Tag: Richard Strauss

  • Hansel and Gretel Opera Premiere & Christmas Tradition

    Hansel and Gretel Opera Premiere & Christmas Tradition

    The opera “Hansel and Gretel” was given its first performance on this date in 1893, at the Hoftheater in Weimar, with Richard Strauss conducting. Engelbert Humperdinck’s magnum opus – which features a sandman, a dew fairy, a witch, and the imminent threat of cannibalism – has been associated with the Christmas season ever since.

    The Brothers Grimm inspiration is the best known of a wave of Märchenopern (fairy tale operas) that swept Germany in the 19th century. Less fortunate was Hans Pfitzner’s “Das Christ-Elflein” (“The Christmas Elf”), with its charming mix of Christian and pagan symbols, including the title character, an old tree spirit, Saint Nicholas’ sidekick, Knecht Ruprecht, and even the Christ Child Himself!

    Here’s the overture:

    Elisabeth Schwarzkopf with Irmgard Seefried in an excerpt from “Hansel and Gretel,” with Josef Krips conducting, in 1947:

    My favorite recording of the “Dream Pantomime,” with Otto Klemperer:

    A lovely staging, the old one, from the Met:


    IMAGE: If you can’t stand the heat, etc., etc.

  • Strauss’ “Love of Danae” Rare Opera Online

    Strauss’ “Love of Danae” Rare Opera Online

    On Richard Strauss’ birthday, enjoy this production of the rarely-heard opera “Die Liebe der Danae” (“The Love of Danae”), a comedy after Hugo von Hofmannsthal (libretto by Joseph Gregor), steeped in Greek mythology.

    The powerful god Jupiter and the lowly donkey driver Midas compete for the love of the beautiful Danae. According to the promotional material, “The story is a Mozartean blend of comedy, romance, and drama on the themes of transformation and the acceptance of life’s changes, all brilliantly illuminated by Strauss’s orchestral mastery.” The production is a collaboration of stage director Kevin Newbury and architect Rafael Viñoly.

    True to the mission of Bard SummerScape, this is the first time the opera has ever been staged in New York. The performance took place at Bard College in 2011. The American Symphony Orchestra is conducted by Leon Botstein:

    Some background and a brief synopsis of the opera:

    https://en.wikipedia.org/wiki/Die_Liebe_der_Danae

    Unfortunately, because of the COVID-19 pandemic, this year’s Bard Music Festival, which was to have focused on Nadia Boulanger and her world, has been postponed until the summer of 2021.

    You’ll find more information at the website of Fisher Center at Bard, https://fishercenter.bard.edu/summerscape/.

  • Strauss’ Lasting Message of Love & Music

    Strauss’ Lasting Message of Love & Music

    “Our future lies in art, especially in music. In times when spiritual goods are rarer than material ones, and egotism, envy and hatred govern the world, music will do much to re-establish love among mankind.”

    – Richard Strauss

    This is the last music Strauss ever conducted, as part of his 85th birthday celebration. He also stipulated that the music be performed at his funeral. On that occasion, a 36 year-old Georg Solti conducted, and the three singers, in turn, broke down, overcome by emotion. Its message is, simultaneously, one of valediction and renewal. In a performance like this is, it can be almost unbearably poignant.

  • Richard Strauss Documentary Birthday Tribute

    Richard Strauss Documentary Birthday Tribute

    Happy birthday, Richard Strauss! Fans of the composer will enjoy this two-hour documentary I found on YouTube, featuring commentary by prominent musicians, interviews with people who actually KNEW him, narration by Sir John Gielgud, and, not least of all, footage of Strauss himself. Strauss described himself as “a first-rate second-class composer.” He certainly lived a remarkable life.

  • Strauss’ Lawsuit The “Funiculì, Funiculà” Story

    Strauss’ Lawsuit The “Funiculì, Funiculà” Story

    When he came to work it into the finale of his grand symphonic fantasy “Aus Italien” (“From Italy”) in 1886, the 22 year-old Richard Strauss assumed “Funiculì, Funiculà” was a traditional Neapolitan folk song.

    Imagine his chagrin when he learned that the song was actually composed in 1880, by one Luigi Denza, to lyrics by Peppino Turco.

    The subject is a funicular cable car that used to service passengers to Mount Vesuvius, before it was predictably destroyed in an eruption in 1944. The song became a huge international success and sold over a million copies.

    This meant that Strauss found himself embroiled in a lawsuit, which resulted in his having to pay a royalty fee every time “Aus Italien” was performed.

    This would be irksome to any composer, but Strauss especially has often been singled out for his love of money. Stravinsky used to spell his name using dollar signs in place of the esses.

    Fate seems to have been in on the joke. Strauss’ fortune was twice obliterated, by both world wars, and – also because of war – he was never paid for his opulent ballet “Josephs-Legende.”

    Strauss was not the only composer to step wrong in regard to “Funiculì, Funiculà.” Rimsky-Korsakov used it as the basis for his “Neapolitan Song,” and Arnold Schoenberg transcribed it for string quartet. Whether Denza ever tried to sue Rimsky-Korsakov is unknown. Schoenberg clearly credited the original composer. Maybe he was just too scary to sue.

    Join me this afternoon, when Luigi Denza (now in the public domain) will be among my birthday honorees, from 4 to 7 p.m. EST, on WWFM – The Classical Network and wwfm.org.

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