Category: Daily Dispatch

  • Remembering Jansons & Birthday Composers

    Remembering Jansons & Birthday Composers

    Sir John Barbirolli! Sir Arnold Bax! Harry T. Burleigh! Harriet Cohen! Antonin Dvořák! Robert Kajanus! Jean Sibelius! Johan Svendsen!

    This all-star cast can only be enhanced by Jansons.

    Conductor Mariss Jansons died on Saturday at the age of 76. I hope you’ll join me in celebration of his artistry and that of today’s birthday celebrants.

    Ars longa, vita brevis is our motto, from 4 to 7 p.m. EST, on WWFM – The Classical Network and wwfm.org.

  • Classical Music Marble Cake on WWFM

    Classical Music Marble Cake on WWFM

    As the days grow short and the weather more miserable, revive your spirits with a kind of musical marble cake, this afternoon (if there is an afternoon) on The Classical Network.

    One vein will consist of historic recordings of pianist Harriet Cohen, composer and conductor Robert Kajanus, and baritone Harry T. Burleigh. Another will celebrate conductors Kajanus, Sir John Barbirolli, and Mariss Jansons. (Jansons died on Saturday at the age of 76.) Yet another will explore music from the north, including works by composers Kajanus, Jean Sibelius, and Johan Svendsen.

    The magnetic Cohen captivated seemingly every British composer of her day. In particular, her love affair with Sir Arnold Bax lasted for over 40 years. Bax wrote most of his piano music for her. His most famous work, the symphonic poem “Tintagel,” ostensibly inspired by the ruins of the Arthurian castle overlooking a tempestuous Cornish seascape, is said to enshrine all the passion the two musicians felt for one another during an especially ardent six weeks over which they vacationed there. We’ll hear a classic performance, with Barbirolli presiding.

    In 1936, Bax and Cohen traveled together to Helsinki to meet Sibelius, who also greatly influenced Bax’s music. Jansons will be remembered, in part, through his conducting of Sibelius, over whose idiom he demonstrated particular mastery.

    Sibelius’ earliest champion was Robert Kajanus. Kajanus conducted the first performances of many of the composer’s major works. He also wrote over 200 pieces himself. Of those, we’ll hear “Aino,” after an episode in the Kalevala. In addition, Kajanus will conduct music by his good friend and drinking buddy.

    Harry T. Burleigh’s influence on American music is incalculable. While a student at the National Conservatory of Music in New York, he happened to be overheard by the institute’s director, the newly-installed Antonin Dvořák, while singing African-American spirituals. Dvořák was captivated.

    Burleigh’s significance looms large in Dvořák’s music of his American years. More to the point, it informs the Czech master’s exhortation to composers of the United States to embrace spirituals and music of Native Americans as building blocks for a vibrant new art music, one with a distinctive national character. If Dvořák was the godfather of American music, then surely Burleigh was the great uncle. We’ll hear some of Burleigh’s own works, as well as his own documented performance of “Go Down, Moses.” Of course, we’ll have to include a little Dvořák, too.

    Happy birthday, Sir John Barbirolli, Harry T. Burleigh, Harriet Cohen, and Robert Kajanus, and rest in peace, Mariss Jansons.

    With ingredients like those, no matter how you slice it, you’ll wind up with all the marbles, from 4 to 7 p.m. EST, on WWFM – The Classical Network and wwfm.org.

  • Ormandy’s All-American Philadelphia Orchestra

    Ormandy’s All-American Philadelphia Orchestra

    This Sunday night on “The Lost Chord,” it’s one more trip to the well, with well-played works of American composers rendered by Eugene Ormandy and the Philadelphia Orchestra.

    Slake your thirst with selections from “Five Songs of William Blake” by Virgil Thomson, the Symphony No. 7 by Roy Harris, and “Four Squares of Philadelphia” by Louis Gesensway.

    Gesensway was born in Latvia in 1906. A violin prodigy, he was one of the founders of the Toronto Symphony Orchestra. He came to Philadelphia at the age of 19, where he played under both Stokowski and Ormandy.

