Tag: Tchaikovsky

  • Yuri Simonov Wild Conductor Turns 80

    Yuri Simonov Wild Conductor Turns 80

    Is Yuri Simonov, who turns 80 today, a live-action Warner Brothers cartoon? The only thing missing is the celluloid dickey rolling up like a blind. It only gets more preposterous as it goes on. You’re welcome to watch the whole thing, but on the assumption you’ve got places to go and things to do, I’m cueing it up to around the 12:30 mark.

    BONUS: Simonov conducts Shostakovich’s “Festive Overture.”

    If you can look past the histrionics, Simonov is actually a very fine conductor, who deserves to be much better known in the West. He just gets a little carried away, that’s all. Evidently he must be a trip to see in concert, but he takes his rehearsals very seriously. Here he is preparing Wagner, so that in concert he can let “The Flying Dutchman” really fly.

    https://www.youtube.com/watch?v=QvOrTQaLQjk

    You can’t argue with success. Simonov conducts Tchaik 4 in Budapest:

    Happy birthday, Maestro!

  • Rimsky-Korsakov’s Wild Ukrainian Christmas

    Rimsky-Korsakov’s Wild Ukrainian Christmas

    Definitely don’t go into it expecting Clement Moore’s jolly old elf!

    Nikolai Rimsky-Korsakov’s “Christmas Eve” was given its first performance at St. Petersburg’s Mariinsky Theater on this date in 1895.

    The opera is based on a story from Nikolai Gogol’s collection, “Evenings on a Farm Near Dikanka” (which I finally got around to reading this year). Part fairy tale and part farce, “Christmas Eve” is steeped in Ukrainian folk traditions.

    In Ukraine, Christmas Eve is a solemn occasion, marked by fasts and sacred services. Meatless dishes are served for Holy Night supper. But there are also carols. And the caroling is no simple singing of Christmas songs! Similar to the mumming traditions of the British Isles, there is also some play involved, with ritualistic dancing and even the participation of a live goat. As in the West, pre-Christian symbols and rituals are embraced in the celebration of Christmas, to lend cheer to the shortest days and hope for a fertile spring.

    With this in mind, is it any surprise that Gogol’s story features such incidentals as the theft of the moon by the Devil, amorous peasants secreting themselves in burlap sacks, and a ride through the air, on the Devil’s back, to collect the Tsarina’s slippers?

    “Christmas Eve” was adapted musically by both Rimsky-Korsakov and Tchaikovsky. The two composers shared a complicated relationship. In public, each was supportive of the other, but in private both were tormented by suspicion and envy. Tchaikovsky felt sufficiently threatened that he demanded secrecy of his publisher over his use of the then newly-minted celesta. This was to supply the fairy-dust magic for his Sugar Plum Fairy in “The Nutcracker,” and he was full of anxiety that Rimsky might learn of the instrument and steal his thunder.

    Equally wary of Tchaikovsky, Rimsky held off on adapting “Christmas Eve” until 1895. Tchaikovsky had set his own version of the story ten years before – a revision of an even earlier Tchaikovsky opera, “Vakula the Smith,” composed in 1871. By the time Rimsky’s version received its premiere, his rival had been safely in the grave for two years.

    Z Rizdvom Khrystovym! Good triumphs over evil, but the devil gets his due!


    Still my preferred recording of Rimsky-Korsakov’s “Christmas Eve,” from 1948, conducted by Nikolai Golovanov.

    An animated version of Gogol’s tale, incorporating some of Rimsky’s music:

    https://www.youtube.com/watch?v=TvtQQlb3-pw

    A fun live-action version from 1961:

    https://www.youtube.com/watch?v=q71uPvuQ2NA

    A 1913 silent version (but you’ll have to provide your own soundtrack):

  • Met Opera Free Streams This Week

    Met Opera Free Streams This Week

    This week’s selection of Metropolitan Opera “Live in HD” encores runs the gamut from Handel’s “Rodelinda” to John Corigliano’s “The Ghosts of Versailles.”

    Of particular interest is a double-bill of Tchaikovsky’s “Iolanta” and Bartók’s “Bluebeard’s Castle.” The staging of “Bluebeard,” allegedly inspired by noir films of the 1940s, is a knock-out! A powerful introduction, for anyone who has had difficulty getting his or her head around this darkly beautiful work on recordings.

    In addition, the Met will re-stream its at-home gala, which made a very favorable impression the first time around. This virtual event features dozens of opera singers performing out of their homes, with some very unlikely accompanists. At least one of the singers, taken off-guard, is caught drinking a beer on camera. The gala will run continuously, on both Friday and Saturday. It’s four-hours long, but compelling throughout.

    The Met continues to make good on its pledge to stream free opera for the duration of the house’s shutdown. Each opera is accessible for approximately 23 hours, starting every day around 7 p.m. EDT. Massenet’s “Thais” streams through 6 p.m. today, at metopera.org.

    Here’s a complete schedule of this week’s offerings. You’ll find teasers and bonus materials when following the link:

    https://www.metopera.org/user-information/nightly-met-opera-streams/week-13/

    Monday, June 8
    Mozart’s La Clemenza di Tito
    Starring Lucy Crowe, Barbara Frittoli, Elīna Garanča, Kate Lindsey, and Giuseppe Filianoti, conducted by Harry Bicket. From December 1, 2012.

    Tuesday, June 9
    Tchaikovsky’s Iolanta and Bartók’s Bluebeard’s Castle
    Starring Anna Netrebko and Piotr Beczała in Iolanta, and Nadja Michael and Mikhail Petrenko in Bluebeard’s Castle, conducted by Valery Gergiev. From February 14, 2015.

    Wednesday, June 10
    Humperdinck’s Hansel and Gretel
    Starring Christine Schäfer, Alice Coote, Rosalind Plowright, Philip Langridge, and Alan Held, conducted by Vladimir Jurowski. From January 1, 2008.

    Thursday, June 11
    John Corigliano’s The Ghosts of Versailles
    Starring Teresa Stratas, Renée Fleming, Marilyn Horne, Graham Clark, Gino Quilico, and Håkan Hagegård, conducted by James Levine. From January 10, 1992.

    Friday, June 12, and Saturday, June 13
    At-Home Gala (Encore Screening)
    In a re-broadcast of our recent At-Home Gala, more than 40 leading artists and members of the Met Orchestra and Chorus perform virtually from their homes around the world, with General Manager Peter Gelb and Music Director Yannick Nézet-Séguin as hosts. From April 25, 2020.

    Sunday, June 14
    Handel’s Rodelinda
    Starring Renée Fleming, Stephanie Blythe, Andreas Scholl, Iestyn Davies, Joseph Kaiser, and Shenyang, conducted by Harry Bicket. From December 3, 2011.

  • Brahms Tchaikovsky Birthday Broadcast Tonight

    Brahms Tchaikovsky Birthday Broadcast Tonight

    Another hour of Brahms and Tchaikovsky ahead, as we soak up your remaining listener requests on their birthdays. We’ve got your back, this Thursday evening at 6:00 EDT, on WWFM – The Classical Network and wwfm.org!

  • Brahms Tchaikovsky Birthday Bash WWFM

    Brahms Tchaikovsky Birthday Bash WWFM

    More of your listener requests coming up, as we continue to celebrate Brahms and Tchaikovsky on their birthdays, today at 4 & 6 p.m. EDT, on WWFM – The Classical Network and wwfm.org.

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