Category: Daily Dispatch

  • Labor Day Listen Paul Robeson’s Joe Hill

    Labor Day Listen Paul Robeson’s Joe Hill

    Can’t – and shouldn’t – get through Labor Day without listening to Paul Robeson sing “Joe Hill.”

  • Musical Wonder Cabinets: A Curious Collection

    Musical Wonder Cabinets: A Curious Collection

    Cabinets of curiosities, also sometimes referred to as “wonder rooms,” were small collections of extraordinary objects, strange and often fanciful precursors of today’s museums, which attempted to categorize and explain oddities of the natural world. This Sunday night on “The Lost Chord,” we’ll have three examples of musical equivalents.

    Princeton University professor Dmitri Tymoczko’s “Typecase Treasury” recalls a small table his parents acquired, made from a typecase subdivided into a hundred little compartments. “Each had been filled with a tiny mineralogical curiosity,” he writes, “a strange crystal, a piece of iron pyrite, a shark’s tooth, or a fossilized tribolyte.” He found it a useful metaphor for a multi-movement collection of short pieces, in which he attempts to produce “a sense of form through juxtaposition.”

    Grammy Award-winner Michael Colina is perhaps best known for his jazz and Latin projects. However, Colina was classically trained, having studied at the North Carolina School of the Arts, and then abroad, at the Chigiana Academy, in Sienna, Italy. We’ll hear his Violin Concerto, subtitled “Three Cabinets of Wonder,” a work inspired by Fanny Mendelssohn, the Buddha, and an Amazonian nature spirit.

    Finally, we’ll sample just a bit from “Cabinet of Curiosities” by Philadelphia-based composer Robert Moran, who’s something of a wonder himself. “The Hapsburg Kunstkammer” employs graphic notation and is scored for marimba, hairbrush, aluminum foil, bells played with fingers, finger cymbals, telephone bell, vibraphone, rubber ball, celesta and harpsichord.

    I hope you’ll join me for “Curiouser and Curiouser,” a tour of musical wonder cabinets, this Sunday night at 10:00 EST, on WWFM – The Classical Network and wwfm.org.

    More about cabinets of curiosities here:

    https://en.wikipedia.org/wiki/Cabinet_of_curiosities

  • Labor Day Crossword Music & Work Puzzle

    Labor Day Crossword Music & Work Puzzle

    Labor Day may be a day for leisure, but this week’s Classic Ross Amico crossword is all about music and work.

    To fill out the puzzle, follow the link and select “solve online” at the bottom of the page. You’ll then be able to type directly into the squares. Once you feel you’ve exhausted the puzzle, you’ll find the solutions by clicking on “Answer Key PDF.”

    An idle mind is the devil’s workshop. Keep yourself occupied here:

    https://www.armoredpenguin.com/crossword/Data/2020.09/0605/06055955.150.html

  • On the Waterfront Labor Day Classical

    On the Waterfront Labor Day Classical

    Johnny Friendly is running this racket. So “Picture Perfect” has been moved to Saturday at 6 pm, see?

    It will be an all-American program for Labor Day weekend, including Leonard Bernstein’s music for “On the Waterfront” (1954) – Elia Kazan’s exposé of sleazy underworld corruption along the docks of Hoboken – alongside selections from Aaron Copland’s “The Red Pony” (1949), Virgil Thomson’s “Louisiana Story” (1948), and Elie Siegmeister’s “They Came to Cordura” (1959).

    Both the Bernstein and Copland are rare documents taken from the films’ original recording sessions. Thomson’s “Louisiana Story” is the only film score ever to have been awarded a Pulitzer Prize. And Siegmeister’s “They Came to Cordura” is the source of “Picture Perfect”s striking theme music.

    Following tonight’s broadcast, stick around for Rachel Katz’s “A Tempo” at 7:00. Her guest this week will be none other than Patrick Stewart, who will talk about his recent film, “Coda” (in which he plays a classical pianist), and the transformative power of the arts.

    I coulda had class. I coulda been a contender. I coulda been somebody – instead of a bum, which is what I am.

    I ain’t no canary, but this new time slot, Saturday at 6 pm EDT, is for the birds – literally – on WWFM – The Classical Network and wwfm.org.

  • Star Trek Open Mic Night & Sci-Fi Talk

    If your idea of a good time is having two middle-aged nerds ruin a 42-year-old movie for you, this just might be the ticket. If not, I recommend you watch “Capricorn One.”

    Tomorrow night, Roy will celebrate his 40th episode, and the 54th anniversary of “Star Trek: The Original Series,” by providing an open mic – or an open Zoom – for anyone who wishes to step up and share his or her favorite “Star Trek” memories, with perhaps a few additional surprises along the way. To register, send a Facebook message to Roy by 3:00 on Sunday afternoon.

    Roy’s Tie-Dye Sci-Fi Corner is live-streamed on Facebook every Friday and Sunday evening at 7:00 EDT.

    https://www.facebook.com/roystiedyescificorner/

    Next Friday, I’ll be back for Gerry Anderson’s “Journey to the Far Side of the Sun!”

Tag Cloud

Aaron Copland (94) Beethoven (95) Composer (114) Film Music (152) Film Score (143) Film Scores (255) Halloween (107) John Williams (198) KWAX (233) Leonard Bernstein (105) Marlboro Music Festival (125) Movie Music (167) Mozart (91) Opera (220) Philadelphia Orchestra (91) Picture Perfect (174) Princeton Symphony Orchestra (110) Radio (90) Ross Amico (244) Roy's Tie-Dye Sci-Fi Corner (290) The Classical Network (101) The Lost Chord (269) Vaughan Williams (107) WPRB (397) WWFM (881)

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