Tag: The Lost Chord

  • Mediterranean Music Escape This Sunday

    Mediterranean Music Escape This Sunday

    This Sunday night on “The Lost Chord,” leave all your troubles behind, as we take a musical vacation to the Mediterranean.

    We’ll have a work by Charles Camilleri, Malta’s national composer – his “Mediterranean Dances” – and a guitar concerto by an apparently shoeless John McLaughlin. McLaughlin is better known as a jazz or jazz fusion artist. We’ll hear his infectious “Mediterranean Concerto,” a work of ambitious scope, about twice the length of your average guitar concerto. McLaughlin kept a home along the Mediterranean at the time of the work’s composition. We all should be so lucky! Thankfully, we can live vicariously through the music.

    Join me for “Mediterranean Muse” – musical souvenirs of the Mediterranean basin – this Sunday night at 10 EDT; or listen to it later as a webcast at wwfm.org.

  • Save Our Radio Shows Funding Ideas Needed

    Save Our Radio Shows Funding Ideas Needed

    With the end of the fiscal year approaching, I thought I would reach out to you, my Facebook friends, for suggestions on how to solve a particular problem. You see, it’s all about raising dough. Isn’t it always?

    As of July 1, WWFM will no longer be able to afford to pay for its specialty shows. That means unless hosts are able to find their own funding, they will either have to (a) do their shows live at whatever time they are assigned, probably somewhere in the middle of the afternoon, (b) produce them on a volunteer basis, or (c) stop doing them.

    All three of these options are problematic. If a host were to do a show live, he or she would still have to record it and perform all sorts of touch up work on it, in order to get it in fighting trim for syndication. The host would not be compensated for that work, or for any script-writing. Essentially he or she would be paid for doing the equivalent of a one-hour live air shift. That’s unsustainable.

    Obviously, doing it for free would be even more so.

    “Picture Perfect” and “The Lost Chord” are on the line. In order to keep doing these shows, I would have to raise $5000 each for the coming year. I could do that through underwriting, or I could look into obtaining a grant. Either one would take time, but if it looked as if it were a realistic option, I would tough it out and do the shows for free until funding was secured.

    Underwriting may be from a corporate source, it could be from a small business, or it could come from a particularly generous individual listener with a surplus of moola burning a hole in his or her pocket. I had even considered perhaps trying to pull together a consortium of individual donors, with everyone kicking in what they could – which brings me to crowdfunding platforms such as Kickstarter. I haven’t really looked into these, but I know they are out there.

    It is not my aim to try to discourage anyone from supporting WWFM in general or to persuade listeners to shift their financial support from the station to one of my individual shows. This should not be an either/or proposition.

    I don’t think anyone who follows this page is a Rich Uncle Pennybags, but I know there are a lot of clever people out there. If anyone can think of a creative solution to the problem of keeping “Picture Perfect” and “The Lost Chord” alive in such a way that they can still be heard by the general population, and in a way that I can actually pay my rent, please post your suggestions below or feel free to message me. I am all eyes and ears.

    If only I could just have Moe inflate the budget using a makeshift hose to the gas pipe. Then again, we all know how well that worked out.

    Thank you for reading, and thank you in advance for your suggestions!

  • Hungarian Music on “The Lost Chord”

    Hungarian Music on “The Lost Chord”

    Have you a hunger for Hungarian music?

    This Sunday night on “The Lost Chord,” I’ll be joined by Mariusz Smolij for the first of a two-part series, in which we sample from his recording projects for the Naxos label, focusing on Eastern European composers.

    Smolij is known in the Greater Delaware Valley as the Music Director of the Riverside Symphonia, based in Lambertville, NJ, which he has directed for over 20 years. He is also music director of the Acadiana Symphony Orchestra and Conservatory of Music in Lafayette, LA, and formerly associated with the Houston Symphony Orchestra and the New Jersey Symphony Orchestra. He has taught conducting at the music school of Northwestern University in Chicago and was a founding violinist of the internationally acclaimed Penderecki String Quartet.

    We’ll hear selections from a concert work by celebrated film composer Miklós Rózsa (he of “Ben-Hur” fame), as well as several by his lesser-known friend and colleague Eugene Zador.

    That’s “Famished for Hungary” – Mariusz Smolij’s recordings of Hungarian music for the Naxos label – this Sunday night at 10 EDT, with a repeat Wednesday evening at 6, on WWFM – The Classical Network; or listen to it later as a webcast at wwfm.org.


    PHOTO: Mariusz Smolij (right), Ross Amico (left), conspicuous product placement (center)

  • Chandos Airbrushes Tansman’s Cigarette?

    Chandos Airbrushes Tansman’s Cigarette?

    Is it my imagination, or did Chandos Records really Photoshop out Alexandre Tansman’s cigarette? I’m not a smoker myself, but I think that’s taking political correctness a bit far. What’s next, Photoshopping Shostakovich’s liver spots? Let Slavs be Slavs aleady.

    You can experience Tansman’s neoclassical mastery in his Partita for Cello and Piano tonight on “The Lost Chord,” along with Henry Górecki’s Symphony No. 4. Listen at 10:00 EDT at wwfm.org. The program will repeat Wednesday evening at 6, and then be archived as a webcast.

  • Smolij on Zádor Rózsa & Bacewicz at WWFM

    Smolij on Zádor Rózsa & Bacewicz at WWFM

    I’m very excited to have just had Mariusz Smolij into the studios at WWFM The Classical Network to talk about his outstanding recordings of music by Eugene Zádor, Miklós Rózsa and Grażyna Bacewicz for the Naxos label. We’ll enjoy some of these, along with Maestro Smolij’s insights, on two upcoming episodes of “The Lost Chord.”

    Smolij will conduct the Riverside Symphonia in music by Warlock, Bach, Grieg, and Haydn this Friday night at 8:00 at St. Martin of Tours Church in New Hope, PA.

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