitzgerald (who plays the “Quiet Man’s” insatiably thirsty Michaeleen Oge Flynn) as the oldest man in the world. With that premise, how could it miss? Unfortunately, the film is seemingly unavailable in the United States – only intensifying my desire to see it – and the reviews I’ve read ranged from mildly charmed to middling. So I certainly knew not to expect a classic.

Every year, around St. Patrick’s Day, I search for it, and what do you know, last night I found it on YouTube! The transfer is barely adequate, but you know how old movies are from the United Kingdom. Even the Alastair Sim version of “A Christmas Carol” (released in the U.K. as “Scrooge” in 1951 – a year before “The Quiet Man!”) looks like it was made in the 1930s. I don’t blame the technology; I blame post-war austerity.

Anyway, “Broth of a Boy” looks older than its years, as for that matter, does Barry Fitzgerald. His character is supposedly 110. Fitzgerald died in 1961 at the age of 72. But here, in 1959, he looks tired. Or maybe he was just hammered the whole time.

Be that as it may, if you’re a “Quiet Man” fan, I think you will find much to enjoy. The humor and characterizations are of the same cloth, and both films employ actors from Dublin’s Abbey Players – the National Theatre of Ireland – although, as far as I can tell, Fitzgerald is the only common denominator between the two.

Alas, the screenplay isn’t as consistent or sharp, and the scenes are not always the most imaginatively captured. I sure do miss John Ford’s direction and Technicolor. The score, by Stanley Black, will never be mistaken for Victor Young. The film feels longer than its 77 minutes, but if you are a “Quiet Man” die-hard, you might want to give it a shot. Or have a few yourself, if you know what’s good for you.