Tag: Jerry Goldsmith

  • Sean Connery A Life Beyond Bond and Moreau Preview

    Here’s last night’s tribute to Sean Connery, in which we offer up such fascinating details as the fact that Connery’s ponytail in “Medicine Man” was a tribute to composer Jerry Goldsmith, and that before he broke into acting one of his occupations was “coffin polisher.” As a young man, he also punched out Lana Turner’s boyfriend, a hotheaded mobster who had exercised the bad judgment to pull a gun on him. From competing for the title of Mr. Universe to singing in the chorus of “South Pacific” to his Oscar-winning turn in “The Untouchables,” and beyond, Connery’s career is well-covered.

    We’ll be taking a break on Sunday, but we’ll be back next Friday at 7:00 EST to tackle the 1977 version of H.G. Wells’ “The Island of Dr. Moreau.”

    As may well be deduced from the thumbnail, I have developed a great deal of sympathy for the Beast Folk.

  • Piano Madness Movie Music on WWFM

    Piano Madness Movie Music on WWFM

    If the definition of insanity is doing the same thing over and over and expecting a different result, then surely Hanon etudes are a ticket to the madhouse.

    This week on “Picture Perfect,” get keyed-up with music from movies about madness and the piano.

    Whenever he hears a loud, discordant sound, unhinged pianist-composer Laird Cregar is compelled to commit murder, in the 1945 film “Hangover Square.” Bernard Herrmann wrote the moody, romantic score, which includes a piano concerto, played by Cregar’s character during the film’s conflagration finale.

    Peter Lorre is an unstable musicologist who is haunted by the disembodied hand of a murdered pianist with a penchant for Brahms’ arrangement of Bach’s Chaconne, in “The Beast with Five Fingers,” from 1946. Max Steiner was the composer. The piano is played on the film’s soundtrack by Victor Aller, the brother-in-law of Felix Slatkin – also Leonard Slatkin’s uncle.

    Alan Alda plays a frustrated pianist who falls in with a ring of Satanists, in “The Mephisto Waltz” from 1971. This time, Jerry Goldsmith blends Franz Liszt with amplified instruments and electronics to memorably eerie effect. Five years later, Goldsmith would win his only Academy Award for his music to “The Omen.”

    Finally, Hans Conried plays a dictatorial pedagogue in “The 5000 Fingers of Dr. T,” released in 1953. “5000 Fingers” holds the distinction of being the only feature ever written by Dr. Seuss. The film sports an outrageous production design (including a gargantuan keyboard for 500 enslaved boys) and whimsical songs.

    The composer was Frederick Hollander. Born in London, Hollander attained fame in Germany as Friedrich Hollander. His best-known international success was “The Blue Angel,” starring Marlene Dietrich, who introduced his song, “Falling in Love Again.” With the rise of the Nazis, Hollander fled to the United States, where he worked on over 100 films.

    That’s music from movies about madness and the piano this week, on “Picture Perfect.” Practice makes psychotic, THIS SATURDAY EVENING AT 6:00 EDT, on WWFM – The Classical Network and wwfm.org.

  • Planet of the Apes & Patriotic Film Scores Tonight!

    Planet of the Apes & Patriotic Film Scores Tonight!

    Get ready to chimp-out with another Classic Ross Amico double-feature.

    First, at 6:00 EDT, I’ll be your host, as we assert our independence, with selections from “The Patriot” (John Williams), “George Washington Slept Here” (Adolph Deutsch), “Revolution” (John Corigliano), and “Williamsburg: The Story of a Patriot” (Bernard Herrmann), on the tenth anniversary of “Picture Perfect,” on WWFM – The Classical Network and wwfm.org.

    Then, at 7:00 EDT, some apes may be more equal than others, but “Planet of the Apes” is far and away the best of the original film series. Join Roy Bjellquist and me as we hash over this nihilistic classic that begins with the tiniest of American flags and concludes with – well, you probably already know. So much for Liberty. “Planet of the Apes” will be the focus of the Facebook live-stream “Roy’s Tie-Dye Sci-Fi Corner.”

    As usual, I’ll be pouring on the love for composer Jerry Goldsmith (pictured, below, in an unusually light mood). We’ll also discuss the film’s evolution, its themes and social commentary, its accolades and influence, along with a banana boat full of behind-the-scenes trivia.

    Better pour yourself a stiff one. Everything will be revolting – from Jack Benny to Jack Lord, to a bare-chested Heston and our scintillating simian conversation.

    Happy Friday, and God bless America!

    https://www.facebook.com/roytiediescificorner/


    PHOTOS: Benny & Jerry

  • Ross Amico Double Feature Tonight

    Ross Amico Double Feature Tonight

    It’s another Classic Ross Amico double-feature tonight, presented across two media!

    First, at 6:00 EDT, rediscover lost worlds and forgotten civilizations on “Picture Perfect,” with music from “King Solomon’s Mines” (Mischa Spoliansky), “She” (James Bernard), “The Man Who Would Be King” (Maurice Jarre), and “Lost Horizon” (Dimitri Tiomkin), on WWFM – The Classical Network and wwfm.org.

    Then, at 7:00 EDT, settle in for another deconstruction of a sci-fi classic from 1979, Ridley Scott’s “Alien,” with Roy Bjellquist, on “Roy’s Tie-Dye Sci-Fi Corner.” Our bull session will be live-streamed on Facebook. Follow the link at 7 for a window-in – and to leave a question or a comment!

    https://www.facebook.com/roytiediescificorner/

    And yes, I will be talking about Jerry Goldsmith!

  • Remembering Freni Price Goldsmith on WWFM

    Remembering Freni Price Goldsmith on WWFM

    There will be plenty of drama this afternoon on The Classical Network, as we remember operatic superstar Mirella Freni. Freni died yesterday at the age of 84. We’ll hear her in one of her most celebrated roles, as Mimi, with her childhood friend, Luciano Pavarotti, singing Rodolfo.

    Then Freni will appear as Micaela, in Bizet’s “Carmen.” Today also happens to be the anniversary of the birth of Leontyne Price. Price will sing the title role on that very same recording.

    We’ll even find time for mellifluous, dark-hued bass Cesare Siepi, also born on this date.

    Not all of the drama will take place on the operatic stage, however. Today is also the birthday of the great Jerry Goldsmith. Expect a substantial medley of some of his most enduring film scores.

    Along the way, we’ll head back to the Baroque with Johann Melchior Molter and hear music by the 20th century Canadian composer Jean Coulthard.

    Drama is our middle name, from 4 to 7 p.m EST, on WWFM – The Classical Network and wwfm.org.


    PHOTOS: Jerry Goldsmith (top) with, left to right, Leontyne Price, Mirella Freni and Luciano Pavarotti, and Price (again) with Cesare Siepi

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