Bad luck for Victor McLaglen. Still three days away, but John Wayne will pound his face so hard that he’ll still be spitting teeth on St. Patrick’s Day.
McLaglen gets his lathering in the epic climax of John Ford’s “The Quiet Man.” Victor Young’s score will be one of the highlights this week, on “Picture Perfect,” which will be devoted to films with Irish settings and Irish themes.
“The Luck of the Irish” (1948) stars Tyrone Power as an American journalist who travels to Ireland, where he gets in touch with his roots – and a full-size leprechaun, played by Cecil Kellaway.
No “Darby O’Gill”-style special effects here. Kellaway is just some guy in a leprechaun hat. When Power comments, “Say, aren’t you rather large for a leprechaun?,” Kellaway responds, “That’s a page of me family history I’d rather we not go into.” It was hoped that Barry Fitzgerald would have taken the role – and how perfect would that have been? – but he couldn’t be secured. In the event, Kellaway was nominated for an Academy Award for Best Supporting Actor.
The music is by the English-born Cyril J. Mockridge, who was Alfred Newman’s assistant at 20th Century Fox. Mockridge is probably best known for his score to “Miracle on 34th Street.” “The Luck of the Irish” is full of Celtic-style folk melodies and some shimmering leprechaun music, but why it quotes “Greensleeves” is anybody’s guess. Probably at the request of a producer. (Green = Irish, right?)
John Williams wrote a gorgeous, melancholy score for “Angela’s Ashes” (1999), adapted from Frank McCourt’s bestselling memoir. It’s refreshing to hear Williams give free rein to his lyrical side, beyond the context of lightsabers, magic wands and rampaging dinosaurs. The recording we’ll hear is from the difficult-to-acquire international release. The version issued stateside was marred by dialogue from the film. (Why do they do that?)
You can’t have an hour of Irish film music without including something with The Chieftains. “Circle of Friends” (1995) is based on the novel by Maeve Binchy, about three childhood friends, who reunite in college, and their adventures with the young men they find there. The film stars Minnie Driver, Chris O’Donnell, Alan Cumming and Colin Firth. Michael Kamen wrote the score, but it’s The Chieftains, obviously, that lend it an air of authenticity.
Finally, Victor Young’s palette is all green in “The Quiet Man” (1952). John Wayne, Maureen O’Hara, Barry Fitzgerald, Victor McLaglen, Mildred Natwick, Ward Bond, and a Mulligan stew of American and Irish character actors flesh out what must be John Ford’s most delightful film. It earned him his fourth Academy Award for Best Director, and the film itself was nominated for Best Picture.
The alternately romantic and boisterous, folk-inflected score perfectly complements Ford’s tone of sustained whimsy, for what is essentially a love story unfolding in the face of cultural differences. Also the face of Victor McLaglen.
Shamrocks will shake amidst the blarney rubble, on “Picture Perfect,” music for the movies, now in syndication on KWAX, the radio station of the University of Oregon!
Clip and save the start times for all three of my recorded shows:
PICTURE PERFECT, the movie music show – Friday at 8:00 PM EDT/5:00 PM PDT
SWEETNESS AND LIGHT, the light music program – Saturday at 11:00 AM EDT/8:00 AM PDT
THE LOST CHORD, unusual and neglected rep – Saturday at 7:00 PM EDT/4:00 PM PDT
Stream them, wherever you are, at the link!
https://kwax.uoregon.edu/
