Tag: Brahms

  • Brahms & Tchaikovsky A Hirsute Bromance

    Brahms & Tchaikovsky A Hirsute Bromance

    They were like the Felix and Oscar of Romantic music – the high-strung, fastidious Tchaikovsky (1840-1893), and the acerbic, unkempt Brahms (1833-1897). May 7th marks the anniversary of the births of these twin titans of hirsute Romanticism.

    I always find it oddly endearing that Brahms and Tchaikovsky were able to look past their personal aversions to one another’s music to actually grow to appreciate their individual qualities as people. There’s a lesson to be learned from that, I think.

    Initially, Tchaikovsky might have been right at home posting in a YouTube comments section, confiding to his diary, “I have played over the music of that scoundrel Brahms. What a giftless bastard!”

    For his part, Brahms indelicately drifted off to sleep during a rehearsal of Tchaikovsky’s Fifth Symphony – unfortunately, in the presence of the composer.

    According to the pianist Zygmunt Stojowski, “Tchaikovsky’s comment to me was that he would have been deeply hurt had he not, himself, frankly hated the Brahms symphonies.”

    The two composers met unexpectedly in Leipzig in 1888. They must have been as surprised as anyone to find themselves actually delighting in one another’s company.

    “I’ve been on the booze with Brahms,” Tchaikovsky wrote. “He is tremendously nice – not at all proud as I’d expected but remarkably straightforward and entirely without arrogance. He has a very cheerful disposition, and I must say that the hours I spent in his company have left me with nothing but pleasant memories.”

    The following year, the two met again in Hamburg. That’s when Brahms slept through the Fifth Symphony. Tchaikovsky bore it lightly and was convivial throughout the meal they shared afterward. Although Brahms was harsh in his assessment of the last movement of the symphony and Tchaikovsky confessed an overall aversion to Brahms’ style, the evening was full of good cheer and ended with Tchaikovsky inviting Brahms to visit him in Russia.

    How large a role alcohol may have played in the two men’s warmth for one another we can only guess. It was not just anyone who could be Brahms’ drinking buddy.

    Regardless of their mutual affection, the two never could reconcile themselves to one another’s music. When asked what he thought of a piano trio Brahms had been rehearsing (the Trio in C minor), Tchaikovsky was polite but frank: “Don’t be angry with me, my dear friend, but I did not like it.”

    Happy birthday, boys.


    Brahms, Piano Trio No. 3 in C minor, Op. 101 (disliked by Tchaikovsky)

    Tchaikovsky, Symphony No. 5 in E minor (disliked by Brahms)

  • Radu Lupu Legendary Pianist Dies at 76

    Radu Lupu Legendary Pianist Dies at 76

    It was all I could do to whip together a post about the passing of Harrison Birtwistle last night; but we also lost another major musician yesterday – the reclusive Romanian pianist Radu Lupu.

    Lupu is still a frequent presence on classical radio playlists, despite the fact that he hasn’t made a commercial recording since the mid-‘90s. Most of those performances are from his years as a Decca recording artist. Lupu continued to appear in concert, though he shunned publicity, denying interview requests and, when possible, permission for his concerts to be broadcast.

    He retired in 2019, after a long period of ill health, during which he frequently wound up canceling his engagements. He was a widely-respected interpreter of the core repertoire, especially fine in music of Mozart, Beethoven, Schubert, Schumann, and Brahms, among others.

    Radu Lupu was 76 years-old.


    As soloist in Mozart’s Piano Concerto No. 19

    Joined by Murray Perahia in a superb performance of Schubert’s Fantasia in F minor

    From a Carnegie Hall recital in 1994, Schumann’s Fantasy in C

    Brahms’ Ballade in G minor

    More Brahms: his final encore, from February 2019

  • Brahms Beard Birthday Challenge A Musical Celebration

    Brahms Beard Birthday Challenge A Musical Celebration

    Taking the Brahms’ beard birthday challenge.

  • Brahms vs Tchaikovsky Birthday Bash on WWFM

    Brahms vs Tchaikovsky Birthday Bash on WWFM

    It’s time for our annual steel-cage death match between Johannes Brahms and Peter Ilych Tchaikovsky. For the shared birthday anniversary of classical music’s greatest frenemies, WWFM The Classical Network will celebrate with a mixed menu of their music, today from 10 a.m. to 7 p.m. EDT.