    In his mid-20s, he took a leave of absence to study composition with Zoltán Kodály. “Four Squares of Philadelphia” was described by the composer as a “symphonic poem for large orchestra, narrator and street criers.”

    The piece opens with a recitation of William Penn’s prayer, then continues with musical evocations of Washington Square (in early morning, during Colonial times, with street criers hawking their wares), Rittenhouse Square (on a bright and cheerful afternoon), Logan Square (with its fountains at dusk), and Franklin Square (at night, evocative of noisy bridge traffic, a side excursion into Chinatown, and musical interjections from the honky tonk joints located around the square in the 1950s).

    Be there or be square. Eugene Ormandy serves up the last of the Thanksgiving leftovers. I hope you’ll join me for “All-American Ormandy III,” this Sunday night at 10:00 EST, on WWFM – The Classical Network and wwfm.org.


    PHOTO: Statue of Penn, high atop the city he founded

  • Mariss Jansons Legendary Conductor Dies at 76

    Mariss Jansons Legendary Conductor Dies at 76

    The conductor Mariss Jansons has died.

    Jansons was born in hiding during the Nazi occupation of Latvia. His mother, the soprano Iraida Jansone, was smuggled out of Riga. His grandfather and uncle were not so lucky. Both were murdered by the Nazis.

    It was Mariss’ father, Arvids Jansons, who introduced him to the violin. Arvids was selected by Yevgeny Mravinsky to serve as assistant conductor of the Leningrad Philharmonic. Mariss studied in Leningrad, Vienna and Salzburg (with Herbert von Karajan). Karajan wanted the young man as his assistant in Berlin, but the appointment was nixed by the Soviet authorities.

    Instead, he became associate conductor of the Leningrad Philharmonic. In 1979, he was installed as music director of the Oslo Philharmonic. He became a familiar presence in London, as a guest conductor with the London Symphony Orchestra and principal guest conductor of the London Philharmonic.

    In the United States, he served as music director of the Pittsburgh Symphony Orchestra, from 1997 to 2004. In 2003, he became chief conductor of the Bavarian Radio Symphony Orchestra. He held the post in Bavaria until his death.

    He also served as chief conductor of the Royal Concertgebouw Orchestra, from 2004 to 2015. Twice, he conducted the internationally popular Vienna Philharmonic New Year’s Concert.

    Jansons cheated death a second time when he survived a serious heart attack in 1996, while conducting a concert in Oslo. Prompt medical attention saved his life. It was the heart that would get him in the end.

    Jansons died yesterday at his home in St. Petersburg. He leaves behind first-rate recordings of Tchaikovsky, Shostakovich and Sibelius, among others. He was 76 years-old. Though he struggled against ill-health, especially for the past year or so, he lived a full life in music, which is what he loved.


    Jansons conducts the Symphony No. 2 by Johan Svendsen:

  • Choir from Princeton to Carnegie Hall via Kansas

    Choir from Princeton to Carnegie Hall via Kansas

    Force of nature that I am, my reportage is now churning up Tornado Alley. My story on Alicia Brozovich and Westminster Community Chorus, written for the November 20 edition of the Princeton weekly U.S. 1 Newspaper – PrincetonInfo, has been picked up by Times-Sentinel Newspapers in Kansas.

    https://princetoninfo.com/reaching-beyond-the-community/

    Brozovich, who hails from Conway Springs, Kansas, about 30 miles south of Wichita, is a graduate of Westminster Choir College and now on the faculty of Westminster Conservatory. Her debut as principal conductor of the Westminster Community Chorus may have come and gone, but the concert, in celebration of the 50th anniversary of the moon landing, is now archived on YouTube and the ensemble’s Facebook page, complete with associated projections and NASA media.

    The choir will head to Carnegie Hall in May, to sing for choral music legend John Rutter.

    You can still read the original story here.

    https://princetoninfo.com/community-chorus-takes-vocal-journey-through-space/

    Thanks to Times-Sentinel Newspapers, I can now afford to take my editor out to breakfast.

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