Tag: William Schuman

  • August 4: A Birthday Bonanza of American Music

    August 4: A Birthday Bonanza of American Music

    I learned something very interesting this morning. Today is the birthday of Louis Armstrong, with whom I always assumed I shared a birthday of July 4. It turns out Armstrong had no idea when he was born, and it wasn’t until the 1980s that a researcher discovered his baptismal records, confirming that he was born on August 4, 1901. Armstrong, of course, rose from impoverished origins in New Orleans to become not only one of the most important figures in American jazz, but also one of the most recognizable and beloved musicians of the 20th century.

    Two other notable American musicians were born on this date. William Schuman, the winner of the inaugural Pulitzer Prize for Music in 1943 (for his Cantata No. 2 “A Free Song”), was born in 1910. He was president of the Juilliard School from 1945, resigning the position in 1961 to become president of Lincoln Center. He received a special Pulitzer in 1985 for his “contribution to American music as composer and educational leader.” His most famous works are his “New England Triptych,” after Revolutionary Era anthems of William Billings, and his Symphony No. 3, one of the great American contributions to the form, though I encourage you to check out his baseball opera, “The Mighty Casey,” for a lighter side of this often austere composer.

    Finally, film composer David Raksin was born on this date in Philadelphia in 1912. Best-known for the standard “Laura” (from the motion picture of the same name), Raksin got his start working for Charlie Chaplin on “Modern Times,” whipping the self-styled auteur’s musical ideas into their final form. Their relationship could be contentious (Chaplin fired him at least once), but they remained lifelong friends. Because of his longevity – Raksin lived to be 92 – he assumed the unofficial position of senior statesman for film composers of Hollywood’s Golden Age. He was brimming with anecdotes about his colleagues, both in the music department and beyond.

    Happy birthday, gentlemen, and thanks for the music!

    Armstrong sings and plays “All That Meat and No Potatoes”:

    William Schuman on “What’s My Line?”

    Raksin plays “Laura”:
    https://www.youtube.com/watch?v=jTVVqUT_pDw

    Raksin talks about working with Chaplin on “Modern Times”:

    PHOTO: Louis Armstrong and Grace Kelly on the set of “High Society”

  • Pulitzer Music Prize History & Preview

    Pulitzer Music Prize History & Preview

    Tomorrow afternoon, the Pulitzer Prize committee will announce this year’s winners and nominees. In anticipation, tonight on “The Lost Chord,” we look back on the history of the Pulitzer Prize for Music.

    Really, other than Copland’s “Appalachian Spring” and Ives’ Symphony No. 3, how often do you get to hear this stuff? Okay, the operas of Menotti and Robert Ward get revived from time to time, and Jennifer Higdon has been very fortunate for a composer in her prime. Yet most of the Pulitzer winners remain elusive.

    We’ll have a chance to sample three of them, as part of our annual “Pulitzer Surprises” show – including the very first, William Schuman’s “A Free Song” (1943), recorded for the first time only in 2011, and the most recent, Caroline Shaw’s “Partita for 8 Voices” (2013).

    Shaw – at 30, the youngest recipient in the history of the category – is currently a Ph.D. candidate at Princeton University. Her work for string quartet, “Ritornello 2.sq.2.j,” will be performed by the JACK Quartet in Princeton this Tuesday.

    The “Partita” is certainly the highlight of tonight’s program, with a dizzying array of genres and techniques ably navigated by the a cappella ensemble, Roomful of Teeth.

    Also on the program will be a sampling of William Bolcom’s “12 New Etudes for Piano,” the Pulitzer-winner from 1988.

    You can hear it tonight at 10:00 ET, with a repeat Thursday night at 11, or catch it later as a webcast at http://www.wwfm.org.

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