    Whether your personal taste runs to Brahms, the great classicist among Romantics, or Tchaikovsky, always heart-on-the-sleeve, we hope you will support the tremendous variety of music offered year-round on The Classical Network by contributing right now at 1-888-232-1212, or online at wwfm.org.

    As an added bonus, George Marriner Maull will cap this special day with a program of music and discussion, featuring members of The Discovery Orchestra, coming to you live from Mercer County Community College’s Black Box Theater, adjacent to the WWFM studios. This very special edition of “Inside Music” will commence tonight at 8 pm. (Please note: “Inside Music” is ordinarily heard on the second and fourth Saturdays of every month at 7:30 p.m.)

    Learn more about tonight’s broadcast here:
    https://www.wwfm.org/post/inside-music-goes-live-brahmstchaikovsky-birthday-celebration

    While Brahms and Tchaikovsky were both born on this date – Brahms in 1833, and Tchaikovsky in 1840 – their stars didn’t quite align when it came to what they wanted to express in their art.

    Tchaikovsky notoriously confided to his diary, “I have played over the music of that scoundrel Brahms. What a giftless bastard!”

    For his part, Brahms demonstrated his slight regard of Tchaikovsky’s Fifth Symphony by falling asleep, during a rehearsal, in the composer’s presence.

    The two were finally brought together socially on New Year’s Day, 1888. And surprise! They actually delighted in one another’s company.

    “I’ve been on the booze with Brahms,” Tchaikovsky wrote. “He is tremendously nice – not at all proud as I’d expected but remarkably straightforward and entirely without arrogance. He has a very cheerful disposition, and I must say that the hours I spent in his company have left me with nothing but pleasant memories.”

    The following year, the two met again in Hamburg. That’s when Brahms slept through the Fifth Symphony. Tchaikovsky bore it lightly and was convivial throughout the meal they shared afterward. Although Brahms was harsh in his assessment of the last movement of the symphony and Tchaikovsky confessed an overall aversion to Brahms’ style, the evening was full of good cheer and ended with Tchaikovsky inviting Brahms to visit him in Russia.

    How large a role alcohol may have played in the two men’s warmth for one another we can only guess. It was not just anyone who could be Brahms’ drinking buddy.

    Regardless of their mutual affection, the two never could reconcile themselves to one another’s music. After a lovely evening with Brahms, during which both men drank and smoked prodigiously, while Adolph Brodsky – the violinist who had introduced Tchaikovsky’s Violin Concerto – rehearsed a Brahms piano trio, Mrs. Brodsky asked Tchaikovsky what he had thought of the piece.

    “Don’t be angry with me, my dear friend,” he said, “but I did not like it.”

    Happily, we can enjoy both men’s contributions, thanks to your continued support of classical music, in all its variety, on WWFM – The Classical Network!

    https://wwwfm.secureallegiance.com/wwfm/WebModule/Donate.aspx?P=DEFAULT&PAGETYPE=PLG&CHECK=vOU2bz5JCWmgCDbf53nm9ezWDeZ%2BeA1M&fbclid=IwAR2Z5QwBDt_X7iHkl7UeDuP59E-Xc14Vk8cRM7Ic8NKgMBIhLeMRE8DVBKQ

  • Itzhak Perlman at 75 A Classical Music Legend

    Itzhak Perlman at 75 A Classical Music Legend

    There are few superstars left in the world of classical music. Thankfully, Itzhak Perlman is still hale at 75. The bowing arm may not be what it used to be, but in his prime, he was one of the best. In particular, I always appreciated the warmth and commitment he brought to those composers of the so-called “second tier,” once championed by Heifetz. But I also love his Tchaikovsky concerto (particularly the first recording he made, with Alfred Wallenstein) and his Brahms sonatas (with Barenboim, even though the album with Ashkenazy seems to get all the raves). Happy birthday, Itzhak Perlman!


    Brahms’ Violin Sonata No. 1

    Perlman’s first recording of the Tchaikovsky Concerto

    Mario Castelnuovo-Tedesco’s Violin Concerto No. 2 “The Prophets”

    Erich Wolfgang Korngold’s Violin Concerto in D

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